There were so many friends in Anson’s life—scarcely one for whom he had not done some unusual kindness and scarcely one whom he did not occasionally embarrass by his bursts of rough conversation or his habit of getting drunk whenever and however he liked. It annoyed him when anyone else blundered in that regard—about his own lapses he was always humorous. Odd things happened to him and he told them with infectious laughter.
I was working in New York that spring, and I used to lunch with him at the Yale Club, which my university was sharing until the completion of our own. I had read of Paula’s marriage, and one afternoon, when I asked him about her, something moved him to tell me the story. After that he frequently invited me to family dinners at his house and behaved as though there was a special relation between us, as though with his confidence a little of that consuming memory had passed into me.
I found that despite the trusting mothers, his attitude toward girls was not indiscriminately protective. It was up to the girl—if she showed an inclination toward looseness, she must take care of herself, even with him.
“Life,” he would explain sometimes, “has made a cynic of me.”
By life he meant Paula. Sometimes, especially when he was drinking, it became a little twisted in his mind, and he thought that she had callously thrown him over.
This “cynicism,” or rather his realization that naturally fast girls were not worth sparing, led to his affair with Dolly Karger. It wasn’t his only affair in those years, but it came nearest to touching him deeply, and it had a profound effect upon his attitude toward life.
Dolly was the daughter of a notorious “publicist” who had married into society. She herself grew up into the Junior League, came out at the Plaza, and went to the Assembly; and only a few old families like the Hunters could question whether or not she “belonged,” for her picture was often in the papers, and she had more enviable attention than many girls who undoubtedly did. She was dark-haired, with carmine lips and a high, lovely color, which she concealed under pinkish-gray powder all through the first year out, because high color was unfashionable—Victorian-pale was the thing to be. She wore black, severe suits and stood with her hands in her pockets leaning a little forward, with a humorous restraint on her face. She danced exquisitely—better than anything she liked to dance—better than anything except making love. Since she was ten she had always been in love, and, usually, with some boy who didn’t respond to her. Those who did—and there were many—bored her after a brief encounter, but for her failures she reserved the warmest spot in her heart. When she met them she would always try once more—sometimes she succeeded, more often she failed.
It never occurred to this gypsy of the unattainable that there was a certain resemblance in those who refused to love her—they shared a hard intuition that saw through to her weakness, not a weakness of emotion but a weakness of rudder. Anson perceived this when he first met her, less than a month after Paula’s marriage. He was drinking rather heavily, and he pretended for a week that he was falling in love with her. Then he dropped her abruptly and forgot—immediately he took up the commanding position in her heart.
Like so many girls of that day Dolly was slackly and indiscreetly wild. The unconventionality of a slightly older generation had been simply one facet of a postwar movement to discredit obsolete manners—Dolly’s was both older and shabbier, and she saw in Anson the two extremes which the emotionally shiftless woman seeks, an abandon to indulgence alternating with a protective strength. In his character she felt both the sybarite and the solid rock, and these two satisfied every need of her nature.
She felt that it was going to be difficult, but she mistook the reason—she thought that Anson and his family expected a more spectacular marriage, but she guessed immediately that her advantage lay in his tendency to drink.
They met at the large debutante dances, but as her infatuation increased they managed to be more and more together. Like most mothers, Mrs. Karger believed that Anson was exceptionally reliable, so she allowed Dolly to go with him to distant country clubs and suburban houses without inquiring closely into their activities or questioning her explanations when they came in late. At first these explanations might have been accurate, but Dolly’s worldly ideas of capturing Anson were soon engulfed in the rising sweep of her emotion. Kisses in the back of taxis and motorcars were no longer enough; they did a curious thing:
They dropped out of their world for a while and made another world just beneath it where Anson’s tippling and Dolly’s irregular hours would be less noticed and commented on. It was composed, this world, of varying elements—several of Anson’s Yale friends and their wives, two or three young brokers and bond salesmen and a handful of unattached men, fresh from college, with money and a propensity to dissipation. What this world lacked in spaciousness and scale it made up for by allowing them a liberty that it scarcely permitted itself. Moreover, it centred around them and permitted Dolly the pleasure of a faint condescension—a pleasure which Anson, whose whole life was a condescension from the certitudes of his
