'Halt or I'll fire!' Towers shouted out as he pulled his .38 pistol loaded with department-approved solid- point ammunition. 'Halt...'
The command did not stop the punk. Towers sighted over the four-inch barrel of his Smith & Wesson and double-actioned six slugs into the punk's chest.
The slugs did not stop the youth. Blood spurting from his chest, he crossed the sidewalk and street in a few steps. He swung the machete at Towers. Towers sidestepped.
As the machete skipped off the sheet metal of the black-and-white, the officer in the driver's seat fired his service revolver point-blank into the gut of the punk. Slugs exited the punk's back and broke the plate-glass windows of the LAYAC offices.
But the punk did not fall. Retreating from the bloody teenage psychopath, Towers pulled the backup pistol he carried — in violation of department regulations — in a holster at the small of his back: a Colt Commander. Loaded with hollow-points — again in violation of department policy — the large-caliber autopistol went on line with the punk's chest as he rushed to kill Towers.
Towers snapped two shots. The first hollow-point slammed the punk back, exploding through his chest to destroy his heart and the knot of arteries between the lungs. The second slug went high and struck the dying punk in the nose. His head exploded with the shock-force of the impact.
Even when the medically dead zombie finally fell, the legs and arms continued to thrash, the machete still gripped in its right fist, the metal of the blade clanking and sparking on the asphalt as if the punk's arm had a nervous system independent of the destroyed brain.
Towers stared down at the thrashing corpse, astounded. Officers from other cars ran to the corpse. The driver of the squad car announced in a shaky voice, 'Holy shit! You saw it. Towers put six through the chest. I put another four through its gut. And it still took two forty-fives to put it down!'
'Everyone with a shotgun over here!' Towers yelled, assembling officers.
As they gathered, Towers continued directing black-and-white units to surround the apartments. Inside, the battle continued. Directing his men, Towers heard the hammering of autofire, the booming of shotguns inside the buildings. He addressed the officers around him. 'There're three men fighting in there. The crazies captured an officer and those three men went in to save the officer. We're going in to help. Everyone got their pockets full of ammo?'
'We shoot to kill?' an officer called out. 'Do we try to arrest them?'
'This is war!' Towers shouted back. 'Look at that one in the street and tell me if you're going to read them their rights!'
The group rushed into the battle.
Monitoring the police communications on their scanner, reporter Mark Lannon and his technicians sped to the battle at the LAYAC offices. When the sound man driving the van saw the flashing lights of the police cars blocking the avenue, he swerved onto a side street.
'I'll circle around and try the alley,' the sound man told Lannon.
'Do it. Get past those pigs. We'll put this on the morning news. Smear those Nazi pigs.'
They wove through the side streets, down one street, then two right turns, finally approaching on a tree- darkened street where no police squad cars parked. Lannon directed his crew with whispers. 'Get the equipment together. We're going to sneak in there. If they see us, they'll pull some pigshit jive about the scene of a crime or whatever. Once we got the pictures, they can only subpoena the tapes.'
'Right on!' the cameraman agreed.
After checking their video gear and sound-recording equipment, the three newsmen slipped into the shadows. They heard intermittent gunfire as they neared the alley behind the LAYAC buildings.
Headlights swept from the avenue. The three counterculture activists hurried into the darkness beside a trash dumpster. When Lannon saw two uniformed officers setting out flares to halt all traffic, he said to his cameraman, 'Get some tape of that!'
Then he turned to his sound recordist. 'Get all the noise and shooting. Maybe we can loop and dub it later on, make it sound like World War III.'
A furious exchange of fire somewhere inside the building startled them. The sound man turned on his deck and held out a microphone to the sound of the firefight. 'Won't need to overdub
Another set of headlights flashed, this time in the alley. Lannon saw a lowered Chevy boulevard cruiser turn from one of the garages. He slapped the shoulders of his technicians. 'There's some of the LAYAC brothers. We'll do an interview with them. Get some real shit on the pigs.'
Stepping from the concealing shadows, Lannon waved his arms for the Chevy to stop. His technicians took their places in the alley. The cameraman switched on his sungun spotlight, the sound recordist extended a long microphone.
'Hey, comrades!' Lannon called out. 'What's happening in there? We're from K-Marx. What's the truth?'
The Chevy stopped. Going to the driver's window, Lannon leaned in. What he saw sent him quickly staggering back.
A gang punk with a demented grin waved a sawed-off double-barreled shotgun at him. The punk lowered his aim and fired.
At a distance of ten feet, the spray of birdshot destroyed Mark Lannon's legs. In a tangle of shattered bones and muscle sinew, Lannon sat on the alley's asphalt. He watched as the Chevy's doors flew open. Punks crowded from the doors, machetes and pistols and automatic rifles in their hands.
Dropping his video gear, the cameraman ran. A burst of AK fire killed him. The sound man put up his hands in surrender. Several punks advanced on him while the others went to Lannon.
'I'm with you, I'm a comrade in struggle,' the sound man pleaded, tears running down his bushy beard. 'Here's my Communist Party card. I'm with you. I'll show you my card, I'm a paid-up member of the...'
As he reached for his wallet, a punk stepped forward and chopped off the sound man's arm with a machete. The sound man's face contorted with a scream that only rattled in his throat.
Machetes and pistols and point-blank gunfire dismembered the Communist sound man.
Mark Lannon suffered longer. With his white skin, stylish hair and neatly trimmed mustache, the reporter personified the typical bourgeois white man to the drug-enraged crowd of young black and Chicano gang boys.
Machetes flashed in the dark alley. First, the punks cut away Lannon's shattered legs. Then his fingers and hands. As the white man's screams echoed in the filthy corridor behind the buildings, the punks methodically reduced him to a flopping torso with a screaming head.
Cross fire of shotguns and department-approved .38 pistols drove the street gang back to their vehicle. Bleeding, their throats filling with blood even as they screamed defiance at the officers, the punks attempted to escape in their supercharged Chevy.
Officers fired shotguns and rifles into the engine, point-blank into the driver's head, then at the rear tires. The Chevy careered across the side street and into a tree.
Flames exploded. Orange light from the rising flames lighted the alley. Then the officers found the dead cameraman and the butchered sound recordist.
A wailing cry lead them to the thing lying in blood and a clutter of human parts. Only when they saw the arms and legs did the officers realize the flopping, bleeding meat had been a human being.
After another few seconds of pain and blind, silent anguish, Mark Lannon, the K-Marx man of the people, The Voice of Socialist Truth, finally went silent.
Storming through the offices and hallways of the LAYAC complex, Towers and his men killed everything that moved. There seemed to be no end to the punks in the building. They came from doorways, they came down the stairs, they rose from the heaps of dead to fight again. This was the crucial battle.
Towers rushed through one doorway and fell flat, expecting autofire. But he heard only the gunfire in the other rooms. Scrambling over the floor, he scanned the large room.
Black Nationalist posters plastered one wall. The three other walls had been painted stark white. He could not understand the purpose of the white walls until he saw the projection ports.
