the time of his trial, Ah Sook knew no names at all; it was not until the morning after his acquittal that he found a copy of the
The case of the prosecutor, according to the
The defence, in the face of these charges, was lackadaisical. The lawyer reasoned that it was unlikely that Ah Sook, being but a fraction of Shepard’s height and weight, could have got close enough to place the muzzle of the pistol against the other man’s temple; for this reason, the possibility of suicide ought not to be ruled out. When the prosecutor interjected to assert that the act of suicide was, by the testimony of his friends, vehemently against Jeremy Shepard’s nature, the defence ventured the opinion that no man on earth was wholly incapable of suicide—a surmise that received a sharp reprimand from the judge. Begging the judge’s pardon, the lawyer concluded his argument by suggesting, as a kind of general summation, that perhaps Sook Yongsheng had only fled the White Horse in alarm: a shot had just been fired, after all. When he sat down the prosecutor made no effort to hide his smirk, and the judge sighed very audibly.
At last the prosecutor called for the testimony of Margaret Shepard, Jeremy Shepard’s widow—and it was here that the trial took a startling turn. Upon the stand, Margaret Shepard flatly refused to corroborate with the prosecutor’s line of questioning. She insisted that Sook Yongsheng had not murdered her husband. She knew this to be true for a very simple reason: she had witnessed his suicide herself.
This startling confession gave rise to such an uproar in the court that the judge was obliged to call for order. Ah Sook, to whom these events would only be translated long after the fact, never dreamed that the woman was risking her own safety in order to save his life. When Margaret Shepard’s questioning was allowed to continue, the prosecutor inquired as to why she had hitherto concealed this very vital information, to which Margaret Shepard replied that she had lived in great fear of her husband, for he abused her daily, as more than one witness could attest. Her spirit was all but broken; she had only just mustered the courage to speak of the incident aloud. After this poignant testimony, the trial dissolved. The judge had no choice but to acquit Ah Sook of the crime of murder, and to release him. Jeremy Shepard, it was decreed, had committed suicide, may God rest his soul—though
Ah Sook’s first action, upon his release from gaol, was to seek news of Francis Carver. He learned, to his surprise, that in fact the
There was nothing to do but wait for Carver’s sentence to elapse. Ah Sook sailed to Victoria, and began to dig the ground; he acquired some facility in English, apprenticed himself to various trades, and dreamed, with increasing lucidity, of avenging his father’s murder by taking Carver’s life. In July 1864 he sent a written inquiry to Cockatoo Island requesting to know where Carver had gone upon his liberation. He received an answer three months later, informing him that Carver had sailed to Dunedin, New Zealand, upon the steamer

Ah Sook found Ah Quee sitting cross-legged on a shelf of gravel, some few feet from the boundary peg that marked the Aurora’s southeast corner. The goldsmith held a prospector’s dish in both hands, and he was shaking the dish rhythmically, flicking out his wrists in the confident motion of a man long-practised in a single skill. There was a lit cigarette in the corner of his mouth, but he did not appear to be smoking it: the ash shredded finely down his tunic as he moved. Before him was a wooden trough of water, and beside him, an iron crucible with a flattened spout.
His rhythm followed a circular pattern. First he shook the largest stones and clods out of his dish, keeping to a persistent tempo, so that the finer sands tumbled, by degrees, to the bottom of the pan; then he leaned forward, dipped the far edge of the pan into the clouded water, and with a sharp movement tilted the pan back towards his body, swirling the liquid carefully clockwise, to create a vortex in the dish. Gold was heavier than stone, and sank to the bottom: once he skimmed the wet gravel from the surface, the pure metal would be left behind, shining wetly, tiny points of light against the dark. Ah Quee plucked out these glistering flakes with his fingers, and transferred them carefully to his crucible; he then refilled his dish with earth and stones, and repeated the procedure, with no variation whatsoever, until the sun sank below the treetops to the west.
The Aurora was a good distance from both the river and the sea, an inconvenience that accounted, in part, for its undesirability as a goldmine. It was necessary for Ah Quee to transport his own river water to the claim every morning, for without water, his task was all but impossible; once the water was clouded with dirt and silt, however, it was very hard to see the gold, and he was obliged to tramp back to the river, in order to fill his buckets again. A tailrace might have been constructed from the Hokitika River, or a shaft might have been dropped for a well, but the goldmine’s owner had made it clear from the outset that he would spare the Aurora no resources at all. There was no point. The two acres that comprised the Aurora was only barely payable ground: it was only a dull patch of stones, treeless. The tailing pile at Ah Quee’s back, testament to long hours of solitary industry, was long and low; a burial mound, under which no body had been interred.
Ah Quee looked up as Ah Sook approached.
‘
‘
The two men regarded each other with neither hostility nor kindness, but the gaze they shared was long. After a moment Ah Quee plucked the last of the cigarette from his mouth, and flicked it away over the stones.
‘The yield is small today,’ he said in Cantonese.
‘A thousand sympathies,’ replied Ah Sook, speaking in his native language also.
‘The yield is small every day.’
‘You deserve better.’
‘Do I?’ said Ah Quee, who was in an irritable temper.
‘Yes,’ said Ah Sook. ‘Diligence deserves to be rewarded.’
‘In what proportion? And in what currency? These are empty words.’
Ah Sook placed the palms of his hands together. ‘I come bearing good news.’
‘Good news and flattery,’ Ah Quee observed.
The hatter took no notice of this correction. ‘Emery Staines has returned,’ he said.
Ah Quee stiffened. ‘Oh,’ he said. ‘You have seen him?’
‘Not yet,’ said Ah Sook. ‘I am told that he will be in Hokitika tonight, at a hotel upon Revell-street where a celebration has been planned to welcome his return. I have been invited, and as a gesture of my good faith, I extend my invitation to you.’
‘Who is your host?’
‘Anna Wetherell—and the widow of the dead man, Crosbie Wells.’
‘Two women,’ said Ah Quee, sceptically.
‘Yes,’ said Ah Sook. He hesitated, and then admitted what he had discovered that morning: that in fact Crosbie’s widow was the very same woman who had operated the White Horse Saloon in Darling Harbour, who had testified against Ah Sook at his own trial, and who had once been the lover of his enemy, Francis Carver. Formerly Lydia Greenway, her name was now Lydia Wells.
