are oppressed as women, regardless o f class or race;

some women have access to significant wealth, but that

wealth does not signify power; women are to be found

everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their children—we are tangled, hopelessly it seems, in the gut o f the machinery and way o f life which is ruinous to us. And perhaps most importantly, most women have little sense o f dignity or self-

respect or strength, since those qualities are directly

related to a sense o f manhood. In Revolutionary Suicide,

Huey P. Newton tells us that the Black Panthers did not

use guns because they were symbols o f manhood, but

found the courage to act as they did because they were

men. When we women find the courage to defend ourselves, to take a stand against brutality and abuse, we are violating every notion o f womanhood we have ever

been taught. T h e way to freedom for women is bound

to be torturous for that reason alone.

T h e analysis in this book applies to the life situations o f all women, but all women are not necessarily in a state o f primary emergency as women. What I mean

by this is simple. As a Jew in Nazi Germany, I would be

oppressed as a woman, but hunted, slaughtered, as a

Jew. As a Native American, I would be oppressed as

a squaw, but hunted, slaughtered, as a Native Am erican. That first identity, the one which brings with it as

24

Woman Hating

part of its definition death, is the identity of primary

emergency. This is an important recognition because it

relieves us of a serious confusion. The fact, for instance,

that many Black women (by no means all) experience

primary emergency as Blacks in no way lessens the responsibility of the Black community to assimilate this and other analyses of sexism and to apply it in their own

revolutionary work.

As a writer with a revolutionary commitment, I am

particularly pained by the kinds of books writers are

writing, and the reasons why. I want writers to write

books because they are committed to the content of

those books. I want writers to write books as actions. I

want writers to write books that can make a difference

in how, and even why, people live. I want writers to

write books that are worth being jailed for, worth

fighting for, and should it come to that in this country,

worth dying for.

Books are for the most part in Amerika commercial

ventures. People write them to make money, to become

famous, to build or augment other careers. Most Amerikans do not read books—they prefer television. Academics lock books in a tangled web of mindfuck and abstraction. The notion is that there are ideas, then art,

then somewhere else, unrelated, life. The notion is that

to have a decent or moral idea is to be a decent or moral

person. Because o f this strange schizophrenia, books

and the writing o f them have become embroidery on a

dying way o f life. Because there is contempt for the

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