The Monster
By Edgar Saltus.
Imprint
This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
This particular ebook is based on a transcription from Project Gutenberg and on digital scans from the Internet Archive.
The source text and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. They may still be copyrighted in other countries, so users located outside of the United States must check their local laws before using this ebook. The creators of, and contributors to, this ebook dedicate their contributions to the worldwide public domain via the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.
Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.
I
When the clergyman had gone, the bride turned.
Before her was an open window before which was the open sea. In the air was a tropical languor, a savour of brine, the scent of lilies, the sound of mandolins that are far away. Below, in the garden, were masses of scarlet, high heaps of geranium blooms. A bit beyond was the Caprian blue of the San Diego Bay. There, a yacht rode, white and spacious. The yacht belonged to her husband who was beside her. She turned again and as passionately he embraced her; she coloured.
For the moment, as they stood there, they seemed so sheerly dissimilar that they might have come of alien races, from different zones. He, with his fair hair, his fair skin, his resolute and aggressive face, was typically Anglo-Saxon. She, with her delicate features, her dense black hair, and disquieting eyes, looked like a Madrilene Madonna—one of those fascinating and slightly shocking creations of seventeenth-century art that more nearly resemble infantas serenaded by caballeros than queens of the sky. There was a deeper contrast. He appeared frankly material; she, all soul.
Leisurely she freed herself.
“One might know,” she began, then paused. A smile completed the sentence.
He smiled too.
“Yes, Leilah, one might know that however I hold you to me, I never can hold you enough.”
“And I! I could be held by you forever.”
On the door came a tap, rapid and assured. A page entered, the preoccupation of the tip in his face, in his hand a platter of letters.
The man, taking the letters, dismissed him.
“Miss Ogston,” he continued. “From your father, confound him. It is the last time he will address you in that fashion. Miss Ogston,” he repeated. “From the Silverstairs, I fancy. Gulian Verplank. There is but one for me.”
He looked at his watch. “The launch from the yacht will be here shortly.”
“When do we start?”
“Whenever you like. The Marquesas will keep. Bora-Bora will be the same whenever we get there. Only—”
“Only what?”
“I am in love with you, not with hotels.”
“Let us go then. There will be a moon tonight?”
“A new one, a honeymoon, a honeymoon begun.”
“Gulian! As if it could end!”
In pronouncing the u in his name her mouth made the sketch of a kiss.
“You would not wish it to?” he asked.
“When I die, perhaps, and even then only to be continued hereafter. Heaven would not be heaven without you.”
She spoke slowly, with little pauses, in a manner that differed from his own mode of speech, which was quick and forceful.
Verplank turned to the letter that had been addressed to him, and which he still held. Without opening it, he tore it into long, thin strips. It was, he knew from the imprint, a communication of no importance; but, at the moment, the action seemed a reply to her remark. It served to indicate his complete indifference to everything and everyone save her only. Afterward, with a regret that was to be eternal, she wished he had done the same with hers.
Yet, pleased at the time, she smiled.
“Gulian, you do love me, but I wonder do you love me as absolutely as I love you?”
Verplank, with a gesture that was familiar to him, closed and opened a hand.
“I do not know. But while I think you cannot love me more wholly than I love you, I do know that to me you are the unique.”
Leilah moved to where he stood.
“Gulian, and you to me. You are the only one.” She moved closer. Raising her hands, she put them on his shoulders. “Tell me, shall you be long away?”
“An hour or two. Apropos, would you care to leave before dinner?”
“Yes.”
“We will dine on board, then. Is there anything in particular you would like?”
“Yes, lilies, plenty of lilies; and pineapples; and the sound of your voice.”
Lifting her hands from his shoulders to his face, she drew it to her own. Their lips met longly. With the savour of her about him, Verplank passed out.
Idly Leilah turned. Before her the sea lay, a desert of blue. Below, on the beach, it broke with a boom in high white waves which, in retreating, became faintly mauve. The spectacle charmed her. But other scenes effaced it; sudden pictures of the Marquesas; the long flight southward; the brief, bright days; the nights that would be briefer still. Pleasurably for a while these things detained her. Idly again she turned.
On the table were the letters. One was from an intimate friend, Violet Silverstairs, a