man from Oklahoma like Herb, that would do it.

I also played poker with Tony Boucher and his friends, at his house on Dana; they, like me, were all science fiction writers. Nicholas never played poker; he was too intellectual for that. Nicholas was your typical Berkeley intellectual, involved with books and records and the Avenue coffeehouses. He and Rachel, when they felt like going out, crossed the bay to San Francisco and headed straight for North Beach and the coffeehouses there, along Grant. Before that they stopped in Chinatown and ate dinner at exactly the same restaurant, the oldest one there, according to them: Yee Jun’s, on Washington. You had to go downstairs to the basement, and the tables had marble tops. There was a short waiter there named Walter who, it was said, fed homeless students for free, the sort filling up San Francisco who would one day cease being the Beatniks, as Herb Caen termed them, and become the Haight-Ashbury hippies. Nicholas was never a Beatnik or a hippie—​he was far too intellectual for that—​but he resembled one, with his jeans and tennis shoes and his short beard and tousled hair.

The big problem for Nicholas was the prospect of remaining a record clerk all his life. Even managing University Music seemed to be that, and it was messing up his head, especially as his wife moved toward getting her degree. Instead of going to school he was putting his wife through school. He had the feeling that Rachel looked down on him. Berkeley being a college town, he felt that most people looked down on him. It was a difficult period for him. Obviously his boss would have another heart attack, at which point Pat, as the legal owner of University Music, would undoubtedly put him, Nicholas Brady, in charge of the store. He would be doing what Herb had been doing, which he was virtually doing already, and it came into his mind that probably he would wind up like Herb: dead from worry and overwork at a job that gave little back, dead at an early age, at his post from nine in the morning until midnight, Retail record selling, for the independent owner, was a losing proposition; the big chains were starting to come in, Music Box and the Wherehouse, the discount record stores.

At this time Nicholas had another paranormal experience. He told me about it the next day.

This one had to do with Mexico. He had never been to Mexico and knew little about it, and this was why the detail of the dream amazed him so: every car, every building, all the people on the sidewalks and in the restaurants were so sharply etched. And it was no return to a past life because he saw Yellow Cabs—​it was truly modern, a big city such as Mexico City itself, very busy, very noisy, but with the sounds somehow muted and at a constant background level of murmuring. In the dream he never heard a single clear word. No one spoke to him; there were no characters, just cars, taxis, street signs, stores, restaurants. It was entirely scenic. And it rolled on and on for hours, in a strange vivid shiny color, the kind, Nicholas said, you find in acrylic paint.

The dream had come to him oddly: during the day. At about two in the afternoon, on his day off, he had gotten sleepy and had lain down on the living room couch. The dream began at once. He was at a taco stand buying a taco. But then the scene rolled open, as if doors had swung wide or lifted up; all at once he no longer stood before the taco stand but, instead, faced a panorama of Mexico itself. Romantic and thrilling it was, sparkling with color in the night, drawing him toward it with many hints and promises. It fanned out in all directions, a vast foreign landscape not known to him, not a part of the contents of his own mind, lovely, compelling, leading him on so that after a short time he was in the midst of it, with the rich life spilling by on all sides: the murmur of people, the swish of traffic, and all so real, so unmistakably real.

At one point he found himself moving with a small group through a museum of some sort, located at the edge of the ocean. He saw many exhibits and pictures he could not later recall, but that section alone evidently lasted for hours. The total elapsed time of the experience, in real time, was almost eight hours. He had noticed what time it was when he lay down, and when he rose he rechecked it. Eight hours of scenic Mexico, and for no cost!

Later he said to me, “It was as if another mind were trying to communicate with me. Life unlived, I think. Where I might have lived. What I might have experienced.”

I couldn’t argue with that. His constricted Berkeley life certainly cried out for such a vivid trip.

“Maybe it means you should move to Southern California,” I said.

“No, it was Mexico—​a foreign country.”

“Have you ever thought of moving to LA?”

He did not find that funny. “A vast mind was talking to me! Across endless miles of space! From another star!”

“Why?” I asked.

“I believe it has seen my needs. I believe it intends to direct my life toward some great goal presently unglimpsed. I—” Nicholas got a sly, secretive look on his face. “I have a name for it: Valisystem A. It stands for Vast Active Living Intelligent System A. I call it ‘A’ because it may be only one out of many. It has all those characteristics; it is vast, it is active, it is intelligent, and it forms a coherent system.”

“You know all that from its showing you Mexico?”

“I sensed it there. I intuited its nature. Sometimes I lie awake at night and try to commune with it. All this has resulted from my

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