So Aubrey Vair’s romantic longings blew loose for a time, much as a seedling creeper might, planted in the midst of a flowerbed. But at last, in the fullness of time, the other woman came to the embrace of Aubrey Vair’s yearning heart-tendrils, and his romantic episode proceeded as is here faithfully written down.
The other woman was really a girl, and Aubrey Vair met her first at a tennis party at Redhill. Aubrey Vair did not play tennis after the accident to Miss Morton’s eye, and because latterly it made him pant and get warmer and moister than even a poet should be; and this young lady had only recently arrived in England, and could not play. So they gravitated into the two vacant basket chairs beside Mrs. Bayne’s deaf aunt, in front of the hollyhocks, and were presently talking at their ease together.
The other woman’s name was unpropitious—Miss Smith—but you would never have suspected it from her face and costume. Her parentage was promising, she was an orphan, her mother was a Hindu, and her father an Indian civil servant; and Aubrey Vair—himself a happy mixture of Kelt and Teuton, as, indeed, all literary men have to be nowadays—naturally believed in the literary consequences of a mixture of races. She was dressed in white. She had finely moulded pale features, great depth of expression, and a cloud of delicately frisé black hair over her dark eyes, and she looked at Aubrey Vair with a look half curious and half shy, that contrasted admirably with the stereotyped frankness of your common Reigate girl.
“This is a splendid lawn—the best in Redhill,” said Aubrey Vair in the course of the conversation; “and I like it all the better because the daisies are spared.” He indicated the daisies with a graceful sweep of his rather elegant hand.
“They are sweet little flowers,” said the lady in white, “and I have always associated them with England, chiefly, perhaps, through a picture I saw ‘over there’ when I was very little, of children making daisy chains. I promised myself that pleasure when I came home. But, alas! I feel now rather too large for such delights.”
“I do not see why we should not be able to enjoy these simple pleasures as we grow older—why our growth should have in it so much forgetting. For my own part—”
“Has your wife got Jane’s recipe for stuffing trout?” asked Mrs. Bayne’s deaf aunt abruptly.
“I really don’t know,” said Aubrey Vair.
“That’s all right,” said Mrs. Bayne’s deaf aunt. “It ought to please even you.”
“Anything will please me,” said Aubrey Vair; “I care very little—”
“Oh, it’s a lovely dish,” said Mrs. Bayne’s deaf aunt, and relapsed into contemplation.
“I was saying,” said Aubrey Vair, “that I think I still find my keenest pleasures in childish pastimes. I have a little nephew that I see a great deal of, and when we fly kites together, I am sure it would be hard to tell which of us is the happier. By the by, you should get at your daisy chains in that way. Beguile some little girl.”
“But I did. I took that Morton mite for a walk in the meadows, and timidly broached the subject. And she reproached me for suggesting ‘frivolous pursuits.’ It was a horrible disappointment.”
“The governess here,” said Aubrey Vair, “is robbing that child of its youth in a terrible way. What will a life be that has no childhood at the beginning?”
“Some human beings are never young,” he continued, “and they never grow up. They lead absolutely colourless lives. They are—they are etiolated. They never love, and never feel the loss of it. They are—for the moment I can think of no better image—they are human flowerpots, in which no soul has been planted. But a human soul properly growing must begin in a fresh childishness.”
“Yes,” said the dark lady thoughtfully, “a careless childhood, running wild almost. That should be the beginning.”
“Then we pass through the wonder and diffidence of youth.”
“To strength and action,” said the dark lady. Her dreamy eyes were fixed on the Downs, and her fingers tightened on her knees as she spoke. “Ah, it is a grand thing to live—as a man does—self-reliant and free.”
“And so at last,” said Aubrey Vair, “come to the culmination and crown of life.” He paused and glanced hastily at her. Then he dropped his voice almost to a whisper—“And the culmination of life is love.”
Their eyes met for a moment, but she looked away at once. Aubrey Vair felt a peculiar thrill and a catching in his breath, but his emotions were too complex for analysis. He had a certain sense of surprise, also, at the way his conversation had developed.
Mrs. Bayne’s deaf aunt suddenly dug him in the chest with her ear-trumpet, and someone at tennis bawled, “Love all!”
“Did I tell you Jane’s girls have had scarlet fever?” asked Mrs. Bayne’s deaf aunt.
“No,” said Aubrey Vair.
“Yes; and they are peeling now,” said Mrs. Bayne’s deaf aunt, shutting her lips tightly, and nodding in a slow, significant manner at both of them.
There was a pause. All three seemed lost in thought, too deep for words.
“Love,” began Aubrey Vair presently, in a severely philosophical tone, leaning back in his chair, holding his hands like a praying saint’s in front of him, and staring at the toe of his shoe—“love is, I believe, the one true and real thing in life. It rises above reason, interest, or explanation. Yet I never read of an age when it was so much forgotten as it is now. Never was love expected to run so much in appointed channels, never was it so despised, checked, ordered, and obstructed. Policemen say, ‘This way, Eros!’ As a result, we relieve our emotional possibilities in the hunt for gold and notoriety. And after all, with the best fortune in these, we only hold up the gilded images of our success, and are weary slaves, with unsatisfied hearts, in the pageant of life.”
Aubrey Vair sighed, and
