“Ah, I see you are interested, Mr. Astley. But it is a long, long story, and calls for a lengthy preface. At the same time, the question is an important one, however ridiculous it may seem at the first glance. A Frenchman, Mr. Astley, is merely a fine figure of a man. With this you, as a Britisher, may not agree. With it I also, as a Russian, may not agree—out of envy. Yet possibly our good ladies are of another opinion. For instance, one may look upon Racine as a broken-down, hobbledehoy, perfumed individual—one may even be unable to read him; and I too may think him the same, as well as, in some respects, a subject for ridicule. Yet about him, Mr. Astley, there is a certain charm, and, above all things, he is a great poet—though one might like to deny it. Yes, the Frenchman, the Parisian, as a national figure, was in process of developing into a figure of elegance before we Russians had even ceased to be bears. The Revolution bequeathed to the French nobility its heritage, and now every whippersnapper of a Parisian may possess manners, methods of expression, and even thoughts that are above reproach in form, while all the time he himself may share in that form neither in initiative nor in intellect nor in soul—his manners, and the rest, having come to him through inheritance. Yes, taken by himself, the Frenchman is frequently a fool of fools and a villain of villains. Per contra, there is no one in the world more worthy of confidence and respect than this young Russian lady. De Griers might so mask his face and play a part as easily to overcome her heart, for he has an imposing figure, Mr. Astley, and this young lady might easily take that figure for his real self—for the natural form of his heart and soul—instead of the mere cloak with which heredity has dowered him. And even though it may offend you, I feel bound to say that the majority also of English people are uncouth and unrefined, whereas we Russian folk can recognise beauty wherever we see it, and are always eager to cultivate the same. But to distinguish beauty of soul and personal originality there is needed far more independence and freedom than is possessed by our women, especially by our younger ladies. At all events, they need more experience. For instance, this Mlle. Polina—pardon me, but the name has passed my lips, and I cannot well recall it—is taking a very long time to make up her mind to prefer you to Monsieur de Griers. She may respect you, she may become your friend, she may open out her heart to you; yet over that heart there will be reigning that loathsome villain, that mean and petty usurer, De Griers. This will be due to obstinacy and self-love—to the fact that De Griers once appeared to her in the transfigured guise of a marquis, of a disenchanted and ruined liberal who was doing his best to help her family and the frivolous old General; and, although these transactions of his have since been exposed, you will find that the exposure has made no impression upon her mind. Only give her the De Griers of former days, and she will ask of you no more. The more she may detest the present De Griers, the more will she lament the De Griers of the past—even though the latter never existed but in her own imagination. You are a sugar refiner, Mr. Astley, are you not?”
“Yes, I belong to the well-known firm of Lovell and Co.”
“Then see here. On the one hand, you are a sugar refiner, while, on the other hand, you are an Apollo Belvedere. But the two characters do not mix with one another. I, again, am not even a sugar refiner; I am a mere roulette gambler who has also served as a lackey. Of this fact Mlle. Polina is probably well aware, since she appears to have an excellent force of police at her disposal.”
“You are saying this because you are feeling bitter,” said Astley with cold indifference. “Yet there is not the least originality in your words.”
“I agree. But therein lies the horror of it all—that, how trepidation, playing ever mean and farcical my accusations may be, they are none the less true. But I am only wasting words.”
“Yes, you are, for you are only talking nonsense!” exclaimed my companion—his voice now trembling and his eyes flashing fire. “Are you aware,” he continued, “that wretched, ignoble, petty, unfortunate man though you are, it was at her request I came to Homburg, in order to see you, and to have a long, serious talk with you, and to report to her your feelings and thoughts and hopes—yes, and your recollections of her, too?”
“Indeed? Is that really so?” I cried—the tears beginning to well from my eyes. Never before had this happened.
“Yes, poor unfortunate,” continued Astley. “She did love you; and I may tell you this now for the reason that now you are utterly lost. Even if I were also to tell you that she still loves you, you would none the less have to remain where you are. Yes, you have ruined yourself beyond redemption. Once upon a time you had a certain amount of talent, and you were of a lively disposition, and your good looks were not to be despised. You might even have been useful to your country, which needs men like you. Yet you remained here, and your life is now over. I am not blaming you for this—in my view all Russians resemble you, or are inclined to do so. If it is not roulette, then it is something else. The exceptions are very rare. Nor are you the first to learn what a taskmaster is yours. For roulette is not exclusively a Russian game. Hitherto, you
