tangle of lace; and his imagination worked out the intricacies of wearisome intrigues, as though he were a poet who, during a night of lucid sleeplessness, constructs a drama, and, not content with its plot, goes through it again and again, to master the great conception in his mind before writing it out.

Now he saw the orgies of a past day repeating themselves below in the sitting-room. He saw the skating-rink, and Frank and himself drinking champagne, and laughing and singing. But suddenly the door opened, and Sir Archibald came in with Eva on his arm. Sir Archibald cursed Frank with tremendous words and vehement gestures, and Frank hung his head; but Eva threw herself between them, with words of anguish and imploring hands. And it was all the last scene of the fourth act of an opera. The singing in his ears, and the dreadful throbbing in his aching head, were like the thunder of a full orchestra, excited to the utmost by the beat of an energetic conductor, and the loud, strident crash of orass instruments.

Bertie moaned, and tossed from side to side, compelling himself to picture less violent scenes. Now it was like a modern comedy. Eva, at his suggestion, was suspiciously watching Annie, the maid and housekeeper at White-Rose Cottage. Eva was jealous, and then a grand catastrophe— Eva finding Annie in Frank's arms.

Sick with thinking, bewildered by his own imaginings, he drove away the chaotic vision. Exhaustion overcame him; his frenzy was worn out, though his head was still burning, throbbing, bursting; although acute pain shot through his brain, from his brows to his neck, as if he were being scalped; although the blood in his temples leaped furiously in his veins, with rhythmical torture.

And in the immediate torment of physical suffering, his pride, which was to defy Fatality, collapsed like a tower crumbling into ruins. His imagination became vacancy; he forgot his terrors of the future. He lay motionless, bathed in clammy sweat; his eyes and mouth wide open; and the indecision of exhaustion cast a softened light on all his fancies—mere delirious dreams, which could never bear the faintset resemblance to reality.

Things must go on as they might, he lazily thought; the future was still remote; he would think no more about it; he would let himself go with the chain of events, link by link; it was madness to double his fists against Fate, which was so strong—so omnipotent.

CHAPTER X

The following days passed quietly enough, though a vague fear still hung over Bertie's head.

He bowed that head without further thought, but still with a dull ferment in the depths of his heart, below the superficial calm.

Then one day he went with Frank to the Rhodeses, and Eva, taking his hand, said:

"We shall be good friends, shall we not?"

And after she had spoken he heard her voice still ringing in his ears like little bells. He mechanically let his velvety eyes rest on hers, and smiled, and allowed her to lead him to a sofa, and show him designs for furniture and patterns of curtains for their new home—her home and Frank's. Frank himself sat a little way off, talking to Sir Archibald. He looked at them, sitting side by side, like brother and sister, on the softly cushioned settee—their heads bent together over the rustling pages of the pattern-book, their hands meeting from time to time. And his brows were knit in a frown of displeasure.

And yet he laughed, and said to Eva:

"Bertie will be of the greatest use; he has far better taste than I."

And he felt as though he had spoken the words in spite of himself, or had meant to say something quite other than this compliment, but could not help it. All the time he was talking politics to Sir Archibald his eyes rested on them, magnetically attracted by their familiar manner.

There was a sisterly gentleness in Eva, an emanation of sympathy for her lover's friend, a somewhat romantic interest in the mystery of Van Maeren's fine dark eyes and insinuating voice, and a compassion for the deep Byronic sorrows which she attributed to him—something like the esthetic pathos of a sentimental reader over the inexplicable woes of a hero of romance.

It was to her a poetic friendship, which very harmoniously supplemented her love for Frank Westhove; a kind of love of which in her girlish enthusiasm she had never imagined the existence, and of which, if she could have suspected it, she would certainly never have thought herself capable: a calm, peaceful, and true affection, practical, almost homely, without the faintest tinge of romance; a love, not blind to her lover's faults, but faithful to him in spite of them, like a mother's for her undeserving child. She perceived his indolence over every voluntary effort, his indecision over every serious question, his vacillation between this and that; and did not blind herself to all this weakness. But it was this very weakness which had gained her heart, as a pleasing contrast with the cool, unefifusive, sober affection of her father, who spoiled her indeed, but never so much as she herself desired.

Then there was another contrast which charmed her even more, which had filled her heart with an admiration that had become a passion; the contrast in Frank himself, of his mild, yielding character with the robust vigor of his stalwart person. She, woman ag she was, found something adorable in the fact of this splendidly strong youth, with his broad chest and shoulders, his great mane of fair hair and powerful neck—this man, whose suppleness and ease in lifting and moving things betrayed constant practise in the use of his limbs—being so feeble in determination, and so gentle in demeanor. When she was alone and thought of him so, she could

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