for my friends bred in close avenues

of stone, and let us see too much.

The vast treeless field and huge wounded sky,

opposing each other like continents,

made us and our smoking fire quite irrelevant

between their eternal attitudes.

We knew we were intruders. Worse. Intruders

unnoticed and undespised.

Through orchards of black weeds

with a sigh the river urged its silver flesh.

From their damp nests bull-frogs croaked

warnings, but to each other.

And occasional birds, in a private grudge,

flew noiselessly at the moon.

What could we do? We ran naked into the river,

but our flesh insulted the thick slow water.

We tried to sit naked on the stones,

but they were cold and we soon dressed.

One squeezed a little human music from his box:

mostly it was lost in the grass

where one struggled in an ignorant embrace.

One argued with the slight old hills

and the goose-fleshed naked girls, I will not be old.

One, for his protest, registered a sexual groan.

And the girl in my arms

broke suddenly away, and shouted for us all,

Help! Help! I am alone. But then all subtlety was gone

and it was stupid to be obvious before the field and sky,

experts in simplicity. So we fled on the highways,

in our armoured cars, back to air-conditioned homes.

T H E F L I E R

Do not arrange your bright flesh in the sun

Or shine your limbs, my love, toward this height

Where basket men and the lame must run, must run

And grasp at angels in their lovely flight

With stumps and hooks and artificial skin.

0 there is nothing in your body's light

To grow us wings or teach the discipline

Which starvers know to calm the appetite.

Understand we might be content to beg

The clinic of your thighs against the night

Were there no scars of braces on his leg

Who sings and wrestles with them in our sight,

Then climbs the sky, a lover in their band.

Tell him your warmth, show him your gleaming hand.

1 29

P O E M

I heard of a man

who says words so beautifully

that if he only speaks their name

women give themselves to him.

If I am dumb beside your body

while silence blossoms like tumors on our lips

it is because I hear a man climb stairs

and clear his throat outside our door.

T H E F L Y

I n his black armour

the house.fty marched the field

of Freia's sleeping thighs,

undisturbed by the soft hand

which vaguely moved

to end his exercise.

And it ruined my day-

this fly which never planned

to charm her or to please

should walk boldly on that ground

I tried so hard

to lay my trembling knees.

W A R N I N G

If your neighbour disappears

0 if your neighbour disappears

The quiet man who raked his lawn

The girl who always took the sun

Never mention it to your wife

Never say at dinner time

Whatever happened to that man

Who used to rake his lawn

Never say to your daughter

As you're walking home from church

Funny thing about that girl

I haven't seen her for a month

And if your son says to you

Nobody lives next door

They've all gone away

Send him to bed with no supper

Because it can spread, it can spread

And one fine evening coming home

Your wife and daughter and son

They'll have caught the idea and will be gone.

S T O R Y

She tells me a child built her house

one Spring afternoon,

but that the child was killed

crossing the street.

She says she read it in the newspaper,

that at the corner of this and this avenue

a child was run down by an automobile.

Of course I do not believe her.

She has built the house herself,

hung the oranges and coloured beads in the doorways,

crayoned flowers on the walls.

She has made the paper things for the wind,

collected crooked stones for their shadows in the sun,

fastened yellow and dark balloons to the ceiling.

Each time I visit her

she repeats the story of the child to me,

I never question her. It is important

to understand one's part in a legend.

I take my place

among the paper fish and make-believe docks,

naming the flowers she has drawn,

smiling while she paints my head on large clay coins,

and making a sort of courtly love to her

when she contemplates her own traffic death.

3 2 I

B E S I D E T H E S H E P H E R D

Beside the shepherd dreams the beast

Of laying down with lions.

The youth puts away his singing reed

And strokes the consecrated flesh.

Glory, Glory, shouts the grass,

Shouts the brick, as from the cliff

The gorgeous fallen sun

Rolls slowly on the promised city.

Naked running through the mansion

The boy with news of the Messiah

Forgets the message for his father,

Enjoying the marble against his feet.

Well finally it has happened,

Imagines someone in another house,

Staring one more minute out his window

Before waking up his wife.

I 33

II / The Spice-Box of Earth

A K I T E I S A V I C T I M

A kite is a victim you are sure of.

You Jove it became it pulls

gentle enough to call you master,

strong enough to call you fool;

because it lives

like a desperate trained falcon

in the high sweet air,

and you can always haul it down

to tame it in your drawer.

A kite is a fish you have already caught

in a pool where no fish come,

so you play him carefully and long,

and hope he won't give up,

or the wind die down.

A kite is the last poem you've written,

so you give it to the wind,

but you don't let it go

until someone finds you

something else to do.

A kite is a contract of glory

that must be made with the sun,

so you make friends with the field

the river and the wind,

then you pray the whole cold night before,

under the travelling cordless moon,

to make you worthy and lyric and pure.

I 37

T H E F L O W E R S T H A T I L E F T

I N

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