his close-buttoned vests.

He still sat on a while longer, but as it grew lighter, Bernt saw that his father’s face was ghastly pale. The hair on his head had parted in several places, as it often does just before death, and the skin on his hands was worn off from his efforts to hang on to the keel. Bernt realized that his father was near the end. He tried, as well as the pitching of the boat permitted, to edge over to him and support him. But when Elias noticed it, he waved him back.

‘You stay where you are, Bernt, and hold fast! I’m going to mother! In Jesus’s name!’

And so saying he threw himself backward down from the hull.

When the sea had got its own, it quieted down for a while, as everyone knows who has straddled a hull. It became easier for Bernt to maintain his hold, and with the coming of daylight new hope kindled in him. The storm moderated, and in the full light of day he thought he recognized his surroundings – that he was, in fact, drifting directly off shore from his own home, Kvalholmen.

He began crying for help again, but he really had greater faith in a tide he knew bore landward, just beyond a projection of the island, which checked the fury of the sea.

He drifted nearer and nearer shore, and finally came so close to one of the skerries that the mast, which still floated alongside the boat, grated on the rocks with the rising and falling of the surf. Stiff as his muscles and joints were from his sitting so long and holding fast to the hull, he managed with a great effort to transfer himself to the skerry, after which he hauled in the mast and finally moored the femböring.

The little Lapp girl, who was home alone, for two whole hours thought she heard cries for help, and when they persisted she mounted the hilltop to look out to sea. There she saw Bernt on the skerry, and the upturned femböring beating up and down against it. She ran instantly down to the boat house, pushed out the old rowboat, and rowed it out to the skerry, hugging the shore round the island.

Bernt lay ill, under her care, the whole winter long, and did not take part in the fishing that year. People used to say that ever after he seemed now and again a little queer. To sea he would never go again; he had come to fear it.

He married the Lapp girl, and moved up to Malingen, where he broke new ground and cleared himself a home. There he is still living and doing well.

Playmates

by A. M. Burrage

Although everybody who knew Stephen Everton agreed that he was the last man under heaven who ought to have been allowed to bring up a child, it was fortunate for Monica that she fell into his hands; else she had probably starved or drifted into some refuge for waifs and strays. True her father, Sebastian Threlfall the poet, had plenty of casual friends. Almost everybody knew him slightly, and right up to the time of his fatal attack of delirium tremens he contrived to look one of the most interesting of the regular frequenters of the Café Royal. But people are generally not hasty to bring up the children of casual acquaintances, particularly when such children may be suspected of having inherited more than a fair share of human weaknesses.

Of Monica’s mother literally nothing was known. Nobody seemed able to say if she were dead or alive. Probably she had long since deserted Threlfall for some consort able and willing to provide regular meals.

Everton knew Threlfall no better than a hundred others knew him, and was ignorant of his daughter’s existence until the father’s death was a new topic of conversation in literary and artistic circles. People vaguely wondered what would become of ‘the kid’, and while they were still wondering, Everton quietly took possession of her.

Who’s Who will tell you the year of Everton’s birth, the names of his Almae Matres (Winchester and Magdalen College, Oxford), the titles of his books and of his predilections for skating and mountaineering; but it is necessary to know the man a little less superficially. He was then a year or two short of fifty and looked ten years older. He was a tall, lean man, with a delicate pink complexion, an oval head, a Roman nose, blue eyes which looked out mildly through strong glasses, and thin straight lips drawn tightly over slightly protruding teeth. His high forehead was bare, for he was bald to the base of his skull. What remained of his hair was a neutral tint between black and grey, and was kept closely cropped. He contrived to look at once prim and irascible, scholarly and acute; Sherlock Holmes, perhaps, with a touch of old-maidishness.

The world knew him for a writer of books on historical crises. They were cumbersome books with cumbersome titles, written by a scholar for scholars. They brought him fame and not a little money. The money he could have afforded to be without, since he was modestly wealthy by inheritance. He was essentially a cold-blooded animal, a bachelor, a man of regular and temperate habits, fastidious, and fond of quietude and simple comforts.

Nobody is ever likely to know why Everton adopted the orphan daughter of a man whom he knew but slightly and neither liked nor respected. He was no lover of children, and his humours were sardonic rather than sentimental. I am only hazarding a guess when I suggest that, like so many childless men, he had theories of his own concerning the upbringing of children, which he wanted to see tested. Certain it is that Monica’s childhood, which had been extraordinary enough before, passed from the tragic to the grotesque.

Everton took Monica from the Bloomsbury ‘apartments’ house, where the landlady, already

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