The summer passed at last into the harvest-time, and the leaves began falling. It was evening, the warm sunset light still touched the Downs, but up the valley a blue haze was creeping. One or two lamps in Reigate were already alight.
About halfway up the slanting road that scales the Downs, there is a wooden seat where one may obtain a fine view of the red villas scattered below, and of the succession of blue hills beyond. Here the girl with the shadowy face was sitting.
She had a book on her knees, but it lay neglected. She was leaning forward, her chin resting upon her hand. She was looking across the valley into the darkening sky, with troubled eyes.
Aubrey Vair appeared through the hazel-bushes, and sat down beside her. He held half a dozen dead leaves in his hand.
She did not alter her attitude. “Well?” she said.
“Is it to be flight?” he asked.
Aubrey Vair was rather pale. He had been having bad nights latterly, with dreams of the Continental Express, Mrs. Aubrey Vair possibly even in pursuit—he always fancied her making the tragedy ridiculous by tearfully bringing additional pairs of socks, and any such trifles he had forgotten, with her—all Reigate and Redhill in commotion. He had never eloped before, and he had visions of difficulties with hotel proprietors. Mrs. Aubrey Vair might telegraph ahead. Even he had had a prophetic vision of a headline in a halfpenny evening newspaper: “Young Lady abducts a Minor Poet.” So there was a quaver in his voice as he asked, “Is it to be flight?”
“As you will,” she answered, still not looking at him.
“I want you to consider particularly how this will affect you. A man,” said Aubrey Vair, slowly, and staring hard at the leaves in his hand, “even gains a certain éclat in these affairs. But to a woman it is ruin—social, moral.”
“This is not love,” said the girl in white.
“Ah, my dearest! Think of yourself.”
“Stupid!” she said, under her breath.
“You spoke?”
“Nothing.”
“But cannot we go on, meeting one another, loving one another, without any great scandal or misery? Could we not—”
“That,” interrupted Miss Smith, “would be unspeakably horrible.”
“This is a dreadful conversation to me. Life is so intricate, such a web of subtle strands binds us this way and that. I cannot tell what is right. You must consider—”
“A man would break such strands.”
“There is no manliness,” said Aubrey Vair, with a sudden glow of moral exaltation, “in doing wrong. My love”—
“We could at least die together, dearest,” she said.
“Good Lord!” said Aubrey Vair. “I mean—consider my wife.”
“You have not considered her hitherto.”
“There is a flavour—of cowardice, of desertion, about suicide,” said Aubrey Vair. “Frankly, I have the English prejudice, and do not like any kind of running away.”
Miss Smith smiled very faintly. “I see clearly now what I did not see. My love and yours are very different things.”
“Possibly it is a sexual difference,” said Aubrey Vair; and then, feeling the remark inadequate, he relapsed into silence.
They sat for some time without a word. The two lights in Reigate below multiplied to a score of bright points, and, above, one star had become visible. She began laughing, an almost noiseless, hysterical laugh that jarred unaccountably upon Aubrey Vair.
Presently she stood up. “They will wonder where I am,” she said. “I think I must be going.”
He followed her to the road. “Then this is the end?” he said, with a curious mixture of relief and poignant regret.
“Yes, this is the end,” she answered, and turned away.
There straightway dropped into the soul of Aubrey Vair a sense of infinite loss. It was an altogether new sensation. She was perhaps twenty yards away, when he groaned aloud with the weight of it, and suddenly began running after her with his arms extended.
“Annie,” he cried—“Annie! I have been talking rot. Annie, now I know I love you! I cannot spare you. This must not be. I did not understand.”
The weight was horrible.
“Oh, stop, Annie!” he cried, with a breaking voice, and there were tears on his face.
She turned upon him suddenly, and his arms fell by his side. His expression changed at the sight of her pale face.
“You do not understand,” she said. “I have said goodbye.”
She looked at him; he was evidently greatly distressed, a little out of breath, and he had just stopped blubbering. His contemptible quality reached the pathetic. She came up close to him, and, taking his damp Byronic visage between her hands, she kissed him again and again. “Goodbye, little man that I loved,” she said; “and goodbye to this folly of love.”
Then, with something that may have been a laugh or a sob—she herself, when she came to write it all in her novel, did not know which—she turned and hurried away again, and went out of the path that Aubrey Vair must pursue, at the crossroads.
Aubrey Vair stood, where she had kissed him, with a mind as inactive as his body, until her white dress had disappeared. Then he gave an involuntary sigh, a large exhaustive expiration, and so awoke himself, and began walking, pensively dragging his feet through the dead leaves, home. Emotions are terrible things.
“Do you like the potatoes, dear?” asked Mrs. Aubrey Vair at dinner. “I cooked them myself.”
Aubrey Vair descended slowly from cloudy, impalpable meditations to the level of fried potatoes. “These potatoes”—he remarked, after a pause during which he was struggling with recollection. “Yes. These potatoes have exactly the tints of the dead leaves of the hazel.”
“What a fanciful poet it is!” said Mrs. Aubrey Vair. “Taste them. They are very nice potatoes indeed.”
Here are some of the secrets of taxidermy. They were told me by the taxidermist in a mood of elation. He told me them in the time between the first glass of whisky and the fourth, when a man is no longer cautious and yet not drunk.
