feet, for fear that one would become a pig in the next

life. Well-bred women were supposed to die o f shame

if men observed them washing their feet. T h e foot

consisted, after all, o f smelly, rotted flesh. This was

naturally not pleasing to the intruding male, a violation o f his aesthetic sensibility.

T h e art o f the shoes was basic to the sexual aesthetics o f the bound foot. Untold hours, days, months went into the embroidery o f shoes. T here were shoes

for all occasions, shoes o f different colors, shoes to

hobble in, shoes to go to bed in, shoes for special

occasions like birthdays, marriages, funerals, shoes

which denoted age. Red was the favored color for bed

shoes because it accentuated the whiteness o f the skin

o f the calves and thighs. A marriageable daughter made

about 12 pairs o f shoes as a part o f her dowry. She

presented 2 specially made pairs to her mother-in-law

and father-in-law. When she entered her husband’s

106

Woman Haling

home for the first time, her feet were immediately

examined by the whole family, neither praise nor

sarcasm being withheld.

There was also the art of the gait, the art of sitting,

the art of standing, the art of lying down, the art of adjusting the skirt, the art of every movement which involves feet. Beauty was the way feet looked and how

they moved. Certain feet were better than other feet,

more beautiful. Perfect 3-inch form and utter uselessness were the distinguishing marks of the aristocratic foot. These concepts of beauty and status defined

women: as ornaments, as sexual playthings, as sexual

constructs. The perfect construct, even in China, was

naturally the prostitute.

The natural-footed woman generated horror and

repulsion in China. She was anathema, and all the

forces o f insult and contempt were used to obliterate

her. Men said about bound feet and natural feet:

A tiny foot is proof of feminine goodness.. . .

Women who don’t bind their feet, look like men,

for the tiny foot serves to show the differentiation.. . .

The tiny foot is soft and, when rubbed, leads to

great excitement.. . .

The graceful walk gives the beholder mixed feelings o f compassion and pity.. . .

Natural feet are heavy and ponderous as they get

into bed, but tiny feet lightly steal under the coverlets.. . .

The large-footed woman is careless about adornment, but the tiny-footed frequently wash and apply a variety o f perfumed fragrances, enchanting all who

come into their presence.. . .

Gynocide: Chinese Footbinding

107

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