The House of the Seven Gables

extended a ruinous wooden fence of open latticework, through which could be seen a grassy yard, and, especially in the angles of the building, an enormous fertility of burdocks, with leaves, it is hardly an exaggeration to say, two or three feet long. Behind the house there appeared to be a garden, which undoubtedly had once been extensive, but was now infringed upon by other enclosures, or shut in by habitations and outbuildings that stood on another street. It would be an omission, trifling, indeed, but unpardonable, were we to forget the green moss that had long since gathered over the projections of the windows, and on the slopes of the roof nor must we fail to direct the reader’s eye to a crop, not of weeds, but flower-shrubs, which were growing aloft in the air, not a great way from the chimney, in the nook between two of the gables. They were called Alice’s Posies. The tradition was, that a certain Alice Pyncheon had flung up the seeds, in sport, and that the dust of the street and the decay of the roof gradually formed a kind of soil for them, out of which they grew, when Alice had long been in her grave. However the flowers might have come there, it was both sad and sweet to observe how Nature adopted to herself this desolate, decaying, gusty, rusty old house of the Pyncheon family; and how the ever-returning Summer did her best to gladden it with tender beauty, and grew melancholy in the effort.

There is one other feature, very essential to be noticed, but which, we greatly fear, may damage any picturesque and romantic impression which we have been willing to throw over our sketch of this respectable edifice. In the front gable, under the impending brow of the second story, and contiguous to the street, was a shop-door, divided horizontally in the midst, and with a window for its upper segment, such as is often seen in dwellings of a somewhat ancient date. This same shop-door had been a subject of no slight mortification to the present occupant of the august Pyncheon House, as well as to some of her predecessors. The matter is disagreeably delicate to handle; but, since the reader must needs be let into the secret, he will please to understand, that, about a century ago, the head of the Pyncheons found himself involved in serious financial difficulties. The fellow (gentleman, as he styled himself) can hardly have been other than a spurious interloper; for, instead of seeking office from the king or the royal governor, or urging his hereditary claim to Eastern lands, he bethought himself of no better avenue to wealth than by cutting a shop-door through the side of his ancestral residence. It was the custom of the time, indeed, for merchants to store their goods and transact business in their own dwellings. But there was something pitifully small in this old Pyncheon’s mode of setting about his commercial operations; it was whispered, that, with his own hands, all beruffled as they were, he used to give change for a shilling, and would turn a halfpenny twice over, to make sure that it was a good one. Beyond all question, he had the blood of a petty huckster in his veins, through whatever channel it may have found its way there.

Immediately on his death, the shop-door had been locked, bolted, and barred, and, down to the period of our story, had probably never once been opened. The old counter, shelves, and other fixtures of the little shop remained just as he had left them. It used to be affirmed, that the dead shopkeeper, in a white wig, a faded velvet coat, an apron at his waist, and his ruffles carefully turned back from his wrists, might be seen through the chinks of the shutters, any night of the year, ransacking his till, or poring over the dingy pages of his daybook. From the look of unutterable woe upon his face, it appeared to be his doom to spend eternity in a vain effort to make his accounts balance.

And now⁠—in a very humble way, as will be seen⁠—we proceed to open our narrative.

II

The Little Shopwindow

It still lacked half an hour of sunrise, when Miss Hepzibah Pyncheon⁠—we will not say awoke, it being doubtful whether the poor lady had so much as closed her eyes during the brief night of midsummer⁠—but, at all events, arose from her solitary pillow, and began what it would be mockery to term the adornment of her person. Far from us be the indecorum of assisting, even in imagination, at a maiden lady’s toilet! Our story must therefore await Miss Hepzibah at the threshold of her chamber; only presuming, meanwhile, to note some of the heavy sighs that labored from her bosom, with little restraint as to their lugubrious depth and volume of sound, inasmuch as they could be audible to nobody save a disembodied listener like ourself. The Old Maid was alone in the old house. Alone, except for a certain respectable and orderly young man, an artist in the daguerreotype line, who, for about three months back, had been a lodger in a remote gable⁠—quite a house by itself, indeed⁠—with locks, bolts, and oaken bars on all the intervening doors. Inaudible, consequently, were poor Miss Hepzibah’s gusty sighs. Inaudible the creaking joints of her stiffened knees, as she knelt down by the bedside. And inaudible, too, by mortal ear, but heard with all-comprehending love and pity in the farthest heaven, that almost agony of prayer⁠—now whispered, now a groan, now a struggling silence⁠—wherewith she besought the Divine assistance through the day! Evidently, this is to be a day of more than ordinary trial to Miss Hepzibah, who, for above a quarter of a century gone by, has dwelt in strict seclusion, taking no part in the business of life, and just as little in its intercourse and pleasures. Not