Work lights in the high ceiling lighted the interior. The driver had parked the truck in the center of the building. Open concrete extended on all sides. A few boxes and crates and tables lined the walls. But she saw no open doors. Flor could not hope to snake from under the truck and dash out to the street.
The truck had carried her into a trap.
She could do nothing but wait.
Across the concrete space, she saw a stoop-shouldered black man in a dark blue suit. He wore his hair conservatively short. Glasses framed in black plastic gave him the look of an accountant. He directed two gang punks in blue nylon jackets and dirty jeans to open a wooden crate.
The punks crowbarred away the crate's lid. They carefully lifted out a block of Styrofoam and put it on a table. Then the black man took a knife from the punks and cut the tape that secured the Styrofoam.
When the packaging fell away, Flor saw a shortwave radio. The black man attached antenna leads to the back of the radio and handed a coil of wire to one of the punks. The punk took the wire up a flight of stairs to the roof. The other youth ran an extension cord to the radio.
Hiding only a few steps away, Flor heard every word the black man said.
'This is Shabaka. Calling the truck. Shabaka calling the truck…'
The black man repeated his call for minutes. Finally a voice responded. The monotonic, strangely disembodied voice alerted Flor to the electronic code guarding the conversation.
Like the hand-radios Able Team used, the longdistance radio employed encoding circuits to electronically scramble and unscramble every conversation. Only those with the radio sets could understand the transmissions. Any technician or amateur radio enthusiast monitoring the transmissions would hear only bursts of static.
'This is the truck,' came the reply. 'We're a hundred miles south of the border. No problems, we're making good time.'
'The Los Angeles delivery is canceled.'
'What?'
'The Los Angeles delivery is canceled. We will take the delivery in Escondido instead. Do you understand?'
'It won't be going to L.A. We're going to drop it Escondido instead.'
'This address is outside of the city. Are you ready to copy down the address?'
'Right. I got a pencil. Go ahead.'
Flor memorized the address and the time of the delivery as Shabaka dictated it to his truck crew Shabaka switched off the radio.
As the punks put the radio in the truck above her, Flor racked her imagination for a way to escape. With the information on the place and time of the delivery, Able Team had the opportunity to follow the conspiracy to its source. Whatever the cargo — weapons, terrorists, cash or drugs — the cargo and drivers and truck would provide another lead in breaking the puzzle of the gang siege that terrorized Los Angeles.
But Flor knew she must escape silently, secretly. If Shabaka suspected he had been overheard by a federal agent, he would change the location of the delivery.
How could she escape? She had seen the punks lock both the big cargo door and the office door.
If she left the darkness under the truck, she risked an instant firefight.
If she stayed under the truck and waited, she chanced the punks discovering her.
Flor decided to take the greatest risk, to wait until the punks and their leader left the garage, then drop away from the truck when the opportunity came.
She prayed that the truck would slow for a moment at some point on the route to the town on the Mexican border. Hitting the asphalt at a high speed would not be pleasant…
A voice interrupted her thoughts.
'What's that under the truck?' one punk asked another.
A Kalashnikov rifle gripped in his right hand, a black punk got down on his hands and knees to peer under the cargo truck.
Flor shot him in the face. She scrambled from under the truck and grabbed the AK from his still-twitching hand. Snapping down the safety lever to semiauto, Flor put a single shot through the chest of the other punk as he struggled to unsling the AK on his shoulder.
A brown-skinned youth ran down the stairs. Flor put a ComBloc slug through the center of his chest.
Running around the truck, she came face to face with another Chicano punk. Without raising the Kalashnikov in her hands, she jerked the trigger twice, the first slug smashing through his crotch, the second slug striking him in the top of his head as he doubled over in agony.
Without the strange drug supplied by Shabaka, the punks knew fear. They struggled to aim their rifles with shaking hands as a barefooted young woman in a shimmering dress ran through their midst, killing them.
A sentry at the door turned at the sound of the shots and raised his rifle. He saw the woman with the Kalashnikov. Sighting, he fired his M-16.
Another punk chose that moment to rush the woman. Swinging a machete, he attacked. Flor blocked the blade with the barrel of the Soviet autorifle, then the punk's head exploded with the impact of a 5.56mm slug.
Dodging from the mist of brains and blood, Flor saw another youth rushing her. She threw herself sideways, felt her shoulder hit a truck tire. A blast deafened her and showered her with chips of enamel paint from the truck. Kicking out, she tripped the charging punk.
Flor extended the rifle with one hand. With the muzzle against his face, she fired. The flash illuminated an expression of surprise and confusion as the slug smashed through the youth's eye socket.
Rolling, she gained the cover of a few crates and cardboard boxes against one wall. She shoved through the boxes as slugs pocked the wall around her.
She clicked the Kalashnikov's fire selector down to full-auto and sighted on a muzzle-flash. A burst sent a punk staggering backward.
A dead guy sprawled only an arm's reach away. Flor grabbed his shirt and pulled him into the boxes. From the corpse, she took a web belt hung with AK mags and a .357 Magnum pistol. She took one of the magazines out and held it ready as she searched for targets.
She recognized the voice of the black man, Shabaka. 'All of you. Fire there,' she heard. 'All at once. She's in there.'
Spraying slugs at the voice, she dived through cardboard, felt her shoulder hit a heavy crate. Autofire punched the walls and concrete floor as the surviving punks tried to kill her with wild, unaimed bursts.
She took cover behind the heavy crate and waited. She felt several slugs hit the crate, but the two-by-fours and the contents stopped the slugs. She waited, silent, not moving.
'Manuel,' Shabaka called out again. 'Go take a look.'
'Let's shoot her some more first,' Manuel answered, then emptied another magazine into the clutter of boxes. Slugs ricocheted and fragmented on the concrete.
Flor felt high-velocity metal rip through one of her legs. But she did not cry out or move, not even as the blood flowed and the pain came. She waited. As the shooting continued, she dropped out the AK's magazine and put in the full magazine with thirty rounds. Counting the one round in the chamber of the AK, she had thirty-one shots.
Then she checked her wound. With her fingers, she found where a tiny bit of metal had hit her leg. Exhaling hard against the pain, she pressed on her flesh and felt the piece of metal in her leg. She would not let the injury slow her.
Shotgun blasts threw cardboard and bits of wood everywhere. Finally, Shabaka stopped the barrage. 'She's dead! Now get the body and find out who she was.'
The punks searched for her.
Alone on the killing floor, with the rifles of the gang poised ready to take her life away, Flor waited.
15
At a hundred miles an hour on the deserted freeways, Detective Towers raced to the command center of
