the Matterhorn two or three days later, still from the Italian Ridge,” he says softly, almost speaking to himself now. “Establishing Italy’s secondary provenance to the mountain. Even after the British chaps’ clear victory.”
“Clear victory,
We walk back to where we’ve stowed our rucksacks against some boulders along the north end of the narrow summit ridge. Jean-Claude and I begin unpacking our lunch. This is to be our last day on the Matterhorn, and it may be our last day climbing together for some time…perhaps forever, although I desperately hope not. I want nothing more than to spend the rest of my European
Shaking away any sad thoughts of endings or farewells, I pause in my unpacking to take in the view yet again. My eyes are hungrier than my belly.
There is not a single cloud in the sky. The Maritime Alps, 130 miles away, are clearly visible. The Ecrins, first climbed by Whymper and the guide Croz, bulk blankly against the sky like the sides of some great white sow. Turning slightly to look north, I see the high peaks of the Oberland on the far side of the Rhone. To the west, Mont Blanc rules over all lesser peaks, its summit snows blazing with reflected sunlight so blinding that I have to squint. Swiveling slightly to face the east, I can see peak after peak—some climbed by me during the last nine months with my new friends here, some waiting to be climbed, some never to be climbed—the stuttered and irregular array of white pinnacles diminishing to a mere bumpy horizon wreathed in the haze of distance.
The Deacon and Jean-Claude are eating their sandwiches and sipping water. I snap myself out of my sightseeing and romantic reverie and begin to eat. The cold roast beef is delicious, the bread rich with a crust that makes me work at chewing. The horseradish makes my eyes water until Mont Blanc becomes even more of a white blur.
Looking south, I celebrate the view that Whymper wrote about in his classic book
There were forests black and gloomy and meadows bright and lively, bounding waterfalls and tranquil lakes, fertile lands and savage wastes; sunny plains and frigid
Yes, you can tell that Edward Whymper was an absolute romantic, as were so many of the Golden Age climbers in the mid- and late 1800s. And his writing is flowery and old-fashioned by the lean, modern standards of 1924.
But as to the charge of being a hopeless romantic, I confess that I am as well. It’s part of my nature. Perhaps it
So on this June day in 1924, my heart responds to the words written more than fifty years earlier, and my soul responds even more hopelessly to the view that prompted those words from the sentimental Edward Whymper. The great mountain climber was twenty-five years old when he first climbed the Matterhorn and saw this view; I’ve just celebrated my twenty-second birthday, two months before earning this view for myself. I feel very close to Whymper and to all the climbers—some of them hard-bitten cynics, but others romantics like myself—who have looked south at Italy from this very ridge, from this very throne of a low boulder.
During the autumn, winter, and spring months that I’ve been climbing in the Alps with Jean-Claude and the Deacon, there has been a question-and-answer session after each summiting, a catechism, as it were, for each mountain. The tone of the questioning has never been condescending, and I’ve actually enjoyed the process, since I’ve learned so much from the two alpinists. I’d been a good climber when I came to Europe from the United States; under Jean-Claude’s and the Deacon’s gentle, sometimes bantering, but never pedantic guidance, I know that I’m becoming an excellent climber. A
The catechism for the Matterhorn is led by Jean-Claude and is briefer than most.
The Matterhorn is a heap of tumbling rubble, but the faces and ridges are beautiful to look upon from a distance. She is like an aging actress who, beneath the sadly obvious and peeling makeup, still boasts the cheeks and bone structure of her younger self, and there are frequent glimpses of a once near-perfect beauty. The shape of the peak itself—standing alone, unconnected to other mountains—is perhaps the cleanest and most memorable in all the Alps. Ask a young child who has never seen mountains to draw a mountain, and she will use her crayon to draw the Matterhorn. It is that iconic. And with its upper north face actually bending out beyond the vertical, like a wave breaking, the mountain appears to be constantly in motion. And that sheer, overhanging face breeds its own weather, gives rise to its own masses of clouds. It is that serious a mountain.