Marmion

referring to St. Mary’s Lake, says: ‘The scene when I saw it, with its still and dim lake, under the dusky hills, was one of utter loneliness; there was one swan, and one only, stemming the water, and the pathetic loneliness of the region gave importance to the one companion of that swan-its own white image in the water.’ For a criticism, deeply sympathetic and appreciative, of Scott’s description of St. Mary’s Loch in calm, see Prof. Veitch’s ‘Feeling for Nature in Scottish Poetry,’ ii. 196. The scene remains very much what it was in Scott’s time, ‘notwithstanding that the hand of the Philistine,’ says Prof. Veitch, ‘has set along the north shore of St. Mary’s, as far as his power extended, a strip of planting.’

line 177. ‘The chapel of St. Mary of the Lowes {de lacubus} was situated on the eastern side of the lake, to which it gives name. It was injured by the clan of Scott, in a feud with the Cranstouns; but continued to be a place of worship during the seventeenth century. The vestiges of the building can now scarcely be traced; but the burial-ground is still used as a cemetery. A funeral, in a spot so very retired, has an uncommonly striking effect. The vestiges of the chaplain’s house are yet visible. Being in a high situation, it commanded a full view of the lake, with the opposite mountain of Bourhope, belonging, with the lake itself, to Lord Napier. On the left hand is the tower of Dryhope, mentioned in a preceding note.’-SCOTT.

line 187. See ‘Il Penseroso,’ line 167.

line 197. Cp. Thomson’s ‘Winter,’ line 66:-

     ‘Along the woods, along the moorish fens, 
      Sighs the sad genius of the coming storm; 
      And up among the loose disjointed cliffs, 
      And fractured mountains wild, the brawling brook 
      And cave, presageful, send a hollow moan, 
      Resounding long in listening fancy’s ear.’

line 204. ‘At one corner of the burial-ground of the demolished chapel, but without its precincts, is a small mound, called Binrams Corse, where tradition deposits the remains of a necromantic priest, the former tenant of the chaplainry. His story much resembles that of Ambrosio in “The Monk,” and has been made the theme of a ballad by my friend Mr. James Hogg, more poetically designed the Ettrick Shepherd. To his volume, entitled “The Mountain Bard,” which contains this, and many other legendary stories and ballads of great merit, I refer the curious reader.’-SCOTT.

line 239. ‘Loch-skene is a mountain lake, of considerable size, at the head of the Moffat-water. The character of the scenery is uncommonly savage; and the earn, or Scottish eagle, has, for many ages, built its nest yearly upon an islet in the lake. Loch-skene discharges itself into a brook, which, after a short and precipitate course, falls from a cataract of immense height and gloomy grandeur, called, from its appearance, the “Grey Mare’s Tail.” The “Giant’s Grave,” afterwards mentioned, is a sort of trench, which bears that name, a little way from the foot of the cataract. It has the appearance of a battery designed to command the pass.’- SCOTT.

Cp. ‘Loch Skene,’ a descriptive and meditative poem by Thomas Tod Stoddart, well known as poet and angler on the Borders during the third quarter of the nineteenth century:-

     ‘Like a pillar of Parian stone, 
      That in some old temple shone, 
      Or a slender shaft of living star, 
      Gleams that foam-fall from afar;

      But the column is melted down below 
      Into a gulf of seething snow, 
      And the stream steals away from its whirl of hoar, 
      As bright and as lovely as before.’ 

CANTO SECOND.

lines 1-6. The earlier editions have a period at the end of line 5, and neither Scott himself nor Lockhart changed that punctuation. But, undoubtedly, the first sentence ends with line 11, ‘roll’d’ in the second line being a part, and not a finite verb. Mr. Rolfe is the first to punctuate the passage thus.

line 9. ‘The Abbey of Whitby, in the Archdeaconry of Cleaveland, on the coast of Yorkshire, was founded A. D. 657, in consequence of a vow of Oswy, King of Northumberland. It contained both monks and nuns of the Benedictine order; but, contrary to what was usual in such establishments, the abbess was superior to the abbot. The monastery was afterwards mined by the Danes, and rebuilded by William Percy, in the reign of the Conqueror. There were no nuns there in Henry the Eighth’s time, nor long before it. The ruins of Whitby Abbey are very magnificent.’-SCOTT.

line 10. ‘Lindisfarne, an isle on the coast of Northumberland, was called Holy Island, from the sanctity of its ancient monastery, and from its having been the episcopal seat of the see of Durham during the early ages of British Christianity. A succession of holy men held that office: but their merits were swallowed up in the superior fame of St. Cuthbert, who was sixth bishop of Durham, and who bestowed the name of his “patrimony” upon the extensive property of the see. The ruins of the monastery upon Holy Island betoken great antiquity. The arches are, in general, strictly Saxon, and the pillars which support them, short, strong, and massy. In some places, however, there are pointed windows, which indicate that the building has been repaired at a period long subsequent to the original foundation. The exterior ornaments of the building, being of a light sandy stone, have been wasted, as described in the text. Lindisfarne is not properly an island, but rather, as the