Vladimir Tismaneanu
THE DEVIL IN HISTORY
The publisher gratefully acknowledges the generous support of the Ahmanson Foundation Humanities Endowment Fund of the University of California Press Foundation.
Foreword
This is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century’s experiments in massive social engineering. More precisely, it is an attempt to map and explain what Hannah Arendt called “the ideological storms” of a century second to none in violence, hubris, ruthlessness, and human sacrifices. I began thinking about these issues as a teenager in Communist Romania, when I had the chance to read a clandestinely circulated copy of Arthur Koestler’s novel
Later, as a sociology student at the University of Bucharest, I ignored the official calls to distrust “bourgeois ideology” and did my utmost to get hold of forbidden books by Milovan Djilas, Karl Jaspers, Hannah Arendt, Raymond Aron, Isaiah Berlin, Karl Popper, Leszek Kolakowski, and other antitotalitarian thinkers. Confronted with the grotesque follies of Nicolae Ceausescu’s dynastic Communism, I realized that I was living in a totalitarian regime run by a delusional leader who exerted absolute control over the population via the Communist Party and the secret police. It was for this reason that I became intensely interested in the occulted traditions of Western Marxism and the Frankfurt School theorists’ attempt to rehabilitate subjectivity. My PhD dissertation, defended in 1980, was entitled
Although Romania was a socialist state committed to Marxist tenets and thus ostensibly left-wing, especially after 1960, the ruling party started to embrace themes, motifs, and obsessions of the interwar Far Right. When Nicolae Ceau?escu came to power in 1965, he exacerbated this trend, and the ideology came to blend residual Leninism with an unavowed yet unmistakable Fascism. This was only an apparent paradox. Years later, when I read Robert C. Tucker’s masterful biography of Stalin, I was struck by his brilliant analysis of “Bolshevism of the Extreme Right.” As in the case of the Soviet Union after 1945, or of Poland during the last years of Wladislaw Gomulka’s rule with the rise to power of the ultranationalist faction of the Partisans, headed by minister of the interior, General Mieczyslaw Moczar, the Romanian Communist regime was becoming increasingly idiosyncratic, xenophobic, and anti-Semitic. When I published my history of Romanian Communism in 2003, I coined a term for this hybridization: national-Stalinism. During all these years I thought about the deep affinities between apparently irreconcilable movements and ideologies. I reached the conclusion that, in times of moral and cultural disarray, Communism and Fascism can merge into a baroque synthesis. Communism is
This is a book about the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. It is not a historical treatise (although history is present on every page), but rather a political-philosophical interpretation of how maximalist utopian aspirations can lead to the nightmares of Soviet and Nazi camps epitomized by Kolyma and Auschwitz. I discuss the major similarities, the saliently irreducible distinctions, and the contemporary reverberations of these totalitarian tyrannies. I also examine the deradicalization of Soviet-style regimes, the exhaustion of ideological fervor, and the rise of alternative, civic-oriented expressions of democratic sensibilities. The purpose of this book is to provide readers (students, journalists, historians, political scientists, philosophers, and a general audience) with some conclusions about a cataclysmic time that no words could capture as accurately and as disturbingly as the paintings of the German artist Anselm Kiefer. Like those canvases, the twentieth century has left behind a devastated landscape full of corpses, dashed illusions, failed myths, betrayed promises, and unprocessed memories.
Many of this book’s ideas were discussed with my late friend, the great historian Tony Judt. I also had the privilege to engage in many conversations with one of the wisest analysts of Marxism and Soviet Communism, Robert C. Tucker. Both Judt and Tucker emphasized the immense role of ideas in history and warned against any kind of positivistic determinism. They taught about the frailty of liberal values, and about the obligation to not give up but rather to continue fighting for them against all odds. The Polish thinker Leszek Kolakowski, often and accurately described as the philosopher of Solidarity, also had a major influence in shaping my ideas. I was the first to translate an essay by Kolakowski into Romanian in the late 1980s, in the alternative cultural journal
Such a synthesis cannot be achieved in a few years. Overly optimistic, I signed a contract with the University of California Press in 2004, convinced that I would finish the book by the end of 2005. Then I realized that there were still too many issues I needed to think about. In the following years, I got involved in the institutional effort to analyze the Communist dictatorship in Romania. I learned terrifying details about the Stalinist technologies of destructiveness employed by Romanian communists. The work for this book started in 2001, when Tony Judt offered me the possibility to spend a month at the Remarque Institute at the New York University, where I presented a lecture on topics directly related to this volume, focusing on the French polemics around the