She owes him a wedding night...

He’ll collect it in Greece!

It’s heart-stopping for architect Helena to learn that her mystery client is Theo Nikolaidis—her ex-fiancé! Unwilling to sacrifice her hard-fought independence, she ended their engagement, but memories of their passion were harder to leave behind...

Theo has one goal: seeking vengeance on his runaway bride! Yet their return to the Greek island they had planned to call home complicates everything. Theo can’t escape their past...or the intense connection that spectacularly reignites! Will this tycoon be tempted to rewrite the rules of his revenge?

MICHELLE SMART’s love affair with books started when she was a baby and would cuddle them in her cot. A voracious reader of all genres, she found her love of romance established when she stumbled across her first Mills & Boon book at the age of twelve. She’s been reading them—and writing them—ever since. Michelle lives in Northamptonshire, England, with her husband and two young Smarties.

Also by Michelle Smart

The Sicilian’s Bought Cinderella

Her Sicilian Baby Revelation

Cinderella Seductions miniseries

A Cinderella to Secure His Heir

The Greek’s Pregnant Cinderella

Passion in Paradise collection

A Passionate Reunion in Fiji

Rings of Vengeance miniseries

Billionaire’s Bride for Revenge

Marriage Made in Blackmail

Billionaire’s Baby of Redemption

Discover more at millsandboon.co.uk.

His Greek Wedding Night Debt

Michelle Smart

www.millsandboon.co.uk

ISBN: 978-1-474-09807-6

HIS GREEK WEDDING NIGHT DEBT

© 2020 Michelle Smart

Published in Great Britain 2020

by Mills & Boon, an imprint of HarperCollinsPublishers 1 London Bridge Street, London, SE1 9GF

All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A.

This is a work of fiction. Names, characters, places, locations and incidents are purely fictional and bear no relationship to any real life individuals, living or dead, or to any actual places, business establishments, locations, events or incidents. Any resemblance is entirely coincidental.

By payment of the required fees, you are granted the non-exclusive, non-transferable right and licence to download and install this e-book on your personal computer, tablet computer, smart phone or other electronic reading device only (each a “Licensed Device”) and to access, display and read the text of this e-book on-screen on your Licensed Device. Except to the extent any of these acts shall be permitted pursuant to any mandatory provision of applicable law but no further, no part of this e-book or its text or images may be reproduced, transmitted, distributed, translated, converted or adapted for use on another file format, communicated to the public, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher.

® and ™ are trademarks owned and used by the trademark owner and/or its licensee. Trademarks marked with ® are registered with the United Kingdom Patent Office and/or the Office for Harmonisation in the Internal Market and in other countries.

www.millsandboon.co.uk

Note to Readers

This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:

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Contents

Cover

Back Cover Text

About the Author

Booklist

Title Page

Copyright

Note to Readers

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

EPILOGUE

Extract

About the Publisher

CHAPTER ONE

HELENA ARMSTRONG GAVE her appearance one final look-over.

Mascara and eyeliner intact and unsmudged? Check.

Nude lipstick on the lips and not the teeth? Check.

Thick chestnut hair secured in a professional bun at the base of the neck without any stray distracting strands? Check.

Silver and blue swirl tailored A-line skirt clean and uncreased? Check.

Black blouse clean and uncreased and no gapping around the bust? Check.

Black tights ladder free? Check.

Black heels clean if not easy to walk in? Check.

Thick-framed spectacles fingerprint free? Check.

Drawing tube ready to grab hold of? Check.

Heartbeat under vague semblance of control...? Oh, well, a girl couldn’t have everything.

Helena was as ready and prepared as she could be. It was time to make her first major pitch to a client. The blueprints she’d spent a month toiling over were ready to be unveiled to the mystery client who’d driven them all to distraction.

The mystery client, who’d used lawyers up to this point to remain under the cloak of anonymity—which in itself had led to fevered speculation within the firm as to who he or she could be—had invited their firm and four others to pitch for the opportunity to design a house for him. Or her. This would be no ordinary house, nor even an ordinary mansion. The successful lead architect would be flown to a Greek island, name still to be revealed, and tasked with designing a thousand-square-metre villa in traditional Cycladic style from scratch. Each firm was to put forward an architect with an understanding of the Greek language and a leaning towards classical European architecture to pitch. Helena, who had a Greek mother and an adoration of classical architecture, fitted the bill perfectly for her firm. Her father’s cruel manner in forcing the Greek language on her had finally paid off.

She’d swallowed her unease at the thought of having to work on an island that was part of the country she’d spent three years actively avoiding, and thrown herself into the pitch. She hadn’t fooled herself into thinking she had a chance of winning as no doubt she would be the youngest and least experienced but it was good practice and the successful pitch would be rewarded with a prize unlike any other. Not only would the successful firm make a good sum from it, but also the lead architect would receive a hefty signing-on bonus and a completion bonus, which together would enable Helena to write off her mountain of debt and have a little spare. All she’d been tasked to do for the pitch was show how she would turn an old Greek school into a trio of luxury holiday-let apartments.

Helena headed through the open-plan layout to

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