The Luminaries

Alistair Lauderback, George Shepard, Lydia Wells, Francis Carver, Anna Wetherell, and Emery Staines, the Crown men have become more and more suggestive, despite the fact that nothing has been proven, no body has been tried, and no new information has come to light. Their beliefs have become more fanciful, their hypotheses less practical, their counsel less germane. Unconfirmed suspicion tends, over time, to become wilful, fallacious, and prey to the vicissitudes of mood—it acquires all the qualities of common superstition—and the men of the Crown Hotel, whose nexus of allegiance is stitched, after all, in the bright thread of time and motion, have, like all men, no immunity to influence.

For the planets have changed places against the wheeling canvas of the stars. The Sun has advanced one- twelfth along the tilted wheel of her ecliptic path, and with that motion comes a new world order, a new perspective on the whole. With the Sun in Capricorn we were reserved, exacting, and lofty in our distance. When we looked upon Man, we sought to fix him: we mourned his failures and measured his gifts. We could not imagine what he might have been, had he been tempted to betray his very nature—or had he betrayed himself without temptation, better still. But there is no truth except truth in relation, and heavenly relation is composed of wheels in motion, tilting axes, turning dials; it is a clockwork orchestration that alters every minute, never repeating, never still. We are no longer sheltered in a cloistered reminiscence of the past. We now look outward, through the phantasm of our own convictions: we see the world as we wish to perfect it, and we imagine dwelling there.

ARIES IN THE THIRD HOUSE

In which Te Rau Tauwhare goes in search of employment and Lowenthal’s suggestions are rebuffed.

At the newspaper office on Weld-street, Te Rau Tauwhare found the door propped open with a hatstand, and the sound of whistling issuing from within. He entered without knocking, and passed through the shop to the workroom at the rear, where the paper’s editor, Benjamin Lowenthal, was sitting at his workbench, setting the type for Monday’s edition of the West Coast Times.

In his left hand Lowenthal held a steel composing stick, roughly the size of a schoolboy’s rule; with his right, he selected and deftly fitted tiny blocks of type, their nicks facing outward, onto the square edge of the stick—a task that required him to read not only right-to-left, but also back-to-front, for the galley text was both mirrored and reversed. Once the line was set, he would slide it into the forme, a flat steel tray a little larger than a newspaper broadsheet; beneath each line he slotted thin straps of lead, to create a space between the lines, and occasionally, a raised brass rule, to produce a solid underscore. When he had slid the last line of text into the forme, he fitted wooden quoins around the edge of the tray, tapping them with a mallet to ensure that every block was snug; then he planed the surface of the galley with a piece of two-by-four to ensure each block of type sat at a uniform height. Finally, he dipped his hand-roller in a tray of ink, and coated the entire galley in a thin film of glossy black—working swiftly, so the ink did not have time to dry—and laid a trembling sheet of newsprint over it. Lowenthal always printed his first proof by hand, so as to check it for errors before committing the galley to the press—though he made few errors of an accidental or careless sort, being, by nature, something of a stickler for perfection.

He greeted Tauwhare very warmly. ‘I’m sure I haven’t seen you since the night Godspeed came to ground, Mr. Tauwhare,’ he said. ‘Can that be true?’

‘Yes,’ Tauwhare said, indifferently. ‘I have been in the north.’ He cast his eye over the other man’s workbench: cases of type, pots of ink and lye, brushes, tweezers, mallets, assorted blocks of lead and brass, a bowl of spotted apples, a paring knife.

‘Just arrived back, have you?’

‘This morning.’

‘Well then, I am sure I can guess why you’ve returned.’

Tauwhare frowned. ‘How can you guess?’

‘Why—for the widow’s seance! Do I not hit upon it?’

Tauwhare said nothing for a moment, still frowning. Then he said, with a tone of suspicion, ‘What is a seance?’

Lowenthal chuckled. He put down his composing stick, crossed the room, and took up Saturday’s paper from where it lay folded on the side of the washstand. ‘Here,’ he said. He unfolded it to the second page, tapped an advertisement with his ink-stained finger, and passed the paper to Tauwhare. ‘You ought to come along. Not to the seance itself—you need a special ticket for that—but to the party beforehand.’

The advertisement ran over two columns. It had been printed in a bold eighteen-point type that Lowenthal typically reserved for mastheads and historic headlines only, and it was bordered thickly in black. The Wayfarer’s Fortune, owned and operated by Mrs. Lydia Wells, late of the city of Dunedin, widow to Crosbie, was to open to the public for the first time that very evening. In honour of this occasion Mrs. Wells, a celebrated medium, would condescend to host Hokitika’s inaugural seance. This seance would be restricted to an elite audience, with tickets allocated according to the principle ‘first to come, first to be served’; the occasion would be prefaced, however, by an evening of ‘drinks and speculation’, open to the discerning public—who was encouraged, collectively, to come with an open mind.

This last injunction was perhaps easier said than done, for as the paper had it, the purpose of the seance was to locate, via the extraordinarily sensitive instrument of Mrs. Wells herself, certain tremors of spirit, the investigation of which would open a channel between this realm and the next, and thereby establish some kind of a rapport with the dead. Within the broad category of the dead, Mrs. Wells had been both excessively particular and excessively confident in making her selection: she planned to summon the shade of Mr. Emery Staines, who had not yet returned to Hokitika, and whose body, after five weeks of absence, had not yet been found.

The widow had not made clear what she planned to ask the shade of Mr. Staines, but it was universally assumed that, if nothing else, she would surely request to know the manner of his death. Any medium worth her salt will tell you that a spirit who has been murdered is far more loquacious than a spirit who has left this world in peace—and Lydia Wells, we need hardly remark, was worth every grain of hers.

‘What is a seance?’ said Tauwhare again.

‘It is a piece of utter foolishness,’ said Lowenthal cheerfully. ‘Lydia Wells has announced to all of Hokitika that she is going to commune with the spirit of Emery Staines, and more than half of Hokitika has taken her at her word. The seance itself is just a performance. She will go into a trance—as though she’s having a fit, or a seizure—and then she’ll say a few words in a man’s voice, or make the curtains move in some unexpected fashion, or pay a boy a penny to climb up the chimney and call down the pipe. It’s a piece of cheap theatre. Of course every man will go home believing he’s made contact with a ghost. Where did you say you’ve been?’

‘Mawhera,’ said Tauwhare. ‘Greymouth.’ He was still frowning at the paper.

‘No word of Mr. Staines up there, I suppose.’

‘No.’

‘Nor here. We’re rather losing hope, I’m sorry to say. But perhaps we’ll get a clue of some kind this evening. The real cause for suspicion, you see, is Mrs. Wells’s certainty that Mr. Staines really is dead. If she knows that much, then what else does she know, and how does she know it? Oh: tongues have been wagging, Mr. Tauwhare, this fortnight past. I wouldn’t miss this party for the world. How I wish that I’d got my hands on a ticket.’

For the widow had chosen to limit her seance to only seven souls—seven being a number of magical allusion, possessed of a darkly mysterious ring—and Lowenthal, arriving at the Wayfarer’s Fortune some fifteen minutes before nine in the morning, discovered, to his immense regret, that these seven places had already been filled. (Of the Crown men, only Charlie Frost and Harald Nilssen had been successful in securing a ticket.) Lowenthal, along with scores of other disappointed men, would have to content himself with attending the preliminary ‘drinks and speculation’, and leaving before the seance was officially conducted. He attempted to buy a ticket at double price from one of the lucky seven, but to no avail. Frost