not help smiling, though the tears came into her eyes—tears of happiness—for this contrast made her happy. It was very strange, she thought, and she could not understand it; it was a riddle; but she did not try to solve it, for it was a riddle that she loved, and as she thought of it, with smiling lips and tear-dimmed eyes, she longed only to have her arms round his neck—her own Frank's.

She did not idealize him; she never now thought of platonic twin-souls in superhuman ecstasy; she took him as he was, a mere man; and it was for what he was that she worshiped him, calm and at rest in her worship. Although she knew that the romantic side of her nature could never find fulfilment—such as it now did through her sisterly regard for Bertie—she had no regret for it in her abounding love for Frank. And since her nature found completion in the enjoyment of the moment, she was pleased and quite satisfied, and felt such a sunny glow in her and about her as deserves to be called true happiness.

This was her frame of mind now, as she looked through the patterns with Bertie, while Frank sat chatting with her father. There was the man she loved, here her brother-friend. This was all good; she never could wish for anything more than to be thus happy in her love and her friendship. She looked at Bertie with a protecting and pitying smile, and yet with a touch of contempt at his slight, boyish figure, his white hands and diamond ring, his little feet in patent leather shoes, hardly larger than her own; what a dapper little mannikin he was. Always spotlessly precise in dress and manner, with an appealing cloud of melancholy over his whole person.

As he glanced up at her, consulting her about some detail in one of the prints, Bertie detected this smile on Eva's face, ironically patronizing and at the same time kind and sisterly; and knowing that she liked him, he could to some extent read its meaning; but he asked her:

"What are you smiling at?"

"At nothing," said she; and she went on, still smiling affectionately: "Why did you never become an artist, Bertie?"

"An artist?" said Van Maeren, "what next?"

"A painter, or an author. You have great artistic taste—"

"I!" he repeated, much surprised, for he really did not know that he possessed very remarkable esthetic feeling, an exquisiteness of taste worthy of a woman, of a connoisseur; and her words set his own character before him in a new light. Does a man never know himself and what really lies in him?

"I could do nothing," he replied, somewhat flattered by Eva's speech; and in his astonishment, candid for once in spite of himself, he went on: "I should be too lazy."

He was startled by his own words, as though he had stripped himself bare; and he instinctively looked across at Frank to see if he had heard him. Vexed at his own thoughtlessness, he colored and laughed to hide his annoyance, while she, still smiling, shook her head reproachfully.

CHAPTER XI

Whex, a little later, Eva was alone with her lover, and she showed him the patterns which his friend had preferred, Frank began: "Eva—"

She looked at him inquiringly, beaming with quiet happiness.

There was a turmoil in his brain: he wanted to speak to her about Bertie. But he suddenly remembered his promise to his friend never to reveal anything of his past life. Frank was a man who simply regarded a spoken word as inviolable, and he suddenly perceived that he could not say what he had on his tongue. And yet, he remembered his uncomfortable sensations when, on the top of Moldeho'i, Eva had so innocently expressed her change of opinion in his friend's favor. Had he not then felt as though the black clouds were an omen of evil hanging over her head? And had he not experienced the same shudder as he saw them sitting side by side on the sofa, as if a noose were ready to cast round her neck? It was an instinctive dread, springing up unexpectedly, without anything to lead up to it.

Ought he not to speak, to tell her what Bertie was? But he had promised—and it was foolishly superstitious to allow such an unreasoning terror to have any influence on his mind. Bertie was not like ordinary men; he was very lazy, and lived too contentedly at the expense of others—a thing that Westhove could not understand, and over which in his good nature he simply shook his head with a smile—but Bertie was not wicked. So he was concealing nothing from Eva but that Bertie had no money. Still, he had meant to say something; something was seething in his brain. Eva was looking at him wide-eyed; he must speak. So he went on, embarrassed in spite of himself, coerced by a mysterious force which seemed to dictate the words:

"I was going to say—perhaps you will think me silly—but I do not like, I do not think it right—"

She still looked at him with her surprised eyes, smiling at his hesitancy. It was this very indecision which, in her eyes, was so engaging a contrast to his stalwart frame; she sat down on his knee, leaning against him, and her voice sounded like a poem of love:

"Well, what, Frank? My dearest Frank, what is it?"

Her eyes smiled in his; she laid her arms round his neck, clasping her hands, and again she asked: "Tell me, foolish boy, what is the matter?"

"I do not like to see you always—that you should always—sit so—with Bertie."

The words forced their way against his will; and now that they were spoken it seemed to

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