Puking clears the soul. Breavman remembered what he felt like. Fry’s Stationery, buying school supplies. Ten years old. The whole new school year coiled like a dragon to be conquered by sharp yellow Eagle pencils. Fresh erasers, rows of them, crying to be sacrificed for purity and stars for Neatness. The stacks of exercise books dazzlingly empty of mistakes, more perfect than Perfect. Unblunted compasses, lethal, containing millions of circles, too sharp and substantial for the cardboard box that contained them. Grown-up ink, black triumphs, eradicable mistakes. Leather bags for the dedicated trek from home to class, arms free for snowball or chestnut attacks. Paper clips surprisingly heavy in their small box, rulers with markings as complicated and important as a Spitfire’s dashboard, sticky red-bordered labels to fasten your name to anything. All tools benign, unused. Nothing yet an accomplice to failure. Fry’s smelled newer than even a winter newspaper brought in after the thump on the porch. And he commanded all these sparkling lieutenants.
Puking clears the soul but the bad juices come back quick. New York got lost in Breavman’s private city. Gauze grew on everything and as usual he had to imagine the real shape of things. He no longer felt the light Olympic candidate. The painted plaster bust reminded him of some religious statues in a window a few blocks back. They were gaudy, plastic, luminous, sort of jolly. The bust was old, unclean, the white the colour of soiled therapeutic stockings. He tried to spit out the taste in his mouth. The plaster shirt, the sky, the sidewalk, everything was the colour of mucus. Who was the man? Why didn’t he know the folklore of New York? Why didn’t he remember that article about the particular trees which they planted in cities, hardy ones that withstood the polluted air?
He took the wrong Seventh Avenue subway. When he climbed to the street he noticed everyone was black. It was too complicated to get out of Harlem. He hailed a taxi to get him back across town. At World Student House the Puerto Rican elevator man conducted the creaky machine to the eleventh floor. Breavman wished he could understand the words to the song he was singing. He decided he would say gracias when he left the elevator.
“Watch your step.”
“Thanks,” said Breavman in perfect English.
He knew he’d hate his room before he unlocked the door. It was exactly the same as he’d left it. Who was the man? He didn’t want to look out the window where General and Mrs. Grant were, or Gabriel on the roof of Riverside Church, or the shining Hudson, alien and boring.
He sat down on the bed, holding the key tightly in his right hand in exactly the position it had been when he twisted it in the keyhole, biting the inside of his cheek with molars. He was not really staring at the chair but the chair was the only image in his mind. He didn’t move a muscle for forty-five minutes. At that point it occurred to him in a wave of terror that if he didn’t make a great effort to rouse himself he would sit there forever. The maid would find him frozen.
Down at the cafeteria the fast-moving short-order man called him back for change.
“Giving it away, Professor?”
“No, I need it, Sam.”
“Name is Eddy, Professor.”
“Eddy? Glad to meet you, Sam.”
I’m cracking up, thought Breavman. He was wet-eyed happy because of the trivial exchange. He sat at a small table, his hands clasped over the cup of tea, enjoying the warmth. Then he saw Shell for the first time.
Fantastic luck, she was sitting alone, but no, here was a man coming to her table, balancing a cup in each of his hands. Shell stood up to take one from him. She has small breasts, I love her clothes, I hope she has nowhere to go, prayed Breavman. I hope she sits there all night. He looked around the cafeteria. Everyone was staring at her.
He pressed his thumb and forefinger in the corners of his eyes, his elbow on the table — a gesture he always regarded as phony. The war-lined desk colonel signing the order that sends the boys, his boys, on the suicide mission, and then we see him steeled for the casualty lists, and all the secretaries have gone home, he is alone with his pin-studded maps, and maybe a montage of the young men in training, close-up of young faces.
Now he was sure. It was the first thing in a long time he had learned about himself. He wanted no legions to command. He didn’t want to stand on any marble balcony. He didn’t want to ride with Alexander, be a boy-king. He didn’t want to smash his fist across the city, lead the Jews, have visions, love multitudes, bear a mark on his forehead, look in every mirror, lake, hub-cap, for reflection of the mark. Please no. He wanted comfort. He wanted to be comforted.
He grabbed the bunch of napkins out of the tumbler, wiped the excess ink from his ballpen on a corner of one of them, and scribbled nine poems, certain that she would stay as long as he wrote. He shredded the napkins as he dug the pen in, and he couldn’t read three-quarters of what he’d done; not that it was any good, but that had nothing to do with it. He stuffed the
