During this time we were drawn together a great deal by the mutual bond of music. She loved to hear me play Chopin and was herself far from being a poor performer of his compositions. I think I carried her every new song that was published which I thought suitable to her voice, and played the accompaniment for her. Over these songs we were like two innocent children with new toys. She had never been anything but innocent; but my innocence was a transformation wrought by my love for her, love which melted away my cynicism and whitened my sullied soul and gave me back the wholesome dreams of my boyhood. There is nothing better in all the world that a man can do for his moral welfare than to love a good woman.
My artistic temperament also underwent an awakening. I spent many hours at my piano, playing over old and new composers. I also wrote several little pieces in a more or less Chopinesque style, which I dedicated to her. And so the weeks and months went by. Often words of love trembled on my lips, but I dared not utter them, because I knew they would have to be followed by other words which I had not the courage to frame. There might have been some other woman in my set whom I could have fallen in love with and asked to marry me without a word of explanation; but the more I knew this girl, the less could I find it in my heart to deceive her. And yet, in spite of this specter that was constantly looming up before me, I could never have believed that life held such happiness as was contained in those dream days of love.
One Saturday afternoon, in early June, I was coming up Fifth Avenue, and at the corner of Twenty-third Street I met her. She had been shopping. We stopped to chat for a moment, and I suggested that we spend half an hour at the Eden Musée. We were standing leaning on the rail in front of a group of figures, more interested in what we had to say to each other than in the group, when my attention became fixed upon a man who stood at my side studying his catalogue. It took me only an instant to recognize in him my old friend “Shiny.” My first impulse was to change my position at once. As quick as a flash I considered all the risks I might run in speaking to him, and most especially the delicate question of introducing him to her. I confess that in my embarrassment and confusion I felt small and mean. But before I could decide what to do, he looked around at me and, after an instant, quietly asked: “Pardon me; but isn’t this ⸻?” The nobler part in me responded to the sound of his voice, and I took his hand in a hearty clasp. Whatever fears I had felt were quickly banished, for he seemed, at a glance, to divine my situation, and let drop no word that would have aroused suspicion as to the truth. With a slight misgiving I presented him to her and was again relieved of fear. She received the introduction in her usual gracious manner, and without the least hesitancy or embarrassment joined in the conversation. An amusing part about the introduction was that I was upon the point of introducing him as “Shiny,” and stammered a second or two before I could recall his name. We chatted for some fifteen minutes. He was spending his vacation North, with the intention of doing four or six weeks’ work in one of the summer schools; he was also going to take a bride back with him in the fall. He asked me about myself, but in so diplomatic a way that I found no difficulty in answering him. The polish of his language and the unpedantic manner in which he revealed his culture greatly impressed her; and after we had left the Musée she showed it by questioning me about him. I was surprised at the amount of interest a refined black man could arouse. Even after changes in the conversation she reverted several times to the subject of “Shiny.” Whether it was more than mere curiosity I could not tell, but I was convinced that she herself knew very little about prejudice.
Just why it should have done so I do not know, but somehow the “Shiny” incident gave me encouragement and confidence to cast the die of my fate. I reasoned, however, that since I wanted to marry her only, and since it concerned her alone, I would divulge my secret to no one else, not even her parents.
One evening a few days afterwards at her home, we were going over some new songs and compositions when she asked me, as she often did, to play the “13th Nocturne.” When I began, she drew a chair near to my right and sat leaning with her elbow on the end of the piano, her chin resting on her hand, and her eyes reflecting the emotions which the music awoke in her. An impulse which I could not control rushed over me, a wave of exultation, the music under my fingers sank almost to a whisper, and calling her for the first time by her Christian name, but without daring to look at her, I said, “I love you, I love you, I love you.” My fingers were trembling so that I ceased playing. I felt her hand creep to mine, and when I looked at her, her eyes were glistening with tears. I understood, and could scarcely resist the longing to take her in my arms; but I remembered, remembered that which has been the sacrificial altar of so much happiness—Duty; and bending over her hand in mine, I said: “Yes, I love you; but there is something
