Just One Evil Act

“Venga” was Lorenzo’s response, to which he added that Lynley could see for himself up at the villa. “All the day yesterday she has this sickness,” he said. “She keeps nothing inside. Not soup, not bread, not tea, not milk. She tells me not to worry because this is the pregnancy. She reminds me she has not been well from the first day of it. She says to me that this will pass. She says I worry because this is my first child but it is not her first child and I must be patient because she will be well soon enough. But how can I be patient when I see she is ill, when I believe she must visit a doctor, and when she believes she is not ill at all?”

They were walking up the sweeping loop of the villa’s formal drive as Lorenzo spoke. Lynley thought of his late wife’s pregnancy. She, too, had been ill for the first part of it. He, too, had been concerned. He told Lorenzo this, but the Italian man remained unconvinced.

Angelina was on the loggia. She was lying on a chaise longue with a blanket covering her. Next to her, a mosaic-topped metal table held a transparent jug of what appeared to be blood orange juice. A drinking glass stood next to this, but nothing had been poured into it. A plate sat near to this glass, its offering of a circle of biscuits, meat, fruit, and cheese all disregarded save for one very large strawberry out of which a single bite had been taken.

Lynley could understand why the Italian man was worried. Angelina looked weak. She smiled wanly as they crossed the loggia to her. “Inspector Lynley,” she murmured, as she struggled to sit upright. “You’ve caught me napping.” She searched his face. “Has there been word of something?”

Lorenzo strode to the table and inspected its rejected offerings. He said, “Cara, devi mangiare e bere.” He poured orange juice into the glass and pressed it upon her.

“I did try, Renzo.” She indicated the single strawberry with its marking of a minuscule bite taken. “You’re worrying far too much. I’ll be fine with a little bit of rest.” And to Lynley, “Inspector, if there’s something—”

“She must to see a doctor,” Lorenzo said to Lynley. “She will not listen.”

Lynley said, “May I . . . ?” and indicated a wicker chair nearby.

“Of course,” she said. “Please.” And to Lorenzo, “Darling, stop being foolish. I’m not a buttercup. And I’m also not what matters just now. So do be quiet about doctors or leave us to talk because”—she took a breath to steady what she had to say, which she directed to Lynley—“you have word of something, I expect. Please tell me.”

Lynley glanced at Lorenzo, who’d flushed. He had not sat and now he walked to the rear of the loggia, where he stood behind the chaise longue with his arms crossed and his birthmark darkening noticeably.

Briefly, Lynley told Angelina of Carlo Casparia, of the “confession” extricated from the man by the public minister, and of Chief Inspector Lo Bianco’s doubts regarding this confession. He related the details of the search ongoing at the stables. He mentioned a possible sighting that had taken place in the Apuan Alps. He did not speak of a red convertible or of the exact nature of the sighting: a man leading a little girl into the woods. The first was something that needed to be held back from everyone. The second would only result in the woman’s terrified panic.

“The police are looking into this,” he told her in reference to the Alps. “In the meantime, the tabloids . . .” He showed her the front page of Prima Voce. He discovered they had not seen the paper that day as neither of them had been into town to purchase a newspaper and none were delivered to the fattoria. “It’s best, I daresay, to disregard all this. They have only limited information.”

Angelina was silent for a long moment during which the hammer blows from the old farmhouse sounded faintly. She finally said, “What does Hari think?” and behind her Lorenzo let out an exasperated breath. She said to him, “Renzo, please . . .”

“Si, si,” Mura said.

“He doesn’t know any of this yet,” Lynley told her, “unless he’s picked up the tabloid somewhere. He was already gone from the pensione when I came down to breakfast.”

“Gone?” This incredulously from Lorenzo.

“I expect he’s still putting up the missing-child handbills. It’s difficult for him—and for all of you, I know—just to be idle and have to wait for information.”

“Inutile,” Lorenzo said.

“Perhaps,” Lynley said. “But I’ve found that sometimes even an act that seems useless turns out to be the single action that breaks a case.”

“He won’t return to London till she’s found.” Angelina looked out at the lawn, although there was nothing on it to hold her attention. She quietly said, “I do so regret what I did. I just wanted to be free of him, but I knew . . . I’m sorry about everything.”

That desire to be free of other people, of life’s complexities, of the past that often clung to one like a ragtag group of mendicant children . . . This led people into the commission of acts that paved the way to remorse. But on the pathway to regret, the corpses of other people’s dreams often lay rotting. It was this that Lynley wished to talk about. But he wished to talk about it to Angelina alone, and not in the presence of her lover.

He said to Lorenzo, “I’d like a few minutes alone with Angelina, if you don’t mind, Signor Mura.”

Mura apparently did mind. He said, “We have no secrets from each other, Angelina and I. What you say to her can be said to me.”

“I understand that,” Lynley said. “But because of our previous conversation—yours and mine . . . ?” Let the man think that what he had to say to Angelina Upman involved her health and getting her to town to see a doctor, Lynley thought. Anything to have the Italian man remove himself for a few minutes of conversation that, he suspected, would only be entirely honest if Mura absented himself from it.

He did so, although with marked reluctance. He bent to Angelina first, and he kissed the top of her head. He said, “Cara,” quietly and then he left the loggia. He headed in the direction of the gates to the drive and the work that was going on beyond the tall hedge that marked off the old villa’s immediate grounds from the rest of the fattoria.

Angelina turned her head to him by rolling it his way on the headrest of the chaise longue. She said, “What is it, Inspector Lynley? Is it about Hari? I know you can see . . . Renzo has no reason to be jealous of him. I give him no reason, and he has no reason. But the fact that Hari and I have a child . . . It’s created a bond where he’d prefer there be none.”

“I daresay that’s normal,” Lynley said. “He’s uneasy, unsure of where he stands with you.”

“I try to make it clear to him. He’s the one. He’s the . . . the endgame for me. But culturally . . . my past with other men . . . I think that’s what makes it difficult.”

“I have to ask this,” Lynley said, moving his wicker chair closer to her. “I hope you understand. Every avenue regarding Hadiyyah’s disappearance has to be explored, and this is one of them.”

She looked alarmed when she said, “What is it?”

“Your other lovers.”

“What other lovers?”

“Here, in Italy.”

“There are no—”

“Forgive me. It’s a question of the past being a form of prologue, if you understand. My concern is that if you were involved with Esteban Castro while you were also seeing Lorenzo and still living with Azhar . . . I hope you can see how that leads to the assumption that there might be others that you’ve been unwilling to mention in front of Lorenzo.”

Her cheeks flushed with the first colour he’d seen upon them since mounting the steps to the loggia. “What’s this to do with Hadiyyah, Inspector?”

“I think it has more to do with how a man might act to wound you if he discovered he wasn’t your only lover. And that has everything to do with Hadiyyah.”

She met his gaze for a moment so that, he assumed, he could read her face as she spoke. “There are no other lovers, Inspector Lynley. And if you want me to swear to it, I’m happy to do so. There is only Lorenzo.”

He evaluated her statements: the words themselves and the way she spoke them. Her body language suggested she was telling the truth, but a woman accomplished at balancing relationships with three men at once would have to be a skilled actress to do so. That in addition to the fact that when a horse had spots, it was generally impossible to get rid of them, prompted him to say, “What would have changed you, if I may ask?”