Nel dolce mondo che dal sol s’allegra. …
Or c’attristiam’ nella belletta negra.
This is a prose version of a bylína: Alyósha Popóvich is one of the Kíev cycle. ↩
The strong man, the Serpent’s son. ↩
Hut. ↩
Koról’ king: hence princess. ↩
I have taken this story as it stands. There are obvious gaps I have not ventured to fill up. ↩
A mythical city, very probably derived from Θύλε. ↩
Earls. ↩
Diminutive of Iván; so too Ványa. ↩
Hut. ↩
A bold flier. ↩
Bandy-legged. ↩
Sitting behind the stove. ↩
Ídolishche, i.e. Big idol. ↩
Θεόφιλος. ↩
An equivalent to the Bába Yagá. ↩
Father. ↩
Hut. ↩
Hut. ↩
A mock patronymic for the Bull. ↩
A great forest in Central Russia, once impenetrable and always legendary. ↩
Grandmother. ↩
Father. ↩
Father. ↩
Hut. ↩
Hut. ↩
Hut. ↩
Shovels are used to insert loaves and pots deep into the oven. ↩
“n” and “k” to be sounded distinct as in pin-case. ↩
Uncle: term of affection. ↩
Princesses. ↩
Earls. ↩
Hut. ↩
The Caspian. ↩
Kazán was the last stronghold of the Tatars. It was stormed in 1549. ↩
Cf. English rough, German rauh, etc. ↩
In which the n and k are to be sounded separately as in pin-case. ↩
Rybnikov, I, 336. ↩
Colophon
Russian Folktales
was published between 1855 and 1863 by
A. N. Afanasyev.
It was translated from Russian in 1916 by
Leonard A. Magnus.
This ebook was produced for
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and is based on a transcription produced in 2020 by
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The cover page is adapted from
Ivan Zarevitsh,
a painting completed in 1880 by
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