Suspiria de Profundis

borne witness to the truth through flames, through torments, and through armies of fierce insulting faces. There were the saints who, under intolerable pangs, had glorified God by meek submission to his will. And all the time, whilst this tumult of sublime memorials held on as the deep chords from an accompaniment in the bass, I saw through the wide central field of the window, where the glass was uncolored, white fleecy clouds sailing over the azure depths of the sky; were it but a fragment or a hint of such a cloud, immediately under the flash of my sorrow-haunted eye, it grew and shaped itself into visions of beds with white lawny curtains; and in the beds lay sick children, dying children, that were tossing in anguish, and weeping clamorously for death. God, for some mysterious reason, could not suddenly release them from their pain; but he suffered the beds, as it seemed, to rise slowly through the clouds; slowly the beds ascended into the chambers of the air; slowly, also, his arms descended from the heavens, that he and his young children, whom in Judea, once and forever, he had blessed, though they must pass slowly through the dreadful chasm of separation, might yet meet the sooner. These visions were self-sustained. These visions needed not that any sound should speak to me, or music mould my feelings. The hint from the litany, the fragment from the clouds⁠—those and the storied windows were sufficient. But not the less the blare of the tumultuous organ wrought its own separate creations. And oftentimes in anthems, when the mighty instrument threw its vast columns of sound, fierce yet melodious, over the voices of the choir⁠—when it rose high in arches, as might seem, surmounting and overriding the strife of the vocal parts, and gathering by strong coercion the total storm into unity⁠—sometimes I seemed to walk triumphantly upon those clouds which so recently I had looked up to as mementos of prostrate sorrow, and even as ministers of sorrow in its creations; yes, sometimes under the transfigurations of music I felt9 of grief itself as a fiery chariot for mounting victoriously above the causes of grief.

I point so often to the feelings, the ideas, or the ceremonies of religion, because there never yet was profound grief nor profound philosophy which did not inosculate at many points with profound religion. But I request the reader to understand, that of all things I was not, and could not have been, a child trained to talk of religion, least of all to talk of it controversially or polemically. Dreadful is the picture, which in books we sometimes find, of children discussing the doctrines of Christianity, and even teaching their seniors the boundaries and distinctions between doctrine and doctrine. And it has often struck me with amazement, that the two things which God made most beautiful among his works, namely, infancy and pure religion, should, by the folly of man (in yoking them together on erroneous principles), neutralize each other’s beauty, or even form a combination positively hateful. The religion becomes nonsense, and the child becomes a hypocrite. The religion is transfigured into cant, and the innocent child into a dissembling liar.10

God, be assured, takes care for the religion of children, wheresoever his Christianity exists. Wheresoever there is a national church established, to which a child sees his friends resorting⁠—wheresoever he beholds all whom he honors periodically prostrate before those illimitable heavens which fill to overflowing his young adoring heart⁠—wheresoever he sees the sleep of death falling at intervals upon men and women whom he knows, depth as confounding to the plummet of his mind as those heavens ascend beyond his power to pursue⁠—there take you no thought for the religion of a child, any more than for the lilies how they shall be arrayed, or for the ravens how they shall feed their young.

God speaks to children, also, in dreams, and by the oracles that lurk in darkness. But in solitude, above all things, when made vocal by the truths and services of a national church, God holds “communion undisturbed” with children. Solitude, though silent as light, is, like light, the mightiest of agencies; for solitude is essential to man. All men come into this world alone; all leave it alone. Even a little child has a dread, whispering consciousness, that if he should be summoned to travel into God’s presence, no gentle nurse will be allowed to lead him by the hand, nor mother to carry him in her arms, nor little sister to share his trepidations. King and priest, warrior and maiden, childish mind in all things. King and priest, warrior and maiden, philosopher and child, all must walk those mighty galleries alone. The solitude, therefore, which in this world appals or fascinates a child’s heart, is but the echo of a far deeper solitude through which already he has passed, and of another solitude, deeper still, through which he has to pass: reflex of one solitude⁠—prefiguration of another.

O, burden of solitude, that cleavest to man through every stage of his being! in his birth, which has been⁠—in his life, which is⁠—in his death, which shall be⁠—mighty and essential solitude! that wast, and art, and art to be;⁠—thou broodest, like the spirit of God moving upon the surface of the deeps, over every heart that sleeps in the nurseries of Christendom. Like the vast laboratory of the air, which, seeming to be nothing, or less than the shadow of a shade, hides within itself the principles of all things, solitude for the child is the Agrippa’s mirror of the unseen universe. Deep is the solitude in life of millions upon millions, who, with hearts welling forth love, have none to love them. Deep is the solitude of those who, with secret griefs, have none to pity them. Deep is the solitude of those who, fighting with doubts or darkness, have none to counsel them. But deeper than