Christophe made no reply, and went away laughing.
Olivier was right. It is not through words that a man can influence other men: but through his life. There are people who irradiate an atmosphere of peace from their eyes, and in their gestures, and through the silent contact with the serenity of their souls. Christophe irradiated life. Softly, softly, like the moist air of spring, it penetrated the walls and the closed windows of the somnolent old house: it gave new life to the hearts of men and women, whom sorrow, weakness, and isolation had for years been consuming, so that they were withered and like dead creatures. What a power there is in one soul over another! Those who wield that power and those who feel it are alike ignorant of its working. And yet the life of the world is in the ebb and flow controlled by that mysterious power of attraction.
On the second floor, below Christophe and Olivier’s room, there lived, as we have seen, a young woman of thirty-five, a Madame Germain, a widow of two years’ standing, who, the year before, had lost her little girl, a child of seven. She lived with her mother-in-law, and they never saw anybody. Of all the tenants of the house, they had the least to do with Christophe. They had hardly met, and they had never spoken to each other.
She was a tall woman, thin, but with a good figure; she had fine brown eyes, dull and rather inexpressive, though every now and then there glowed in them a hard, mournful light. Her face was sallow and her complexion waxy: her cheeks were hollow and her lips were tightly compressed. The elder Madame Germain was a devout lady, and spent all her time at church. The younger woman lived in jealous isolation in her grief. She took no interest in anything or anybody. She surrounded herself with portraits and pictures of her little girl, and by dint of staring at them she had ceased to see her as she was: the photographs and dead presentments had killed the living image of the child. She had ceased to see her as she was, but she clung to it: she was determined to think of nothing but the child: and so, in the end, she reached a point at which she could not even think of her: she had completed the work of death. There she stopped, frozen, with her heart turned to stone, with no tears to shed, with her life withered. Religion was no aid to her. She went through the formalities, but her heart was not in them, and therefore she had no living faith: she gave money for Masses, but she took no active part in any of the work of the Church: her whole religion was centered in the one thought of seeing her child again. What did the rest matter? God? What had she to do with God? To see her child again, only to see her again. … And she was by no means sure that she would do so. She wished to believe it, willed it hardly, desperately: but she was in doubt. … She could not bear to see other children, and used to think:
“Why are they not dead too?”
In the neighborhood there was a little girl who in figure and manner was like her own. When she saw her from behind, with her little pigtails down her back, she used to tremble. She would follow her, and, when the child turned round and she saw that it was not she, she would long to strangle her. She used to complain that the Elsberger children made a noise below her, though they were very quiet, and even very subdued by their upbringing: and when the unhappy children began to play about their room, she would send her maid to ask her neighbors to make them be quiet. Christophe met her once as he was coming in with the little girls, and was hurt and horrified by the hard way in which she looked at them.
One summer evening when the poor woman was sitting in the dark in the self-hypnotized condition of the utter emptiness of her living death, she heard Christophe playing. It was his habit to sit at the piano in the half-light, musing and improvising. His music irritated her, for it disturbed the empty torpor into which she had sunk. She shut the window angrily. The music penetrated through to her room. Madame Germain was filled with a sort of hatred for it. She would have been glad to stop Christophe, but she had no right to do so. Thereafter, every day at the same time she sat waiting impatiently and irritably for the music to begin: and when it was later than usual her irritation was only the more acute. In spite of herself, she had to follow the music through to the end, and when it was over she found it hard to sink back into her usual apathy.—And one evening, when she was curled up in a corner of her dark room, and, through the walls and the closed window, the distant music reached her, that light-giving music … she felt a thrill run through her, and once more tears came to her eyes. She went and opened the window, and stood there listening and weeping. The music was like rain drop by drop falling upon her poor withered heart, and giving it new life. Once more she could see the sky, the stars, the summer night: within herself she felt the dawning of a new interest in life, as yet only a poor, pale light, vague and sorrowful sympathy for others. And that night, for the first time for many months, the image of her little girl came to her in her dreams.—For the surest road to bring us near the beloved dead, the best means of seeing them again, is not to
