heart and toss it into the furnace that had forged his own murder weapon. For such an impossible act, Asato reasoned, he would need to forge an impossible blade and, in a single, dizzying twenty-four-hour haze of fevered and hate-filled industry, Asato hammered two types of metal together – soft and workable jigane iron and hard and deadly tamahagane steel – in a furnace so hot he could only work in thirty-minute blasts of furious activity between guzzles of fresh water fetched by his apprentice, which would also serve to cool and harden the blade. Asato felt so strong that day that he came to believe the very breath of Futsunushi – god of swords – had filled his workshop and a dragon’s fire had filled his blood. Asato forged the two metals into a single blade so sharp it cut the four legs off the bed he had shared for three years with Rina in four swift strokes.

The tortured ironworker was stunned by a newfound artistry born of pain. He was more stunned, still, to discover that the joy of his newfound gifts had swallowed up the sorrow that had driven him to make the sword in the first place. Asato began demonstrating and advertising his miraculous ironwork skills in sake houses across Sakai by having loose-pocketed drinkers throw objects – apples, oranges, carrots, potatoes, unlucky alehouse kitchen rats – at him, each of which he would slice into two perfect halves with a single swipe of a short but swift sword as thin as a Yamato River ghost.

One day a legendary vagabond assassin known as the ‘White Tiger’ sailed into the Sakai port, his thick mane of pure white hair braided and hanging almost to his calves. He began asking questions about an impossible blade forged by love and betrayal and loss and hate.

‘That sword is not for sale,’ Asato told the stranger in his workshop.

‘What if I told you the first person I will kill with this blade will be your betrayer, Rina?’ the White Tiger asked. ‘And what if I told you the second person I will kill with this blade will be your younger brother, Uno?’

Asato was silent for a moment. ‘The sword is not for sale,’ he said.

The White Tiger reached into a leather pouch slung to a belt around his waist. He raised a closed fist then opened it to reveal a pure white butterfly, which launched into flight from the assassin’s soft, open palm.

‘Have you heard the story of the gravedigger and the butterfly?’ the assassin asked.

‘I have not,’ said Asato.

*

And so now Oshiro Miki told his story of how the White Tiger told his story of Takahama, who was born into wealth and was highly educated but, despite his good fortune, chose, in the prime of his life, to spend the rest of his days alone, digging graves and tending the headstones of the dead, as caretaker for what was believed to be the most haunted cemetery in all of old Japan. So humble was the caretaker’s hut connected to the cemetery grounds that Takahama’s wealthy and influential family refused to visit for fear of embarrassment. Years later, when two neighbouring villagers stumbled upon an aged Takahama slowly dying alone on his bed, they called for the cemetery keeper’s remaining relatives to visit him at once.

Takahama’s long-lost nephew, Hansuke, made it to the old man’s bed just in time to witness his final hours of life. As Takahama drew his last laboured breaths, a pure white butterfly flew in through his window and perched itself peacefully on the tip of his nose. The butterfly flapped its wings once, twice, three times. Hansuke shooed the butterfly away, and it flew off and returned and flew off and returned to the tip of the old man’s nose. Then Takahama’s eyes closed forever and the white butterfly seemed to know this and flew back out the window. Instinctively, Hansuke followed it deep into the haunted cemetery. He ran through grey and black gravestones covered in weed and moss, aisle upon aisle of the never-visited dead. The white butterfly flew left and flew right and then deep into a tunnel of elm trees that ended at a single tomb, where the butterfly rested itself on the only grave in the cemetery without a trace of moss or dirt upon it. Indeed, the grave was as pristine as if the headstone and tomb had been placed that very day. There was a name on the headstone: ‘Akiko’.

Studying the gravestone epitaph, Hansuke began to piece together the story behind his late uncle’s decisions. Akiko and Takahama had been betrothed, but Akiko had died the day before their wedding. Since Takahama had already promised to look after his beloved Akiko, every hour of every day, he swore he would continue to do that, even if it meant caring only for her grave.

As he stood pondering this, Hansuke noticed another small white butterfly emerge from the dense forest surrounding the cemetery and flutter towards the one he had followed to the grave, which was still hovering above the headstone. The two white butterflies circled each other for a long moment and then Hansuke edged closer to them, but his movement caused the butterflies to fly away from the headstone and they fluttered up into the sky and never came back down again. The nephew stared at that blue sky above, not with a sense of grief or confusion, but only wonder.

Asato Miki stroked his chin inside his knife-making workshop, absorbing the assassin’s tale.

‘Well?’ the assassin asked.

‘Well what?’ Asato replied.

‘What did you learn from the story?’ the assassin asked.

Asato stroked his chin some more, then gave his answer. ‘It is a simple tale you tell and there is only one lesson to be learned from it,’ he said. ‘Transformation. Sometimes they stay with us. And sometimes they wait for us. The lost are not lost. We can change into things. We can transform ourselves. Sometimes for the better . . .’

‘Sometimes for the

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