The Luminaries

she had decided to source the drug from the chemist directly. This latter alternative ought to have been the more hurtful to Ah Sook, for he still suspected that Joseph Pritchard had played a part in engineering Anna’s overdose, on the night of the 14th: he still believed, despite many assurances to the contrary, that Pritchard had tried for some reason to end Anna’s life. But in fact it was the former alternative that was the more difficult for Ah Sook to bear. He simply could not believe—did not want to believe—that Anna had managed to rid herself, once and for all, of her addiction.

Ah Sook was very fond of Anna, and he believed that she was fond of him also. He knew, however, that the intimacy that they enjoyed together was less a togetherness than it was a shared isolation—for there is no relationship as private as that between the addict and his drug, and they both felt that isolation very keenly. Ah Sook loathed his own enslavement to opium, and the more he loathed it, the more his craving for the drug strengthened, taking a disgusted shape in his heart and mind. Anna, too, had loathed the habit in herself. She had loathed it all the more when she began to swell with child, and her trade in Hokitika dwindled, and she was left with days and weeks of twilit smoke, an acreage of time, that softened at the edges, and blurred, until the baby died, and Anna’s dependence acquired a desperation that even Ah Sook did not attempt to understand. He did not know how the baby came to perish, and had not asked.

They never spoke in the Kaniere den—not as they lit the lamp, not as they lay back, not as they waited for the resin to soften and bubble in the bowl. Sometimes Anna filled Ah Sook’s pipe first, and held it for him as he took the smoke into his body, and breathed, and slipped away—only to wake, later, and find her stretched out beside him, supple and clammy, her hair plastered wet against her cheek. It was important to the lighting of the pipe that no words were ever spoken, and Ah Sook was pleased that they had adopted this practice without any kind of negotiation or request. As the conjugal act cannot be spoken of aloud for reasons both sacred and profane, the ritual of the pipe was, for the pair of them, a holy ritual that was unspeakable and mortified, just as it was ecstatic and divine: its sacredness lay in its very profanity, and its profanity, in its sacred form. For what a solemn joy it was, to wait in silence for the resin to melt; to ache for it, shamefully, wondrously, as the sweet scent of it reached one’s nose; to pull the needle through the tar; to cut the flame, and lie back, and take the smoke into one’s body, and feel it, miraculous, rushing to one’s very extremities, one’s fingers, one’s toes, the top of one’s head! And how tenderly he looked upon her, when they woke.

On the afternoon of the widow’s seance (it was a Sunday—a provocative scheduling on Mrs. Wells’s part, and one of which she was very well aware) Ah Sook was sitting in the rectangular patch of sunshine that fell through the doorway of his hut, scraping clean the bowl of his opium pipe, humming through his teeth, and thinking about Anna. This had been his occupation for the better part of an hour, and the bowl was long since clean. His knife no longer turned up the reddish powder left by the burnt opium gum; the long chamber of the pipe was clear. But the redundant motion matched the redundancy of his repeating thoughts, and helped to reassure him.

‘Ah Quee faat sang me si aa?’

Tong Wei, a smooth-faced young man of thirty, was watching him from the other side of the clearing. Ah Sook did not respond. He had pledged not to speak of the council at the Crown Hotel, or the events that preceded it, to any man.

The lad persisted. ‘Keoi hai mai bei yan daa gip aa?’

Still Ah Sook said nothing, and presently Tong Wei gave up, muttering his displeasure, and sloped off in the direction of the river.

Ah Sook sat still for a long while after the lad’s departure, and then all of a sudden he sat back, uttered an oath, and folded his knife away. It was hell to spend his days waiting for her, thinking about her, wondering. He would not endure it. He would journey to Hokitika that very afternoon, and demand an audience with her. He would go at once. He rolled up his pipe and tools, stood, and went inside to fetch his coat.

Ah Sook had only understood part of what was discussed in the smoking room of the Crown Hotel three weeks prior. In his confusions he had received no aid from his compatriot, for Ah Quee’s English was even more severely limited than his own, and none from the remaining men of the Crown, whose collective patience was worn very thin by any request for clarification from Chinese men. Balfour’s narration had been much too swift and poetically accented to be readily understood by a foreign ear, and both Ah Sook and Ah Quee had left the assembly at the Crown with only a partial understanding of all that had been discussed.

