Middlesex

For three days he teased her as he used to do, and pulled her hair, and performed dirty Karaghiozis puppet shows. Desdemona hid his chalkboard, but it was no use. During Sunday dinner he took a fountain pen from Uncle Pete’s shirt pocket and wrote on the tablecloth, “Tell my sister she’s getting fat.” Desdemona blanched. She put her hands to her face and waited for the blow she’d always feared to descend. But Peter Tatakis only took the pen from Lefty and said, “It appears that Lefty is now under the delusion that you are his sister.” Everyone laughed. What else could they do? Hey there, sis, everyone kept saying to Desdemona all afternoon, and each time she jumped; each time she thought her heart would stop.

But this stage didn’t last long. My grandfather’s mind, locked in its graveyard spiral, accelerated as it hurtled toward its destruction, and three days later he started cooing like a baby and the next he started soiling himself. At that point, when there was almost nothing left of him, God allowed Lefty Stephanides to remain another three months, until the winter of 1970. In the end he became as fragmentary as the poems of Sappho he never succeeded in restoring, and finally one morning he looked up into the face of the woman who’d been the greatest love of his life and failed to recognize her. And then there was another kind of blow inside his head; blood pooled in his brain for the last time, washing even the last fragments of his self away.

From the beginning there existed a strange balance between my grandfather and me. As I cried my first cry, Lefty was silenced; and as he gradually lost the ability to see, to taste, to hear, to think or even remember, I began to see, taste, and remember everything, even stuff I hadn’t seen, eaten, or done. Already latent inside me, like the future 120 mph serve of a tennis prodigy, was the ability to communicate between the genders, to see not with the monovision of one sex but in the stereoscope of both. So that at the makaria after the funeral, I looked around the table at the Grecian Gardens and knew what everyone was feeling. Milton was beset by a storm of emotion he refused to acknowledge. He worried that if he spoke he might start to cry, and so said nothing throughout the meal, and plugged his mouth with bread. Tessie was seized with a desperate love for Chapter Eleven and me and kept hugging us and smoothing our hair, because children were the only balm against death. Sourmelina was remembering the day at Grand Trunk when she’d told Lefty that she would know his nose anywhere. Peter Tatakis was lamenting the fact that he would never have a widow to mourn his death. Father Mike was favorably reviewing the eulogy he’d given earlier that morning, while Aunt Zo was wishing she had married someone like her father.

The only one whose emotions I couldn’t plumb was Desdemona. Silently, in the widow’s position of honor at the head of the table, she picked at her whitefish and drank her glass of Mavrodaphne, but her thoughts were as obscured to me as her face behind her black veil.

Lacking any clairvoyance into my grandmother’s state of mind that day, I’ll just tell you what happened next. After the makaria, my parents, grandmother, brother, and I got into my father’s Fleetwood. With a purple funeral pennant flying from the antenna, we left Greektown and headed down Jefferson. The Cadillac was three years old now, the oldest one Milton ever had. As we were passing the old Medusa Cement factory, I heard a long hiss and thought that my yia yia, sitting next to me, was sighing over her misfortunes. But then I noticed that the seat was tilting. Desdemona was sinking down. She who had always feared automobiles was being swallowed by the backseat.

It was the Air-Ride. You weren’t supposed to turn it on unless you were going at least thirty miles per hour. Distracted by grief, Milton had been going only twenty-five. The hydraulic system ruptured. The passenger side of the car sloped down and stayed like that from then on. (And my father began trading in his cars in every year.)

Limping, dragging, we returned home. My mother helped Desdemona out of the car and led her to the guest house out back. It took some time. Desdemona kept leaning on her cane to rest. Finally, outside her door, she announced, “Tessie, I am going to bed now.”

“Okay, yia yia,” my mother said. “You take a rest.”

“I am going to bed,” Desdemona said again. She turned and went inside. Beside the bed, her silkworm box was still open. That morning, she had taken out Lefty’s wedding crown, cutting it away from her own so he could be buried with it. She looked into the box for a moment now before closing it. Then she undressed. She took off her black dress and hung it in the garment bag full of mothballs. She returned her shoes to the box from Penney’s. After putting on her nightgown, she rinsed out her panty hose in the bathroom and hung them over the shower rod. And then, even though it was only three in the afternoon, she got into bed.

For the next ten years, except for a bath every Friday, she never got out again.

The Mediterranean Diet

She didn’t like being left on earth. She didn’t like being left in America. She was tired of living. She was having a harder and harder time climbing stairs. A woman’s life was over once her husband died. Somebody had given her the evil eye.

Such were the answers Father Mike brought back to us the third day after Desdemona refused to get out of bed. My mother asked him to talk to her and he returned from the guest house with his Fra Angelico eyebrows lifted in tender exasperation. “Don’t worry, it’ll pass,” he said. “I see this kind of thing with widows all the time.”

We believed him. But as the weeks went by, Desdemona only became more depressed and withdrawn. A habitual early riser, she began to sleep late. When my mother brought in a breakfast tray, Desdemona opened one eye and gestured for her to leave it. Eggs got cold. Coffee filmed over. The only thing that roused her was her daily lineup of soap operas. She watched the cheating husbands and scheming wives as faithfully as ever, but she didn’t reprimand them anymore, as if she’d given up correcting the errors of the world. Propped up against the headboard, her hairnet cinched on her forehead like a diadem, Desdemona looked as ancient and indomitable as the elderly Queen Victoria. A queen of a sceptered isle that consisted only of a bird-filled bedroom. A queen in exile, with only two attendants remaining, Tessie and me.

“Pray for me to die,” she instructed me. “Pray for yia yia to die and go be with papou.”

… But before I go on with Desdemona’s story, I want to update you on developments with Julie Kikuchi. With regard to the main point: there have been no developments. On our last day in Pomerania, we got very cozy, Julie and I. Pomerania belonged to East Germany. The seaside villas of Herringsdorf had been allowed to fall apart for fifty years. Now, after reunification, there is a real estate boom. Being Americans, Julie and I could not fail but be alert to this. As we strolled the wide boardwalk, holding hands, we speculated about buying this or that old, crumbling villa and fixing it up. “We could get used to the nudists,” Julie said. “We could get a Pomeranian,” I said. I don’t know what came over us. That “we.” We were prodigal in its usage, we were reckless with its implications. Artists have good instinct for real estate. And Herringsdorf energized Julie. We inquired about a few co-ops, a new thing here. We toured two or three mansions. It was all very marital. Under the influence of that old, aristocratic, nineteenth-century summer resort, Julie and I were acting old-fashioned, too. We discussed setting up house without even having slept together. But of course we never mentioned love or marriage. Only down payments.

But on the way back to Berlin a familiar fear descended on me. Humming over the road, I began to look ahead. I thought of the next step and what would be required of me. The preparations, the explanations, the very real possibility of shock, horror, withdrawal, rebuff. The usual reactions.

“What’s the matter?” Julie asked me.

“Nothing.”

“You seem quiet.”

“Just tired.”

In Berlin, I dropped her off. My hug was cold, peremptory. I haven’t called her since. She left a message on my machine. I didn’t respond. And now she has stopped calling, too. So it’s all over with Julie. Over before it began. And instead of sharing a future with someone, I am back again with the past, with Desdemona who wanted no future at all …

I brought her dinner, sometimes lunch. I carried trays along the portico of brown metal posts. Above was the sun deck, underutilized, the redwood rotting. To my right was the bathhouse, smooth and poured. The guest house repeated the clean, rectilinear lines of the main house. The architecture of Middlesex was an attempt