ever having any deep feeling. On the other hand, it became a sort of chronic illness with them: they were the first to laugh at it, but they used lovingly to cultivate it. They excited each other. Simone was more romantic and more cautious, and used to invent wilder stories. But Jacqueline, being more sincere and more ardent, came nearer to realizing them. She was twenty times on the brink of the most hopeless folly.⁠—However, she did not commit herself, as is the way with young people. There are times when these poor little crazy creatures⁠—(such as we have all been)⁠—are within an ace, some of suicide, others of flinging themselves into the arms of the first man who comes along. Only, thank God, almost all of them stop short at that. Jacqueline wrote countless rough drafts of passionate letters to men whom she hardly knew by sight: but she never sent any of them, except one enthusiastic letter, unsigned, to an ugly, vulgar, selfish critic, who was as cold-hearted as he was narrow-minded. She fell in love with him over a few lines in which she had discovered a rare wealth of sensibility. She was fired also by a great actor, who lived near her: whenever she passed his door she used to say to herself:

“Shall I go in?”

And once she made so bold as to go up to the door of his flat. When she found herself there, she turned and fled. What could she have talked to him about? She had nothing, nothing at all to say to him. She did not love him. And she knew it. In the greater part of her folly she was deceiving herself. And for the rest it was the old, old, delicious, stupid need of being in love. As Jacqueline was naturally intelligent, she knew that quite well, and it kept her from making a fool of herself. A fool who knows his folly is worth two who don’t.

She went out a good deal. There were many young men who felt her charm, and more than one of them was in love with her. She did not care what harm she did. A pretty girl makes a cruel game of love. It seems to her quite natural that she should be loved, and never considers that she owes anything to those who love her: she is apt to believe that her lover is happy enough in loving her. It must be said, by way of excuse, that she has no idea of what love is, although she thinks of nothing else all day long. One is inclined to think that a young girl in society, brought up in the hothouse atmosphere of a great town, would be more precocious than a country girl: but the opposite is the case. Her reading and conversation have made her obsessed by love, so obsessed that in her idle life it often borders on mania: and sometimes it happens that she has read the play beforehand, and knows it word for word by heart. But she never feels it. In love, as in art, it is useless to read what others have said: we can but say what we feel: and those who make haste to speak before they have anything to say are as likely as not to say nothing.

Jacqueline, like most young people, lived in an atmosphere clouded by the dust of the feelings of others, which, while it kept her in a perpetual fever, with her hands burning, and her throat dry, and her eyes sore, prevented her seeing anything. She thought she knew everything. It was not that she lacked the wish to know. She read and listened. She had picked up a deal of information, here and there, in scraps, from conversation and books. She even tried to read what was written in herself. She was much better than the world in which she lived, for she was more sincere.


There was one woman who had a good influence⁠—only too brief⁠—over her. This was a sister of her father’s, a woman of between forty and fifty, who had never married. Tall, with regular features, though sad and lacking in beauty, Marthe Langeais was always dressed in black: she had a sort of stiff distinction of feature and movement: she spoke very little, and she had a deep voice, almost like a man’s. But for the clear light in her intelligent gray eyes and the kind smile on her sad lips she would have passed unnoticed.

She only appeared at the Langeais’ on certain days, when they were alone. Langeais had a great respect for her, though she bored him. Madame Langeais made no attempt to disguise from her husband how little pleasure his sister’s visits gave her. However, they faced their duty, and had her to dinner once a week, and they did not let it appear too glaringly that they regarded it as a duty. Langeais used to talk about himself, which she always found interesting. Madame Langeais would think of something else, and, as a matter of habit, smile affably when she was spoken to. The dinner always went off very well, and she was invariably polite. Sometimes, even, she would be effusively affectionate when her tactful sister-in-law went away earlier than she had hoped: and Madame Langeais’s charming smile would be most radiant when she had any particularly pleasant memories to think of. Marthe saw through it all: very little escaped her eyes: and she saw many things in her brother’s house which shocked and distressed her. But she never let it appear: what was the good? She loved her brother, and had been proud of his cleverness and success, like the rest of the family, who had not thought the triumph of the eldest son too dear a price to pay for their poverty. She, at least, had preserved her independence of opinion. She was as clever as he was, and of a finer moral fiber, more

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