preserving their platoon formations, in order to offer an unidentified discipline to serve whatever ruled next. Poets arrived hoping to turn the expected riot into a rehearsal. Mothers came forth to observe whether they had toilet-trained their sons for the right crisis. Doctors appeared in great numbers, natural enemies of order. The business community attained the area in a disguise of consumers. Androgynous hashish smokers rushed in for a second chance at fuck. All the second chancers rushed in, the divorced, the converted, the overeducated, they all rushed in for their second chance, karate masters, adult stamp collectors, Humanists, give us, give us our second chance! It was the Revolution! It was the first night of spring, the night of small religions. In another month there would be fireflies and lilacs. An entire cult of Tantric love perfectionists turned exocentric in their second chance at compassion, destroying public structures of selfish love with beautiful displays of an acceptable embrace for street intercourse of genitalia. A small Nazi Party of adolescents felt like statesmen as they defected to the living mob. The Army hovered over the radio, determining if the situation was intensely historical, in which case it would overtake Revolution with the Tortoise of a Civil War. Professional actors, all performing-artists including magicians, rushed in for their last and second chance.

– Look at him!

– What’s happening?

Between the De Luxe Polar Hunt and the plate-glass windows of the Main Shooting and Game Alley the gasps were beginning that would spread over the heads of the astounded crowd like a leak in the atmosphere. The old man had commenced his remarkable performance (which I do not intend to describe). Suffice it to say that he disintegrated slowly; just as a crater extends its circumference with endless tiny landslides along the rim, he dissolved from the inside out. His presence had not completely disappeared when he began to reassemble himself. “Had not completely disappeared” is actually the wrong way of looking at it. His presence was like the shape of an hourglass, strongest where it was smallest. And that point where he was most absent, that’s when the gasps started, because the future streams through that point, going both ways. That is the beautiful waist of the hourglass! That is the point of Clear Light! Let it change forever what we do not know! For a lovely briefness all the sand is compressed in the stem between the two flasks! Ah, this is not a second chance. For all the time it takes to launch a sigh he allowed the spectators a vision of All Chances At Once! For some purists (who merely destroy shared information by mentioning it) this point of most absence was the feature of the evening. Quickly now, as if even he participated in the excitement over the unknown, he greedily reassembled himself into – into a movie of Ray Charles. Then he enlarged the screen, degree by degree, like a documentary on the Industry. The moon occupied one lens of his sunglasses, and he laid out his piano keys across a shelf of the sky, and he leaned over him as though they were truly the row of giant fishes to feed a hungry multitude. A fleet of jet planes dragged his voice over us who were holding hands.

– Just sit back and enjoy it, I guess.

– Thank God it’s only a movie.

– Hey! cried a New Jew, laboring on the lever of the broken Strength Test. Hey. Somebody’s making it!

The end of this book has been rented to the Jesuits. The Jesuits demand the official beatification of Catherine Tekakwitha!

“Pour le succès de l’enterprise, for the success of this enterprise, il est essential que les miracles éclatent de nouveau, it is essential that the miracles sparkle again, et donc que le culte de la sainte grandisse, and thus extend the cult of the saint, qu’on l’invoque partout avec confiance, that one may invoke her with confidence everywhere, qu’elle redevienne par son invocation, that she becomes again by her mere invocation, par les reliques, by her relics, par la poudre de son tombeau, by the dust of her grave, la semeuse de miracles qu’elle fat au temps jadis, the sower of miracles that she was in former times.” We petition the country for miracle evidence, and we submit this document, whatever its intentions, as the first item in a revived testimonial to the Indian girl. “Le Canada et les États-Unis puiseront de nouvelles forces au contact de ce lis très pur des bords de la Mohawk et des rives du Saint-Laurent. Canada and the United States will achieve a new strength from contact with this purest lily from the shores of the Mohawk and the banks of the St. Lawrence River.”

Poor men, poor men, such as we, they’ve gone and fled. I will plead ‘torn electrical tower. I will plead from turret of plane. He will cover His face. He will not leave me alone. I will spread His name in Parliament. I will welcome His silence in pain. I have come through the fire of family and love. I smoke with my darling, I sleep with my friend. We talk of the poor men, broken and fled. Alone with my radio I lift up my hands. Welcome to you who read me today. Welcome to you who put my heart down. Welcome to you, darling and friend, who miss me forever in your trip to the end.

Leonard Cohen’s artistic career began in 1956 with the publication of his first book of poetry, Let Us Compare Mythologies. He has published two novels, The Favorite Game and Beautiful Losers, and eleven books of poetry, including Stranger Music: Selected Poems and Songs, Book of Longing, and Leonard Cohen: Poems and Songs. He has released fourteen studio albums, the most recent of which, You Want It Darker, was released in 2016. Cohen was inducted into the Rock and Roll Hall of Fame in 2008, received a Grammy

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