saw them undressed

in the arms of young mistresses

the men more naked than the naked women

the men crying quietly

     No that is not it

I’m losing why I must thank you

which means I’m left with pure longing

     How old are you

Do you like your thighs

I had it for a moment

I had a reason for letting the picture

of your mouth destroy my conversation

     Something on the radio

the end of a Mexican song

I saw the musicians getting paid

they are not even surprised

they knew it was only a job

     Now I’ve lost it completely

A lot of people think you are beautiful

How do I feel about that

I have no feeling about that

     I had a wonderful reason for not merely

courting you

It was tied up with the newspapers

     I saw secret arrangements in high offices

I saw men who loved their worldliness

even though they had looked through

big electric telescopes

they still thought their worldliness was serious

not just a hobby a taste a harmless affectation

     they thought the cosmos listened

I was suddenly fearful

one of their obscure regulations

could separate us

     I was ready to beg for mercy

Now I’m getting into humiliation

I’ve lost why I began this

I wanted to talk about your eyes

I know nothing about your eyes

and you’ve noticed how little I know

I want you somewhere safe

far from high offices

     I’ll study you later

So many people want to cry quietly beside you

July 4, 1963

ISLAND BULLETIN

Oh can my fresh white trousers

and the gardenia forest

and The Rise and Fall of the Third Reich

and my heroic tan

and my remarkable quaint house

and my Italian sun-glasses

     can they do for me

what our first meeting did?

I am so good with fire yet I hesitate

to begin again

believing perhaps in some ordeal by property

I am standing by the Sunset Wall

proud

thin despite my luxury

In my journey I know I am

somewhere beyond the travelling pack of poets

I am a man of tradition

I will remain here until

I am sure what I am leaving

July 4, 1963

INDEPENDENCE

Tonight I will live with my new white skin

which I found under a millennium of pith clothing

None of the walls jump when I call them

Trees smirked you’re one of us now

when I strode through the wheat in my polished boots

Out of control awake and newly naked

I lie back in the luxury of my colour

Somebody is marching for me at me to me

Somebody has a flag I did not invent

I think the Aztecs have not been sleeping

Magic moves from hand to hand like money

I thought we were the bank the end of the line

New York City was just a counter

the crumpled bill passed across

I thought that heroes meant us

I have been reading too much history

and writing too many history books

Magic moves from hand to hand and I’m broke

Someone stops the sleepwalker in the middle of the opera

and pries open his fist finger by finger

and kisses him goodbye

I think the Aztecs have not been sleeping

no matter what I taught the children

I think no one has ever slept but he

who gathers the past into stories

Magic moves from hand to hand

Somebody is smiling in one of our costumes

Somebody is stepping out of a costume

I think that is what invisible means

July 4, 1963

THE HOUSE

Two hours off the branch and burnt

the petals of the gardenia curl and deepen

in the yellow-brown of waste

     Your body wandered close

     I didn’t raise my hand to reach

the distance was so familiar

Our house is happy with its old furniture

the black Venetian bed stands on gold claws

guarding the window

     Don’t take the window away

     and leave a hole in the stark mountains

The clothesline and the grey clothespins

would make you think we’re going to be together always

     Last night I dreamed

     you were Buddha’s wife

and I was a historian watching you sleep

What vanity

     A girl told me something beautiful

     Very early in the morning

she saw an orange-painted wooden boat

come into port over the smooth sea

The cargo was hay

The boat rode low under the weight

She couldn’t see the sailors

but on top of all the hay sat a monk

Because of the sun behind he seemed

to be sitting in a fire

like that famous photograph

     I forgot to tell you the story

     She surprised me by telling it

and I wanted her for ten minutes

I really enjoyed the gardenia from Sophia’s courtyard

You put it on my table two hours ago

     and I can smell it everywhere in the house

Darling I attach nothing to it

July 4, 1963

ORDER

In many movies I came upon an idol

I would not touch, whose forehead jewel

was safe, or if stolen – mourned.

Truly, I wanted the lost forbidden city

to be the labyrinth for wise technicolor

birds, and every human riddle

the love-fed champion pursued

I knew was bad disguise for greed.

I was with the snake who made his nest

in the voluptuous treasure, I dropped

with the spider to threaten the trail-bruised

white skin of the girl who was searching

for her brother, I balanced on the limb

with the leopard who had to be content

with Negroes and double-crossers

and never tasted but a slash of hero flesh.

Even after double-pay I deserted

with the bearers, believing every rumour

the wind brought from the mountain pass.

The old sorceress, the spilled wine,

the black cards convinced me:

the timeless laws must not be broken.

When the lovers got away with the loot

of new-valued life or love, or bought

themselves a share in time by letting

the avalanche seal away for ever

the gold goblets and platters, I knew

a million ways the jungle might have been

meaner and smarter. As the red sun

came down on their embrace I shouted

from my velvet seat, Get them, get them,

to all the animals drugged with anarchy and happiness.

August 6, 1963

DESTINY

I want your warm body to disappear

politely and leave me alone in the bath

because I want to consider my destiny.

Destiny! why do you find me in this bathtub,

idle, alone, unwashed, without even

the intention of washing except at the last moment?

Why don’t you find me at the top of a telephone pole,

repairing the lines from city to city?

Why don’t you find me riding a horse through Cuba,

a giant of a man with a red machete?

Why don’t you find me explaining machines

to underprivileged pupils, negroid Spaniards,

happy it is not a course in creative writing?

Come back here, little warm body,

it’s time for another day.

Destiny has fled and I settle for you

who found me staring

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