The crucial points of ignorance were these. Ah Sook did not know that Anna Wetherell had quit her lodgings at the Gridiron Hotel, and had taken up instead with Lydia Wells. He also did not know that Francis Carver was the master of the ship Godspeed, the craft that had foundered on the Hokitika bar. When the assembly at the Crown broke up, soon after midnight, Ah Sook had not followed the other men to the Hokitika spit to look over the wreck: shipping misadventures did not interest him, and he did not like to be on the Hokitika streets after dark. He had returned, instead, to Kaniere, where he had remained ever since. As a consequence, he still believed that Francis Carver had departed nearly a month ago for Canton, and would not be due back in Hokitika for some time. Thomas Balfour, who had quite forgotten imparting this piece of misinformation to Ah Sook in the first place, had not thought to disabuse him.

By the time the bells rang out half past three, Ah Sook was mounting the steps to the veranda of the Gridiron Hotel. At the front desk, he requested an audience with Anna Wetherell, pronouncing her name with both gravity and satisfaction, as though the meeting had been scheduled many months in advance. He produced a shilling, to show that he was willing to pay for the privilege of the whore’s conversation, and then bowed very deeply, as a gesture of respect. He remembered Edgar Clinch from the secret council, and had judged him, then, to be a decent and reasonable man.

Clinch, however, only shook his head. He gestured, repeatedly, towards the newly washed Wayfarer’s Fortune, on Revell-street’s opposite side, and spoke a flurry of words; when Ah Sook did not understand, Clinch brought him outside by the elbow, pointed at the hotel opposite, and explained, more slowly, that Anna now took her lodging there. Eventually Ah Sook spied a thrust of movement in the front window of the former hotel, and perceived that the figure behind the glass was Anna; satisfied, he bowed to Clinch a second time, retrieved his shilling from the other man’s palm, and pocketed it. He then crossed the thoroughfare, mounted the steps to the Wayfarer’s veranda, and rapped smartly upon the door.

Anna must have been in the foyer, for she answered the door within seconds. She appeared, as was her habit of late, in the distracted posture of a lady’s maid, full of annoyance and disapproval, keeping one hand upon the doorframe, so as to be ready to close the door at once. (Over the past three weeks she had received a great many callers: wistful diggers, for the most part, who missed her presence at the Dust and Nugget in the evenings. They begged to buy her a glass of champagne, or brandy, or small beer, and to ‘shoot the bull’ at one of the brightly lit saloons along Revell-street—but their pleading had no effect: Anna only shook her head, and shut the door.) When she saw who was on the threshold, however, she pulled the door open wide, and made an exclamation of surprise.

Ah Sook was surprised also; for a moment he simply stared. After so many weeks of recalling her shape to his mind—here she was! Was she truly so altered? Or was his memory so imperfect, that she seemed, standing in the doorway, to be a wholly different woman than the one with whom he had passed so many luxurious afternoons, with the cold light of winter falling slantwise through the square of the window, and the smoke winding about their bodies, in coils? Her dress was a new one: black, and cut very severely. But this was not merely a new dress, Ah Sook thought. This was a different woman altogether.

She was sober. Her cheeks held a new lustre, and her eyes were brighter, larger, and more alert. The syrupy quality to her movements was gone—and gone, too, was the slightly dreamy gauze that had always overlaid her features, like a veil of lawn. Gone was the vague half-smile, the trembling corner of her mouth, the awed confusion—as though she were privy, always, to some small bewilderment that no one else could see. In the next moment Ah Sook’s astonishment had given way to bitterness. So it was true. Anna had rid herself of opium’s dragon. She had cured herself—when he had tried for over a decade to do the same, remaining, always, that shapeless creature’s slave.

Anna made a little snatching motion with her hand, as though wishing to steady herself upon the frame of the door. In a whisper she said, ‘But you can’t come in—you can’t come in, Ah Sook.’

Ah Sook waited a moment before he made his bow, for he trusted his own first impressions, and he wished to make this impression last. She was much thinner than he remembered: he could see the bones of her wrist quite plainly, and her cheeks were sunken in.