like this compulsion in me to process the world through writing. I’m sure it comes from my dad being a writer, and also from all the books I loved reading as a kid. Being a writer is what I’ve always want to do. And, whether I get paid for it or not, I know I will always write. But, yes, I do write to process the world around me (not necessarily to “capture” it), and the world around me is both dark and light. I have lived with a lot of darkness, so that must be why it comes out in my writing.

2. Your dialogue is nuanced and distinct. How do you capture other people’s voices?

Well, despite all the drugs, you know, somehow I do seem to remember that kind of stuff pretty distinctly. Like, I remember conversations. A year or so after my first book came out, I ran into this girl I’d written about in the book, briefly. She’d read the book, and when we were talking about it, she asked me the same question, because I’d written down all our conversations almost verbatim. In fact, she said she remembered having used the exact same words I’d written. So, I don’t know, I feel lucky, I guess, in that way. I remember everything. But it can suck, too, you know? ’Cause I don’t ever get to forget all the pain and bad shit that happened.

3. Some writers maintain routines or rituals, like writing a page every day before breakfast. Do you have any writing habits or routines?

No, not really. It always changes. A lot of times I write at night while I’m watching TV, and then I’ll work till like 3 a.m. and the then sleep till 2. Sometimes I write in the morning. Actually, I used to write in the morning more, but now that I have dogs, I have to take them out on hikes, so I usually write at night.

4. Your books contain what some people might call “mature” or “explicit” language. Can you discuss your love affair with curse words?

First of all, it is the way I talk. But also, I mean, not that I’m an expert or anything, but to me, writing is about rhythm. No, it’s about story arc and plot and all that stuff, but to me, the most exciting aspect of writing is rhythm. I love music, and writing is like music, and, you know, “curse” words add flow to our language. They add music to the language. A sentence might be just plain boring. But a sentence can’t be fucking boring… you know what I mean? It’s all part of the rhythm.

5. What writers have influenced you as an author?

Dennis Cooper, Jim Thompson, Donald Goines, Iceberg Slim, Pauline Reage, Katherine Dunn, Matthew Stokoe, Jerry Stahl, Chandler, Hammett, Burroughs, Ryu Murakami, Mishima, Genet, Kosinski, Bukowski, Henry Miller, Chester Himes, Shirley Jackson, and more.

PRAISE FOR NIC SHEFF

WE ALL FALL DOWN

“Sheff’s journey, like his writing, is raw and compelling, heartbreaking and witty. An honest and gracious reflection about the challenges of recovery.”

—RACHEL SONTAG, author of House Rules: A Memoir

“The present-tense storytelling and Sheff’s authentic voice will keep readers engaged.”

—Publishers Weekly

TWEAK

“Difficult to read and impossible to put down.”

—Chicago Tribune

“An unflinching chronicle of life as an addict.”

—U.S. News and World Report

“Raw, powerful and honest.”

—The Bookseller

“Sheff’s story takes off like a shot in the arm with a terse, honest, and spontaneous narrative.”

—Kirkus Reviews

Contents

Front Cover Image

Welcome

Dedication

Epigraph

Note to Readers

Introduction

Part 1

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Part 2

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Part 3

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Epilogue

Acknowledgments

For More Information

Reading Group Guide for We All Fall Down

Nic Sheff Discusses Writing

Praise for Nic Sheff

Copyright

Copyright

Text copyright © 2011 by Nic Sheff

Epilogue copyright © 2012 by Nic Sheff

Reading Group Guide and Author Interview copyright © 2012 by Hachette Book Group, Inc.

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights.

Little, Brown and Company

Hachette Book Group

237 Park Avenue, New York, NY 10017

www.hachettebookgroup.com

www.twitter.com/littlebrown

Second e-book edition: April 2012

Little, Brown and Company is a division of Hachette Book Group, Inc.

The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

Excerpt from “Hold On” © 1970 Lenono Music. Written by John Lennon.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

ISBN 978-0-316-17589-0

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