“Kate . . . ,” I begin.
“Jane, I am not sure why you insist on calling me by that horrid nickname, but if I’ve told you once I’ve told you a million times—”
“Look at the stage, Kate. Look at Othello.”
Her gaze meets mine. “He’s going to turn.”
Professor Ghering addresses the crowd. His benign smile is less sure now, and people in the audience are beginning to speak amongst themselves, concern rising like the tide. “Please, calm yourselves. Othello is quite unaffected, but even if something should go wrong, research has shown that a living person bitten by a shambler will take at minimum a half hour to turn. If we all check our pocket watches—”
“I’m afraid that estimate is incorrect, Professor.” Miss Duncan stands, her voice ringing out loud and clear over the rest of the crowd. It’s the same voice that has led us in countless drills, and everyone stops talking. “I know it’s likely been a while since you city folk have witnessed a turning, but those that have been bitten can and do change immediately. The thirty-minute rule is outdated and has been summarily disproven by Mr. Pasteur over in France. I recommend we evacuate now, before we have a catastrophe on our hands.”
The professor opens his mouth, but before he can speak, a low growl comes from the rear of the stage. Othello stands behind the good professor. His eyes are yellow. Saliva drips from his mouth and his lips are turned up in a feral snarl.
He leaps.
Shouts of alarm echo throughout the auditorium. In the cage, the other shamblers are going wild, throwing themselves against the bars in an attempt get a bite of their own. People panic like a herd of spooked cattle, men and women pushing against one another to get out of the lecture hall. No one ever keeps a cool head when shamblers are about.
“Ladies.” We’re on our feet at Miss Duncan’s gentle summons. “Katherine, go out and see if you can get a rifle from one of the men who were supposed to be guarding the door. Jane, take the sidearm under your skirts and put those shamblers down.”
I open my mouth to deny it, but Miss Duncan gives me a stern look. “Not now, Jane. We shall discuss your concealed weapon later, in addition to your highly improper outburst. Girls,” she says, turning to the younger ones, some of whom are crying. They’ve probably never seen a shambler go after a man like Othello is going after the professor. Or if they have, the sight is probably waking some very unpleasant memories. “We need to stay calm and escort these nice people out of the building before they trample one another. Jane, if you could get their attention?”
I nod, reaching up under my skirts and pulling out my revolver. I fire a shot into the air, and the sound is enough to startle folks out of their terror for just a moment.
“Ladies and gentlemen,” I say, “if you would be so good as to follow Miss Preston’s girls out of the lecture hall, we have the situation under control.”
That last bit is a lie, but the easiest lie to tell is the one people want to believe. Even though a man is being devoured onstage, they’re still more worried about their own hides. They begin to file out quickly but much more calmly, the professor all but forgotten.
It’s a cruel, cruel world. And the people are the worst part.
And I daresay you would be incredibly impressed with my marksmanship skills. I am a crack shot, far beyond any of the other girls, and that is not boastfulness. I often wonder if part of that might be due to your tutelage at Rose Hill.
Chapter 6In Which All Hell Breaks Loose
I push my way through the crowd to the front of the room, where Othello has just about had his fill of the professor. Ghering is still mostly alive, but before I put him out of his misery I have to put down Othello.
While at Miss Preston’s I’ve ended enough dead to give myself a lifetime of nightmares. The trick is not to think of them as regular folks. When you do that, your emotions get all tangled up. You start to wonder whether it’s right or wrong and what kind of person that makes you for taking their life, whatever kind of existence it may be. Your brain starts doubting, and those second thoughts can get you killed.
But when you think of shamblers as things, as mindless creatures who have to be put down so that we might live, ending them gets to be a lot easier. The farmer doesn’t cry over slaughtering a hog.
So that’s what I think about when I slay shamblers. Not who they might have once been and what kind of life there is after death, but how them being gone makes the people I care about safer, and how each body gets me closer to getting back home to my momma and Rose Hill Plantation.
For Othello, his end puts me one step closer to my beginning. I don’t even flinch when I put the bullet in his head. This close to the stage, it’s an easy shot.
Suffice it to say, the result is untidy.
I climb the stairs to the stage and look down at Professor Ghering. He’s a mess. His throat is missing and his fancy waistcoat is soaked with blood. He ain’t breathing, and most folks would usually assume that means he’s not getting up again. But I know better. My time at Miss Preston’s has taught me a few things. In all my killing the dead, this is the first time I’ve stood over a man I thought deserved it.
“I ain’t sorry this happened to you. With a fool’s pride comes disgrace. Or something like that.” I don’t know what good it
