about the noise.

The landlord has installed a lock on our building. The lock

must be nearly unique. You turn it with a key and when you

hear a certain click you must at that second push open the

door. If you miss the click you must start all over again. If

your key goes past the click, the door stays locked and you

must complete the cycle, complete the turn, before you can

start again, so it takes even longer, and if you miss it again you

must still keep going: you must pay attention and put your ear

right up against the lock to hear the click. The fetal vagabonds

run pus at your feet and the drooping prostitutes come at you,

perhaps wanting one second of steadiness on their feet or

perhaps wanting to tear out your heart, and this is a place

where men follow women with serious expectations not to be

trifled with, pursue in cars, beep from cars, follow block after

block in cars, carry weapons, sneak up behind, rob, need

money, need dope, and you must stand there at exquisite attention and listen for the little click.

The cement on the corner has been stained by its human

108

trash: it is the color of a hundred dead junkies somehow ground

into the stone, paved smooth, running like mud in the rare

moonlight. Sometimes there is blood, and sometimes a savage

dog, belonging to one of the drunken men, chases you and

threatens to tear you apart and in terror you edge your way

inside: listening carefully for the little click. In a great urban

joke, God has given us all the trappings of a civilized society.

We have a huge intersection with a traffic light. We have a bus

stop. Across the street there is a bank and a school as well as a

disco. Next door there is a large church with stained glass and

ornate and graceful stonework. The intersection has the bank,

a hospital diagonal from us, and a fast-food chicken place.

And then, resting right next to us, right under us, tucked near,

is the home of the hamburger itself, the great gift of this

country, right on our corner, with its ascending ordure. I laugh

frequently. I am God’s best fan.*

The windows are open, of course, and he sleeps, pale and

dreamless, curled up and calm, nearly warm except that his

skin has become a pale blue, barely attached to the fine bones

underneath. Outside the sirens blast the brick building, they

almost never stop. Fire and murder. Cars rocketing by, men

with guns and clubs and flashing lights that climb five flights

in the space of a second and turn us whorish red, like great

wax museum freaks in a light show.

I listen to the music from the disco, which is so loud that the

Mozart on my poor little $32 radio is drowned out. Tonight,

perhaps, is the Italian wedding, and so we have an imitator of

Jerry Vale to a disco beat that carries across the wide street,

through air freighted with other weight, screams and blasts,

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