“All this is very well,” answered she; “but the Count has decided that Sabine is to become the wife of M. de Breulh-Faverlay, and I have no voice in the matter.”
“But if you exert your influence?”
The Countess shook her head. “Once on a time,” said she sadly, “I reigned supreme over Octave’s heart; I was the leading spirit of his existence. Then he loved me; but I was insensible to the depths of his affection, and wore out a love that would have lasted as long as life itself. Yes, in my folly I slew it, and now—” She paused for a moment as if to collect her ideas, and then added more slowly: “and now our lives are separate ones. I do not complain; it is all my own fault; he is just and generous.”
“But surely you can make the effort?”
“But suppose Sabine loves M. de Breulh-Faverlay?”
“But, madame, a mother can always influence her daughter.”
The Countess seized the doctor’s hand, and grasped it so tightly that he could hardly bear the pain.
“I must,” said she in a hoarse whisper, “divulge to you the whole extent of my unhappiness. I am estranged from my husband, and my daughter dislikes and despises me. Some people think that life can be divided into two portions, one consecrated to pleasure and excitement, and the other to domestic peace and happiness; but the idea is a false one. As youth has been, so will be age, either a reward or an expiation.”
Dr. Hortebise did not care to follow this train of argument—for the Count might enter at any moment, or a servant might come in to announce dinner—and only sought to soothe the excited feelings of Madame de Mussidan, and to prove to her that she was frightened by shadows, and that in reality she was not estranged from her husband, nor did her daughter dislike her; and finally a ray of hope illuminated the saddened heart of the unfortunate lady.
“Ah, doctor!” said she, “it is only misfortune that teaches us to know our true friends.”
The Countess, like her husband, had now laid down her arms; she had made a longer fight of it, but in both cases the result had been the same. She promised that she would commence operations the next day, and do her utmost to break off the present engagement.
Hortebise then took his leave, quite worn out with the severe conflict he had waged during his two hours’ interview with the Countess. In spite of the extreme cold, the air outside seemed to refresh him considerably, and he inhaled it with the happy feeling that he had performed his duty in a manner worthy of all praise. He walked up the Rue de Faubourg Saint Honoré, and again entered the café where he and his worthy confederate had agreed to meet. Mascarin was there, an untasted cutlet before him, and his face hidden by a newspaper which his anxiety would not permit him to peruse. His suspense was terrible. Had Hortebise failed? had he encountered one of those unforeseen obstacles which, like a minute grain of sand, utterly hinders the working of a piece of delicate machinery?
“Well, what news?” said he eagerly, as soon as he caught sight of the doctor.
“Success, perfect success!” said Hortebise gayly. “But,” added he, as he sank exhausted upon a seat, “the battle has been a hard one.”
VII
In the Studio
Staggering like a drunken man, Paul Violaine descended the stairs when his interview with Mascarin had been concluded. The sudden and unexpected good fortune which had fallen so opportunely at his feet had for the moment absolutely stunned him. He was now removed from a position which had caused him to gaze with longing upon the still waters of the Seine, to one of comparative affluence. “Mascarin,” said he to himself, “has offered me an appointment bringing in twelve thousand francs per annum, and proposed to give me the first month’s salary in advance.”
Certainly it was enough to bewilder any man, and Paul was utterly dazed. He went over all the events that had occurred during the day—the sudden appearance of old Tantaine, with his loan of five hundred francs, and the strange man who knew the whole history of his life, and who, without making any conditions, had offered him a valuable situation. Paul was in no particular hurry to get back to the Hotel de Perou, for he said to himself that Rose could wait. A feeling of restlessness had seized upon him. He wanted to squander money, and to have the sympathy of some companions—but where should he go, for he had no friends? Searching the records of his memory, he remembered that, when poverty had first overtaken him, he had borrowed twenty francs from a young fellow of his own age, named André. Some gold coins still jingled in his pocket, and he could have a thousand francs for the asking. Would it not add to his importance if he were to go and pay this debt? Unluckily his creditor lived a long distance off in the Rue de la Tour d’Auvergne. He, however, hailed a passing cab, and was driven to André’s address. This young man was only a casual acquaintance, whom Paul had picked up one day in a small wine-shop to which he used to take Rose when he first arrived in Paris. André, with whose other name Paul was unacquainted, was an artist, and, in addition, was an ornamental sculptor, and executed those wonderful decorations on the outside of houses in which builders delight. The trade is not a pleasant one, for it necessitates working at dizzy heights, on scaffolds that vibrate with every footstep, and exposes you to the heat of summer and the frosts of winter. The business, however, is well paid, and André got a good price for his stone figures and wreaths. But all the money he earned went in the study of the painter’s art, which was the secret desire of
