“Whatever made you come downstairs?” she panted on the first-floor landing.
“I was frightened.”
“You frightened me.”
“Who are they murdering?”
“You’ve been having a bad dream,” said Annie.
She led him upstairs again to his room and tucked him up, and at his earnest request turned the gas a trifle higher.
“Why did Nanny and Mrs. Frith look like that?” he asked.
“They’re tired,” said Annie.
“Why?”
“They have to work so hard to look after you.”
Then she left him alone, and he fell asleep before they all came up to bed.
Generally speaking, the first part of the night, however bad the outside noises, was not so fearful as the second part. Mostly the second portion of the night was preceded by a bad dream in which Michael’s nerves were so much shaken that he had no courage or common-sense left to grapple with the long hours in the ghastly stillness of his room. There was one dream in particular which he dreaded, and indeed it was the only one that repeated itself at regular intervals without any essential change. He would find himself alone in a long street in the middle of the night. Usually it would be shining with wet, but sometimes it would be dry and airless. This street stretched as far as one could see. It had on either side lampposts which burned with a steady staring illumination, long rows of lampposts that converged in the farthest distance. The houses all seemed empty, yet everyone was in some way a malignant personality. Down this street Michael would have to walk on and on. He would meet nobody, and the only living thing was a bony hound that pattered behind him at whatever pace he went, whether he ran or whether he loitered. He would in his dream be filled with a desire to enter one of these houses, and often he would mount the steps and knock a summons on the door—a knock that echoed all over the gloom within. While he knocked, the bony hound would howl in the shadows of the basement. Every house at which he knocked Michael would be more and more anxious to pass, more and more fearful to disturb. Yet however much he struggled against it, he would ultimately be compelled to knock his loud challenge. The street would now stretch for miles of lighted lamps before and behind him, and the knowledge would gradually be borne in upon Michael that sooner or later in one of these grey houses the door would open. He would hurry along, but however fast he travelled some house would draw him inexorably to its threshold, and he would wait in agony lest slowly the great door should swing back to a dim hall. The climax of the dream would now be reached. One house would simultaneously repel and draw him more than any of those left behind. He would struggle to go by, but he would find himself on the steps with legs that refused to carry him away. He would knock: very slowly the door would swing back and, convulsed and choking and warding off horror, Michael would wake in a frenzy of fear to his own real house of ghastly stillness, where no longer did even a belated luggage-train or jingling hansom assure him of life’s continuity.
He did not always wake up suddenly: sometimes he would be aware that he was slowly waking and would struggle to keep asleep, lying for a long time without moving a muscle, in order to cheat himself into the belief that he was not awake. But gradually the strain would be too much and he would have to become conscious of the room. First of all he would turn on to his left side and view apprehensively the door ajar. This would seem to tremble, as he looked, to some invisible hand trying it. Then along the wall the wardrobe would creak, and every knot of its varnished surface would take on a fantastic countenance. He would wonder what was inside, and try to gain comfort and the sense of commonplace daytime existence by counting the cats swinging on a roundabout in one of Louis Wain’s Christmas pictures. In the corner beyond the wardrobe was a large clothes-basket that crackled and snapped and must surely hold somebody inside, hidden as the Forty Thieves were hidden in the oil-jars. The fireplace, opposite the foot of the bed, seemed a centre for the noise of mice. How he hoped they would be content to play upon the hearth and not venture to leap over the fender and scuttle about the room. Then the door would begin to frighten him again, and Michael would turn very quietly on to his back, staring at the luminous ceiling where the gas-jet made a huge moon whose edges wavered perpetually. But the gas-jet itself became terrifying, when looked at too long, with its queer blue base and slim solemn shape, so melancholy, so desolate, so changeless. The ceiling would very soon become unendurable because various black marks would seem with intensest contemplation more and more like spiders and beetles. Michael would have to give up lying on his back and turn upon his right side. He would count each slat of the Venetian blinds and long passionately and sadly for the grey streaks to appear at the sides in proclamation of the approach of day. Without these grey streaks the windows were unbearable, so menacing were they with the unknown infinite night behind them. The curtains, too, would quiver, and even Michael’s clothes, heaped upon a chair, would assume a worm-like vitality. The washstand made him feel oppressed, so silent and white were the jug and basin and soap-dish, so cold and chill were they. There was nothing to be done but to bury his head beneath the clothes and, trembling, try to believe in the reality of guardian angels. He would shut his eyes very tightly until the wheels of coloured
