A Spark Unseen

motion. I’d been doing so for more than two years, in some ways. Now it was time for him to react to mine.

We waited outside the Tuileries in the night air, bathed in lights. I was surrounded by history and magnificence, but the plans now filling my head left no room for their appreciation. My neck ached from where I had hit the wall, and I was regretting my lack of cloak or wrap. Henri tugged off his jacket and silently offered it. I hesitated before I took it, but it was warm. I heard the horse hooves, and our carriage rattled up. A lavishly dressed servant opened the door and I was handed in, taking a moment to squeeze the enormous skirt through the narrow doorway.

As Henri began to step in after me I said, “Be so good as to tell the driver we wish to go to Rue Tisserand. Quietly, if you can.”

He leaned back out, and I distinctly heard him say “Rue Trudon.” I frowned. He climbed in and sat down opposite me, my skirt leaving no room for his feet. “I said the Rue Tisserand, Mr. —”

I saw his hand shoot up in the semidarkness, stopping my speech. “No more, Miss Tulman. No more.”

Gravel crunched under the carriage wheels. When we left the gates and began rolling smoothly on a paved street, I said, “Is something the —”

“I mean that you tell me nothing. Nothing!” he shouted. “And yet I am to go with you to Rue Tisserand in the middle of the night. Madness! You will go home as you ought.”

He was absolutely seething. Oddly, I liked it much better than when he was flattering. “I am sorry. It isn’t fair to you, I know. I will go home first …” I saw his shoulders relax slightly. “… so I can take Mary with me. She is —”

I was interrupted by what I could only assume was a long and bountiful example of French cursing. “What is wrong with you?” he said finally. “What is wrong with you? I do not know your troubles. You will not say. But the emperor’s men, they watch your house, and other men, they disappear around you, poof!” His English was suffering with his anger. “And you say go here, and go there, and you wish to visit slums in the night in a dress that would buy a month of bread, and bring the imperial court right to the poor monsieur’s door! Idiocy!”

I was taken aback, mostly because he was correct. I had been letting my own fury get the better of my sense. Of course I was being watched, whether I could see the eyes or not. I could not simply drive up to Joseph’s door. I would get the man killed. Henri leaned forward, elbows on knees, rubbing his forehead with one hand. I could smell his jacket all over me.

“I am sorry,” I told him again. “The man in the ballroom is … He is known as Charles Arceneaux, he is a … a favorite of the emperor. He thinks I have something he wants. If I do not produce this thing by tomorrow night, then he says another man will die. I cannot let this man die, but I also cannot produce this thing that he wants. I must speak with Joseph and I have no time to wait until a more proper hour.”

There was a long silence, just the clop of horseshoes, the echo of wheels on passing buildings. The streetlamps had been put out; the only lights were the ones swinging outside the carriage.

“This man who will die,” said Henri finally, “he is the artist. Your servant.”

“Yes.”

Another string of French came from the other seat, though softer this time, and resigned.

“Send the carriage away when we come to the house. I will get you to Rue Tisserand.”

Once inside the red doors, I hurried upstairs, leaving Henri to turn on the gaslights in the ladies’ salon and the dining room and kitchen, as if we intended to be awake for some time. The house was very quiet. I passed Marianna’s bedchamber, and now that I was alone I hiked the annoying hoopskirt up to my waist and ran the next flight of stairs. I entered Mr. Babcock’s room in the dark, closed the door behind me and, leaving the lights off, tried to feel my way to the wardrobe. I nearly screamed when the door kicked open in a burst of candle flame, but let the noise die inside me when I recognized Mary’s nightcap silhouetted in the light.

“It’s me, Mary,” I said, “only me.”

Mary lowered the arm with her fireplace poker. “Good Lord, Miss, what are you doing … ?”

“Blow out that candle and shut the door, Mary. I need a pair of trousers.”

We waited an hour before letting ourselves out the back door and into the courtyard, Henri in his shirtsleeves, jacket left behind, me in Mr. Babcock’s smallest pair of trousers, which were both too big and too short all at once. I’d felt ridiculous coming down the stairs, much worse than in the green velvet earlier, Mary shaking her head and giving her opinion freely all the way down. It felt absolutely wrong, like I’d nothing on but bloomers. But I forgot all that in the cool silence of the garden, where the shaking of the dying leaves in the night wind made it impossible to know if someone else might be out there with us. We scooted in the darkness along the edge of the buildings, finally crouching down at Mrs. Reynolds’s back door.

“Keep watch,” Henri whispered, quietly pulling what I took to be a ring of keys from his pocket. I had my hair braided, pinned up beneath Lane’s red cap, and I held it on my head with one hand while I watched the shadows move, wondering why Henri would have a set of keys to Mrs. Reynolds’s, then wondering why it was taking him so long to use them. I risked a glance behind me. Henri was not using keys; he was picking the lock.

The lock clicked, the door squealing lightly on its hinges, and I followed him inside. We flitted through the dark house to the foyer, trying not to bump, knock over, or be impaled by one of the myriad ornaments along the walls and in the corners. Henri put his hand on the front doorknob and whispered back to me, “We will walk quickly, and with purpose, like servants sent for the doctor, or … I don’t know what. Just walk … avec confiance, with confidence.”

I nodded. It did not matter in the least whom the men watching my house thought was coming out of Mrs. Reynolds’s, as long as they did not think it was us. Henri opened the front door, we stepped outside, and he closed it behind us with a bang, as if we were doing just as we ought, with no need of silence. We moved away down the sidewalk as a light came on in Mrs. Reynolds’s second floor.

“Where did you learn to pick locks, Mr. Marchand?” I asked as we turned the corner.

“I am a man of many talents and, mon Dieu, stop walking like a woman before you are arrested.”

A city at night, I discovered, was an uglier world, where things hidden by the nicety of sunshine dragged themselves out to revel in gaslit music halls and the light of the occasional streetlamp. It was a long way to Rue Tisserand. We avoided noise and crowds, keeping to the dark, but twice we were accosted by women, one painted and bedraggled, the other hardly more than a girl, and once we had to speak to a gendarme, or rather Henri did, loudly and with much laughter. I was fairly certain he informed the man that we were drunk. I stood half behind him, mute, thankful for the darkness that I suspected was the biggest component of my so-called disguise. Or maybe the policeman just didn’t care.

It was three o’clock in the morning before we arrived, having made several wrong turns after a consultation with a man sleeping on a door stoop. Rue Tisserand was small and narrow, rank with the odor of rubbish and cess. No lights shone other than a dim candle in an upper window, where a baby cried, and a house at the end, where the night-soil men were shoveling. Henri looked closely at a doorway and then knocked on it hard. He turned to me.

“And now … how do the English say it? It is your time to ‘call the shots,’ Miss Tulman.”

Footsteps came down the passage, and someone spoke on the other side of the door. “Qu’est- ce que vous voulez?” A girl’s voice, a little frightened.

“Joseph, please,” I replied, mouth close to the door.

“Qui etes-vous?”

“She wants to know who you are,” whispered Mr. Marchand.

“I am here about Jean-Michel.”

The door flew open.