Стихи и эссе

     the sebum and lipids you need,
        on condition you never
     do me annoy with your presence,
        but behave as good guests should,
     not rioting into acne
        or athlete's-foot or a boil.

     Does my inner weather affect
        the surfaces where you live?
     Do unpredictable changes
        record my rocketing plunge
     from fairs when the mind is in tift
        and relevant thoughts occur
     to fouls when nothing will happen
        and no one calls and it rains.

     I should like to think that I make
        a not impossible world,
     but an Eden it cannot be:
        my games, my purposive acts,
     may turn to catastrophes there.
        If you were religious folk,
     how would your dramas justify
        unmerited suffering?

     By what myths would your priests account
        for the hurricanes that come
     twice every twenty-four hours,
        each time I dress or undress,
     when, clinging to keratin rafts,
        whole cities are swept away
     to perish in space, or the Flood
        that scalds to death when I bathe?

     Then, sooner or later, will dawn
        a Day of Apocalypse,
     when my mantle suddenly turns
        too cold, too rancid, for you,
     appetising to predators
        of a fiercer sort, and I
     am stripped of excuse and nimbus,
        a Past, subject to Judgement.

1969

'About suffering they were never wrong,'

About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just
walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the
torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how
everything turns away
Quite leisurely from the disaster; the ploughman
may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the
sun shone
As it had to on the white legs disappearing into
the green
Water; and the expensive delicate ship that must
have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.

ARCHAEOLOGY

     The archaeologist's spade
     delves into dwellings
     vacancied long ago,