because they are afraid of the tittle-tattle of the town, or from a secret hostility, or from shyness, and because they are in the habit of frequenting cafés and consorting with low women, or because they are too tired after the day’s work and have a dislike, as a result of their work, for intellectual women. And the women themselves cannot bear each other, especially if they are compelled to live together in the school. The headmistress is often a woman absolutely incapable of understanding young creatures with a need of affection, who lose heart during the first few years of such a barren trade and such inhuman solitude; she leaves them with their secret agony and makes no attempt to help them; she is inclined to think that they are only vain and haughty. There is no one to take an interest in them. Having neither fortune nor influence, they cannot marry. Their hours of work are so many as to leave them no time in which to create an intellectual life which might bind them together and give them some comfort. When such an existence is not supported by an exceptional religious or moral feeling⁠—(I might say abnormal and morbid; for such absolute self-sacrifice is not natural)⁠—it is a living death.⁠ ⁠… —In default of intellectual work, what resources does charity offer to women? What great disappointments it holds out for those women who are too sincere to be satisfied with official or polite charity, philanthropic twaddle, the odious mixture of frivolity, beneficence, and bureaucracy, the trick of dabbling in poverty in the intervals of flirtation! And if one of them in disgust has the incredible audacity to venture out alone among the poor or the wretched, whose life she only knows by hearsay, think of what she will see! Sights almost beyond bearing! It is a very hell. What can she do to help them? She is lost, drowned in such a sea of misfortune. However, she struggles on, she tries hard to save a few of the poor wretches, she wears herself out for them, and drowns with them. She is lucky if she succeeds in saving one or two of them! But who is there to rescue her? Who ever dreams of going to her aid? For she, too, suffers, both with her own and the suffering of others: the more faith she gives, the less she has for herself; all these poor wretches cling desperately to her, and she has nothing with which to stay herself. No one holds out a hand to her. And sometimes she is stoned.⁠ ⁠… You knew, Christophe, the splendid woman who gave herself to the humblest and most meritorious charitable work; she took pity on the street prostitutes who had just been brought to childbed, the wretched women with whom the Public Aid would have nothing to do, or who were afraid of the Public Aid; she tried to cure them physically and morally, to look after them and their children, to wake in them the mother-feeling, to give them new homes and a life of honest work. She taxed her strength to the utmost in her grim labors, so full of disappointment and bitterness⁠—(so few are saved, so few wish to be saved! And think of all the babies who die! Poor innocent little babies, condemned in the very hour of their birth!⁠ ⁠…)⁠—That woman who had taken upon herself the sorrows of others, the blameless creature who of her own free will expiated the crimes of human selfishness⁠—how do you think she was judged, Christophe? The evil-minded public accused her of making money out of her work, and even of making money out of the poor women she protected. She had to leave the neighborhood, and go away, utterly downhearted.⁠ ⁠… —You cannot conceive the cruelty of the struggles which independent women have to maintain against the society of today, a conservative, heartless society, which is dying and expends what little energy it has left in preventing others from living.”

“My dear creature, it is not only the lot of women. We all know these struggles. And I know the refuge.”

“What is it?”

“Art.”

“All very well for you, but not for us. And even among men, how many are there who can take advantage of it?”

“Look at your friend Cécile. She is happy.”

“How do you know? Ah! You have jumped to conclusions! Because she puts a brave face on it, because she does not stop to think of things that make her sad, because she conceals them from others, you say that she is happy! Yes. She is happy to be well and strong, and to be able to fight. But you know nothing of her struggles. Do you think she was made for that deceptive life of art? Art! Just think of the poor women who long for the glory of being able to write or play or sing as the very summit of happiness! Their lives must be bare indeed, and they must be so hard pressed that they can find no affection to which to turn! Art! What have we to do with art, if we have all the rest with it? There is only one thing in the world which can make a woman forget everything else, everything else: and that is the child.”

“And when she has a child, you see, even that is not enough.”

“Yes. Not always.⁠ ⁠… Women are not very happy. It is difficult to be a woman. Much more difficult than to be a man. You men never realize that enough. You can be absorbed in an intellectual passion or some outside activity. You mutilate yourselves, but you are the happier for it. A healthy woman cannot do that without suffering for it. It is inhuman to stifle a part of yourself. When we women are happy in one way, we regret that we are not happy in another. We have several souls. You men have but one, a more vigorous soul, which is often

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