to your back

with a groan, like those gods on the roof

that Samson pulled down.

1 6 1

B E N E A T H M Y H A N D S

Beneath my hands

your small breasts

are the upturned bellies

of breathing fallen sparrows.

Wherever you move

I hear the sounds of closing wings

of falling wings.

I am speechless

because you have fallen beside me

because your eyelashes

are the spines of tiny fragile animals.

I dread the time

when your mouth

begins to call me hunter.

When you call me close

to tell me

your body is not beautiful

I want to summon

the eyes and hidden mouths

of stone and light and water

to testify against you.

I want them

to surrender before you

the trembling rhyme of your face

from their deep caskets.

When you call me close

to tell me

your body is not beautiful

I want my body and my hands

to be pools

for your looking and laughing.

A S T H E M I S T L E A V E S N O S C A R

As the mist leaves no scar

On the dark green hill,

So my body leaves no scar

On you, nor ever will.

When wind and hawk encounter,

What remains to keep?

So you and I encounter,

Then turn, then fall to sleep.

As many nights endure

Without a moon or star,

So will we endure

When one is gone and far.

I L O N G T O H O L D S O M E L A D Y

I long to hold some lady

For my love is far away,

And will not come tomorrow

And was not here today.

There is no flesh so perfect

As on my lady's bone,

And yet it seems so distant

When I am all alone:

As though she were a masterpiece

In some castled town,

That pilgrims come to visit

And priests to copy down.

Alas, I cannot travel

To a love I have so deep

Or sleep too close beside

A love I want to keep.

But I long to hold some lady,

For flesh is warm and sweet.

Cold skeletons go marching

Each night beside my feet.

N O W O F S L E E P I N G

Under her grandmother's patchwork quilt

a calico bird's-eye view

of crops and boundaries

naming dimly the districts of her body

sleeps my Annie like a perfect lady

Like ages of weightless snow

on tiny oceans filled with light

her eyelids enclose deeply

a shade tree of birthday candles

one for every morning

until the now of sleeping

The small banner of blood

kept and flown by Brother Wind

long after the pierced bird fell down

is like her red mouth

among the squalls of pillow

Bearers of evil fancy

of dark intention and corrupting fashion

who come to rend the quilt

plough the eye and ground the mouth

will contend with mighty Mother Goose

and Farmer Brown and all good stories

of invincible belief

which surround her sleep

like the golden weather of a halo

Well-wishers and her true lover

may stay to watch my Annie

sleeping like a perfect lady

I Gs

under her grandmother's patchwork quilt

but they must promise to whisper

and to vanish by morning-

all but her one true lover.

66 1

S O N G

When with lust I am smitten

To my books I then repair

And read what men have written

Of flesh forbid but fair

But in these saintly stories

Of gleaming thigh and breast

Of sainthood and its glories

Alas I find no rest

For at each body rare

The saintly man disdains

I stare 0 God I stare

My heart is stained with stains

And casting down the holy tomes

I lead my eyes to where

The naked girls with silver combs

Are combing out their hair

Then each pain my hermits sing

Flies upward like a spark

I live with the mortal ring

Of flesh on flesh in dark

S O N G

I almost went to bed

without remembering

the four white violets

I put in the button-hole

of your green sweater

and how I kissed you then

and you kissed me

shy as though I'd

never been your lover

F O R A N N E

With Annie gone,

Whose eyes to compare

With the morning sun?

Not that I did compare,

But I do compare

Now that she's gone.

6s 1

L A S T D A N C E A T T H E F O U R P E N N Y

Layton, when we dance our freilach

under the ghostly handkerchief,

the miracle rabbis of Prague and Vilna

resume their sawdust thrones,

and angels and men, asleep so long

in the cold palaces of disbe\ief,

gather in sausage-hung kitchens

to quarrel deliciously and debate

the sounds of the Ineffable Name.

Layton, my friend Lazarovitch,

no Jew was ever lost

while we two dance joyously

in this French province,

cold and oceans west of the temple,

the snow canyoned on the twigs

like forbidden Sabbath manna;

I say no Jew was ever lost

while we weave and billow the handkerchief

into a burning cloud,

measuring all of heaven

with our stitching thumbs.

Reb Israel Lazarovitch,

you no-good Romanian, you're right!

Who cares whether or not

the Messiah is a Litvak?

As for the cynical,

such as we were yesterday,

let them step with us or rot

in their logical shrouds.

We've raised a bright white flag,

I 6g

and here's our battered fathers' cup of wine,

and now is music

until morning and the morning prayers

lay us down again,

we who dance so beautifully

though we know that freilachs end.

S U M M E R H A I K U

For Frank and Marian Sco tt

Silence

and a deeper silence

when the crickets

hesitate

O U T O F T H E L A N D O F H E A V E N

For Marc Chagall

Out of the land of heaven

Down comes the warm Sabbath sun

Into the spice-box of earth_

The Queen will make every Jew her lover_

In a white silk coat

Our

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