The Souls of Black Folk

velvet-skinned young Memnon, who sauntered half-bashfully over to greet the strangers, is proud of his home. We turn now to the west along the county line. Great dismantled trunks of pines tower above the green cotton-fields, cracking their naked gnarled fingers toward the border of living forest beyond. There is little beauty in this region, only a sort of crude abandon that suggests power⁠—a naked grandeur, as it were. The houses are bare and straight; there are no hammocks or easy-chairs, and few flowers. So when, as here at Rawdon’s, one sees a vine clinging to a little porch, and homelike windows peeping over the fences, one takes a long breath. I think I never before quite realized the place of the Fence in civilization. This is the Land of the Unfenced, where crouch on either hand scores of ugly one-room cabins, cheerless and dirty. Here lies the Negro problem in its naked dirt and penury. And here are no fences. But now and then the crisscross rails or straight palings break into view, and then we know a touch of culture is near. Of course Harrison Gohagen⁠—a quiet yellow man, young, smooth-faced, and diligent⁠—of course he is lord of some hundred acres, and we expect to see a vision of well-kept rooms and fat beds and laughing children. For has he not fine fences? And those over yonder, why should they build fences on the rack-rented land? It will only increase their rent.

On we wind, through sand and pines and glimpses of old plantations, till there creeps into sight a cluster of buildings⁠—wood and brick, mills and houses, and scattered cabins. It seemed quite a village. As it came nearer and nearer, however, the aspect changed: the buildings were rotten, the bricks were falling out, the mills were silent, and the store was closed. Only in the cabins appeared now and then a bit of lazy life. I could imagine the place under some weird spell, and was half-minded to search out the princess. An old ragged black man, honest, simple, and improvident, told us the tale. The Wizard of the North⁠—the Capitalist⁠—had rushed down in the seventies to woo this coy dark soil. He bought a square mile or more, and for a time the field-hands sang, the gins groaned, and the mills buzzed. Then came a change. The agent’s son embezzled the funds and ran off with them. Then the agent himself disappeared. Finally the new agent stole even the books, and the company in wrath closed its business and its houses, refused to sell, and let houses and furniture and machinery rust and rot. So the Waters-Loring plantation was stilled by the spell of dishonesty, and stands like some gaunt rebuke to a scarred land.

Somehow that plantation ended our day’s journey; for I could not shake off the influence of that silent scene. Back toward town we glided, past the straight and threadlike pines, past a dark tree-dotted pond where the air was heavy with a dead sweet perfume. White slender-legged curlews flitted by us, and the garnet blooms of the cotton looked gay against the green and purple stalks. A peasant girl was hoeing in the field, white-turbaned and black-limbed. All this we saw, but the spell still lay upon us.

How curious a land is this⁠—how full of untold story, of tragedy and laughter, and the rich legacy of human life; shadowed with a tragic past, and big with future promise! This is the Black Belt of Georgia. Dougherty County is the west end of the Black Belt, and men once called it the Egypt of the Confederacy. It is full of historic interest. First there is the Swamp, to the west, where the Chickasawhatchee flows sullenly southward. The shadow of an old plantation lies at its edge, forlorn and dark. Then comes the pool; pendent gray moss and brackish waters appear, and forests filled with wildfowl. In one place the wood is on fire, smouldering in dull red anger; but nobody minds. Then the swamp grows beautiful; a raised road, built by chained Negro convicts, dips down into it, and forms a way walled and almost covered in living green. Spreading trees spring from a prodigal luxuriance of undergrowth; great dark green shadows fade into the black background, until all is one mass of tangled semitropical foliage, marvellous in its weird savage splendor. Once we crossed a black silent stream, where the sad trees and writhing creepers, all glinting fiery yellow and green, seemed like some vast cathedral⁠—some green Milan builded of wildwood. And as I crossed, I seemed to see again that fierce tragedy of seventy years ago. Osceola, the Indian-Negro chieftain, had risen in the swamps of Florida, vowing vengeance. His war-cry reached the red Creeks of Dougherty, and their war-cry rang from the Chattahoochee to the sea. Men and women and children fled and fell before them as they swept into Dougherty. In yonder shadows a dark and hideously painted warrior glided stealthily on⁠—another and another, until three hundred had crept into the treacherous swamp. Then the false slime closing about them called the white men from the east. Waist-deep, they fought beneath the tall trees, until the war-cry was hushed and the Indians glided back into the west. Small wonder the wood is red.

Then came the black slaves. Day after day the clank of chained feet marching from Virginia and Carolina to Georgia was heard in these rich swamp lands. Day after day the songs of the callous, the wail of the motherless, and the muttered curses of the wretched echoed from the Flint to the Chickasawhatchee, until by 1860 there had risen in West Dougherty perhaps the richest slave kingdom the modern world ever knew. A hundred and fifty barons commanded the labor of nearly six thousand Negroes, held sway over farms with ninety thousand acres tilled land, valued even in times of cheap soil at three millions of dollars. Twenty thousand bales of ginned cotton went yearly to