Praise for

THE LISTENING HOUSE

“Miss Seeley is to be welcomed as a very promising author of detective fiction.”

—The Times Literary Supplement

“Miss Seeley, with a good story to tell, ingenious plot and counter-plot, characters diverse and clearly seen, lifts her book into the first class.”

—The Observer

“Bloodcurdling. . . . Especially good.”

—Saturday Review of Literature

“The Crime Club have discovered a genius in Mabel Seeley. The author’s style is unusual: she tells her story in natural everyday language, but she puts it ‘right over’—and what a climax!”

—Manchester Evening News

“So packed with weird thrills that it grips from first page to last. . . . Should take its place as one of the best thrillers of the season.”

—National Newsagent

“First-rate whodunit, with enough of romance to give it a Mary Roberts Rinehart appeal. . . . This is a newcomer in the field—a good ’un.”

—Kirkus Reviews (starred review, September 1938)

Praise for the novels of Mabel Seeley

“Beautifully told by a writer who is expert at finding horror in commonplace settings. Recommended for highest honors.”

—The New Yorker

“The Crying Sisters is the Crime Club selection for this month, and it is an excellent mystery novel of the ‘atmospheric’ type. . . . It holds its interest from the beginning as it rises in crescendo toward climax.”

—The New York Times

“Satin-smooth mystery novel in a family fracas which starts with acts of malignant mischief and leads to murder. . . . Ingenuous manner for some ingenious matter—expert timing and mechanics and pleasant romantic asides. Velvet.”

—Kirkus Reviews (starred reviewed)

“Another superior job of atmosphere, character, and suspense.”

—Kirkus Reviews

TITLES BY MABEL SEELEY

The Listening House

The Chuckling Fingers

The Crying Sisters

The Whispering Cup

Eleven Came Back

The Beckoning Door

The Whistling Shadow

BERKLEY PRIME CRIME

Published by Berkley

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright © 1938 by Mabel Mysteries / Elsewhither Publishing, LLC

Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.

BERKLEY and the BERKLEY & B colophon are registered trademarks and BERKLEY PRIME CRIME is a trademark of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: Seeley, Mabel, 1903-1991, author.

Title: The listening house / Mabel Seeley.

Description: Berkley Prime Crime trade paperback edition. | New York: Berkley Prime Crime, 2021.

Identifiers: LCCN 2021007363 (print) | LCCN 2021007364 (ebook) |

ISBN 9780593334546 (trade paperback) | ISBN 9780593334553 (ebook)

Subjects: GSAFD: Mystery fiction.

Classification: LCC PS3537.E2826 L57 2021 (print) | LCC PS3537.E2826 (ebook) | DDC 813/.52—dc23

LC record available at https://lccn.loc.gov/2021007363

LC ebook record available at https://lccn.loc.gov/2021007364

Doubleday, Doran hardcover edition / January 1938

Pyramid mass-market edition / January 1973

Berkley Prime Crime trade paperback edition / June 2021

Cover illustration by Kim Johnson

Cover design by Rita Frangie

Book design by Alison Cnockaert, adapted for ebook by Kelly Brennan

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

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To Gregory

With Love

CONTENTS

Cover

Praise for The Listening House

Praise for Mabel Seeley

Titles by Mabel Seeley

Title Page

Copyright

Dedication

Dramatis Personae

Sketches of Mrs. Garr’s House

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

About the Author

DRAMATIS PERSONAE

GWYNNE DACRES, copywriter out of a job, lodger.

HARRIET LUELLA GARR, whose business is and has been the taking in of lodgers.

HODGE KISTLER, ex-reporter but not retired, lodger.

MR. JOSEPH WALLER, retired, lodger.

AGNES WALLER, wife of Joseph Waller.

MYRTLE SANDS, salesgirl, lodger.

CHARLES BUFFINGHAM, soda jerker, lodger.

JOHN GRANT, retired accountant, lodger.

MRS. HALLORAN, Mrs. Garr’s niece, mother of seven.

MR. HALLORAN, veteran of the World War.

MRS. TEWMAN, maid, resident in Mrs. Garr’s basement.

MR. TEWMAN, co-owner of a hamburger castle.

SAMUEL ZEITMAN, whose time is short.

ROVER, CECILIA, RICHARD, AND GEORGE, pets of Mrs. Garr.

LIEUTENANT PETER STROM, in charge of the homicide squad, Gilling City police.

RED AND JERRY, officers of patrol car 22, whose territory covers the state capitol section.

Reporters, additional police officers, a coroner, a ticket seller, doctors, nurses, etc.

Mrs. Dacres’ rough sketch of the basement in Mrs. Garr’s house

Mrs. Dacres’ rough sketch of the ground floor in Mrs. Garr’s house

Mrs. Dacres’ rough sketch of the first floor in Mrs. Garr’s house

1

I AM NOT SURE, myself, that I should open the door of Mrs. Garr’s house and let you in. I’m not at all sure that the truth about what happened there is tellable. People keep saying to me that the rumors going around are simply ghoulish, and ought to be laid to rest. But I’ve heard those rumors, some of them at least, and they’re not a bit more nightmarish than the truth. Finally, of course, I gave in to pressure.

“Okay, I’ll do it,” I said.

Because, after all, I’m the one that not only knows almost everything that went on in Mrs. Garr’s house in April, May, and June of this year, but also why a lot of it went on. And, unless Hodge Kistler wrote it, no one else could get the ending anywhere near right.

Since agreeing, I have made seventeen entirely separate and different beginnings.

I have begun with the cat’s swift sneak and hunch under the bookcase of that dark hall. I have begun with my first sight of Hodge Kistler chinning himself on the bar. I have begun with those terrifying hands reaching for my throat. I have begun with the opening of a door that led to an unimaginable

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