the matter has not struck you? He loved this woman, you know. Loved her enough to commit murder for her sake. When retribution overtook him, as he mistakenly thought, he took his own life. But unwittingly, he left her to face the music.’

‘She was acquitted,’ muttered Evesham.

‘Because the case against her could not be proved. I fancy—it may be only a fancy—that she is still—facing the music.’

Portal had sunk into a chair, his face buried in his hands.

Quin turned to Satterthwaite.

‘Goodbye, Mr Satterthwaite. You are interested in the drama, are you not?’

Mr Satterthwaite nodded—surprised.

‘I must recommend the Harlequinade to your attention. It is dying out nowadays—but it repays attention, I assure you. Its symbolism is a little difficult to follow—but the immortals are always immortal, you know. I wish you all goodnight.’

They saw him stride out into the dark. As before, the coloured glass gave the effect of motley . . .

Mr Satterthwaite went upstairs. He went to draw down his window, for the air was cold. The figure of Mr Quin moved down the drive, and from a side door came a woman’s figure, running. For a moment they spoke together, then she retraced her steps to the house. She passed just below the window, and Mr Satterthwaite was struck anew by the vitality of her face. She moved now like a woman in a happy dream.

‘Eleanor!’

Alex Portal had joined her.

‘Eleanor, forgive me—forgive me—You told me the truth, but God forgive me—I did not quite believe . . .’

Mr Satterthwaite was intensely interested in other people’s affairs, but he was also a gentleman. It was borne in upon him that he must shut the window. He did so.

But he shut it very slowly.

He heard her voice, exquisite and indescribable.

‘I know—I know. You have been in hell. So was I once. Loving—yet alternately believing and suspecting—thrusting aside one’s doubts and having them spring up again with leering faces . . . I know, Alex, I know . . . But there is a worse hell than that, the hell I have lived in with you. I have seen your doubt—your fear of me . . . poisoning all our love. That man—that chance passer by, saved me. I could bear it no longer, you understand. Tonight—tonight I was going to kill myself . . . Alex . . . Alex . . .’

The Clergyman’s Daughter

‘I wish,’ said Tuppence, roaming moodily round the office, ‘that we could befriend a clergyman’s daughter.’

‘Why?’ asked Tommy.

‘You may have forgotten the fact, but I was once a clergyman’s daughter myself. I remember what it was like. Hence this altruistic urge—this spirit of thoughtful consideration for others—this—’

‘You are getting ready to be Roger Sheringham, I see,’ said Tommy. ‘If you will allow me to make a criticism, you talk quite as much as he does, but not nearly so well.’

‘On the contrary,’ said Tuppence. ‘There is a feminine subtlety about my conversation, a je ne sais quoi that no gross male could ever attain to. I have, moreover, powers unknown to my prototype—do I mean prototype? Words are such uncertain things, they so often sound well, but mean the opposite of what one thinks they do.’

‘Go on,’ said Tommy kindly.

‘I was. I was only pausing to take breath. Touching these powers, it is my wish today to assist a clergyman’s daughter. You will see, Tommy, the first person to enlist the aid of Blunt’s Brilliant Detectives will be a clergyman’s daughter.’

‘I’ll bet you it isn’t,’ said Tommy.

‘Done,’ said Tuppence. ‘Hist! To your typewriters, Oh! Israel. One comes.’

Mr Blunt’s office was humming with industry as Albert opened the door and announced:

‘Miss Monica Deane.’

A slender, brown-haired girl, rather shabbily dressed, entered and stood hesitating. Tommy came forward.

‘Good-morning, Miss Deane. Won’t you sit down and tell us what we can do for you? By the way, let me introduce my confidential secretary, Miss Sheringham.’

‘I am delighted to make your acquaintance, Miss Deane,’ said Tuppence. ‘Your father was in the Church, I think.’

‘Yes, he was. But how did you know that?’

‘Oh! we have our methods,’ said Tuppence. ‘You mustn’t mind me rattling on. Mr Blunt likes to hear me talk. He always says it gives him ideas.’

The girl stared at her. She was a slender creature, not beautiful, but possessing a wistful prettiness. She had a quantity of soft mouse-coloured hair, and her eyes were dark blue and very lovely, though the dark shadows round them spoke of trouble and anxiety.

‘Will you tell me your story, Miss Deane?’ said Tommy.

The girl turned to him gratefully.

‘It’s such a long rambling story,’ said the girl. ‘My name is Monica Deane. My father was the rector of Little Hampsley in Suffolk. He died three years ago, and my mother and I were left very badly off. I went out as a governess, but my mother’s physical condition deteriorated, and I had to come home to look after her. We were desperately poor, but one day we received a lawyer’s letter telling us that an aunt of my father’s had died and had left everything to me. I had often heard of this aunt, who had quarrelled with my father many years ago, and I knew that she was very well off, so it really seemed that our troubles were at an end. But matters did not turn out quite as well as we had hoped. I inherited the house she had lived in, but after paying one or two small legacies, there was no money left. I suppose she must have lost it during the war, or perhaps she had been living on her capital. Still, we had the house, and almost at once we had a chance of selling it at quite an advantageous price. But, foolishly perhaps, I refused the offer. We were in tiny, but expensive lodgings, and I thought it would be much nicer to live in the Red House, where my mother could have comfortable rooms and take in paying guests to cover our expenses.

‘I adhered to this plan, notwithstanding a further tempting offer from the gentleman who wanted to buy. We moved in, and I advertised for paying guests.

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