open space, there was a bronze statue of a man dressed in Eastern robes; and we asked whom it represented — what saint? what martyr? It was that of the Persian Jean Althen, the Persian who first introduced the culture of madder into the South of France. His father had held high office under Thomas Koulikhan, but was involved in the fall of his master, and his son fled for protection to the French Consul of Smyrna. It was forbidden under penalty of death to carry the seed of the madder-plant out of the district; but Althen managed to bring some of it to Marseilles, and thus originated the cultivation of madder in le Comtat; the profits of which to the inhabitants may he imagined from the fact that the revenue from this source in one department alone (Vaucluse) amounts annually to more than fifteen millions of francs. Althen and his daughter died in poverty; but of late years the statue which we saw in the Place Rocher des Doms, has been erected to the Persian unbeliever, right opposite to the cathedral and the Palace of the Popes — where once John XXII. (that most infamous believer) lived. I had often seen madder in England, in the shape of a dirty brown powder — the roots ground down; it has a sweetish taste, and the workmen in calico print-works will not unfrequently take a little in their hands as they pass the large bales, and put it into their mouths. I had heard a young English philanthropist say that he had often entertained thoughts of buying a tract of land in Eastern Italy, and introducing the cultivation of madder there, as a means of raising the condition of the people; but I had never heard of Jean Althen before, and, tempestuous as it was, I made my way up to the statue, so that I could look up at the calm, sad face of the poor Persian. I suppose the newly discovered Aniline dyes may uproot the commerce he established, at some future period; but he did a good work in his day, of which no man knew the value while he lived. Our kind landlady at the Hotel de l'Europe was at the hall-door to greet us on our return, and warned us with some anxiety against going out in the
To-night he has brought in our lamp and cleared away our
Among our hostess's books was the authorised report of the trial for the murder of Madame la Marquise de Gange. It is so interesting, and has so strong a local flavour, that we are determined, blow high, blow low, to go over to Ville-Neuve to-morrow, and see her portrait by Mignard in the Eglise de l'Hopital at Ville-Neuve. She lived in the seventeenth century, and was the daughter of a certain Sieur de Rossau, a gentleman of Avignon, who had married an heiress, the daughter of Joanis Sieur de Nocheres. Her father died when she was very young; and she and her mother went to live with the Sieur de Nocheres, probably in one of the large gloomy houses in the narrow old streets we have passed through to-day, with no windows on the lower floor, only strongly-barred gratings; they are almost like fortified dwellings — which, indeed, the state of affairs at the time they were built required them to be. The little girl promised to be a great beauty, and bad besides a dowry of 500,000 livres; and it was no great wonder that all the well-born young men of Provence (and some who were not young, too), came a-wooing to the grand-daughter of the rich old burgess of Avignon. But where force was so often employed as a method of courtship, and at a time when obstacles to success (in the way of fathers or mothers or obstinate relations) were so easily got rid of by determined suitors, it was thought better to arrange an early marriage for the little girl, who was called Mademoiselle de Chateaublanc, after one of the estates of her grandfather; and, accordingly, she was espoused in 1649, at the age of thirteen, by the Marquis de Castellane, grandson of the Duc de Villars. Her husband is described as being as charming as his bride. He was handsome and sweet-tempered, besides being a scion of a great French house. He took his lovely little bride to Paris, where she was the admired of all beholders at the court of the young King Louis XIV His boyish majesty was struck with her rare beauty, and conferred on her the honour of dancing with her in a court ballet; and the docile courtiers followed his lead, and christened her '
When first she Came to town
They ca'ed her Jess MacFarlane,
But, now she's come and gone,
They ca' her The Wandering Darling.
Poor young Belle Provencale! admired by the King of France and all his men; living a bright, happy life of innocent pleasure in Paris; with a charming husband, by whom she was passionately beloved, and whose affection she fondly esteemed; rich, lovely, and of high rank — how little she could have anticipated her rapid descent from the pinnacle of good fortune! Her first deep grief was the loss of her husband. He was drowned off the coast of Sicily; and she came back from the gay life of Paris to mourn him deeply in the austere home of her grandfather, in the city of Avignon. The only change she sought for in these years of mourning was to go into retreat in the convent at Ville-Neuve — the village we saw on the opposite side of the Rhone, the other day, when we stood on the cathedral steps. The account of her sorrow and regret at the death of her young husband is evidently so truthful and sincere that one almost wonders at her marrying again; but I suppose in those days a bourgeois grandfather and a widowed mother were considered but poor protectors for a beautiful young woman of great wealth.
At any rate, I read of her having, at length, selected from among many suitors the Sieur de Lanide, Marquis de Gange, Baron du Languedoc, Gouverneur de St. Andre, to be her second husband. She was married to him in