And yet with all this there was something sordid, something forced—a certain feverish unrest and recklessness; for was not all this show and tinsel built upon a groan? “This land was a little Hell,” said a ragged, brown, and grave-faced man to me. We were seated near a roadside blacksmith shop, and behind was the bare ruin of some master’s home. “I’ve seen niggers drop dead in the furrow, but they were kicked aside, and the plough never stopped. Down in the guardhouse, there’s where the blood ran.”
With such foundations a kingdom must in time sway and fall. The masters moved to Macon and Augusta, and left only the irresponsible overseers on the land. And the result is such ruin as this, the Lloyd “home-place”:—great waving oaks, a spread of lawn, myrtles and chestnuts, all ragged and wild; a solitary gatepost standing where once was a castle entrance; an old rusty anvil lying amid rotting bellows and wood in the ruins of a blacksmith shop; a wide rambling old mansion, brown and dingy, filled now with the grandchildren of the slaves who once waited on its tables; while the family of the master has dwindled to two lone women, who live in Macon and feed hungrily off the remnants of an earldom. So we ride on, past phantom gates and falling homes—past the once flourishing farms of the Smiths, the Gandys, and the Lagores—and find all dilapidated and half ruined, even there where a solitary white woman, a relic of other days, sits alone in state among miles of Negroes and rides to town in her ancient coach each day.
This was indeed the Egypt of the Confederacy—the rich granary whence potatoes and corn and cotton poured out to the famished and ragged Confederate troops as they battled for a cause lost long before 1861. Sheltered and secure, it became the place of refuge for families, wealth, and slaves. Yet even then the hard ruthless rape of the land began to tell. The red-clay subsoil already had begun to peer above the loam. The harder the slaves were driven the more careless and fatal was their farming. Then came the revolution of war and Emancipation, the bewilderment of Reconstruction—and now, what is the Egypt of the Confederacy, and what meaning has it for the nation’s weal or woe?
It is a land of rapid contrasts and of curiously mingled hope and pain. Here sits a pretty blue-eyed quadroon hiding her bare feet; she was married only last week, and yonder in the field is her dark young husband, hoeing to support her, at thirty cents a day without board. Across the way is Gatesby, brown and tall, lord of two thousand acres shrewdly won and held. There is a store conducted by his black son, a blacksmith shop, and a ginnery. Five miles below here is a town owned and controlled by one white New Englander. He owns almost a Rhode Island county, with thousands of acres and hundreds of black laborers. Their cabins look better than most, and the farm, with machinery and fertilizers, is much more businesslike than any in the county, although the manager drives hard bargains in wages. When now we turn and look five miles above, there on the edge of town are five houses of prostitutes—two of blacks and three of whites; and in one of the houses of the whites a worthless black boy was harbored too openly two years ago; so he was hanged for rape. And here, too, is the high whitewashed fence of the “stockade,” as the county prison is called; the white folks say it is ever full of black criminals—the black folks say that only colored boys are sent to jail, and they not because they are guilty, but because the State needs criminals to eke out its income by their forced labor.
Immigrants are heirs of the slave baron in Dougherty; and as we ride westward, by wide stretching cornfields and stubby orchards of peach and pear, we see on all sides within the circle of dark forest a Land of Canaan. Here and there are tales of projects for money-getting, born in the swift days of Reconstruction—“improvement” companies, wine companies, mills and factories; most failed, and foreigners fell heir. It is a beautiful land, this Dougherty, west of the Flint. The forests are wonderful, the solemn pines have disappeared, and this is the “Oakey Woods,” with its wealth of hickories, beeches, oaks and palmettos. But a pall of debt hangs over the beautiful land; the merchants are in debt to the wholesalers, the planters are in debt to the merchants, the tenants owe the planters, and laborers bow and bend beneath the burden of it all. Here and there a man has raised his head above these murky waters. We passed one fenced stock-farm with grass and grazing cattle, that looked very homelike after endless corn and cotton. Here and there are black freeholders: there is the gaunt dull-black Jackson, with his hundred acres. “I says, ‘Look up! If you don’t look up you can’t get up,’ ” remarks Jackson, philosophically. And he’s gotten up. Dark Carter’s neat barns would do credit to New England. His master helped him to get a start, but when the black man died last fall the master’s sons immediately laid claim to the estate. “And them white folks will get it, too,” said my yellow gossip.
I turn from these well-tended
