was at present only indicated by a few vague splashes close to the side of the head of brilliant purple and brilliant green, and the artist’s mouth might well water at the thought of the few days painting that lay before him. For behind the figure in the long panel-shaped canvas was to be painted a green trellis, over which, almost hiding the woodwork, there was to sprawl a great purple clematis in full flaunting glory of varnished leaf and starry flower. At the top would be just a strip of pale summer sky, at her feet just a strip of grey-green grass, but all the rest of the background, greatly daring, would be this diaper of green and purple. For the purpose of putting this in, he was going down to a small cottage of his near Godalming, where he had built in the garden a sort of outdoor studio, an erection betwixt a room and a mere shelter, with the side to the north entirely open, and flanked by this green trellis which was now one immense constellation of purple stars. Framed in this, he well knew how the strange pale beauty of his sitter would glow on the canvas, how she would start out of the background, she and her huge grey hat, and shining grey dress, and yellow hair and ivory white skin and pale eyes, now blue, now grey, now green. This was indeed a thing to look forward to, for there is probably no such unadulterated rapture known to men as creation, and it was small wonder that Dick’s mood, as he travelled down to Godalming, was buoyant and effervescent. For he was going, so to speak, to realise his creation: every purple star of clematis, every green leaf and piece of trellis-work that he put in, would cause what he had painted to live and shine, just as it is the layers of dusk that fall over the sky at evening which make the stars to sparkle there, jewel-like. His scheme was assured, he had hung his constellation⁠—the figure of Lady Madingley⁠—in the sky: and now he had to surround it with the green and purple night, so that it might shine.

His garden was but a circumscribed plot, but walls of old brick circumscribed it, and he had dealt with the space at his command with a certain originality. At no time had his grass plot (you could scarcely call it “lawn”) been spacious; now the outdoor studio, twenty-five feet by thirty, took up the greater part of it. He had a solid wooden wall on one side and two trellis walls to the south and east, which creepers were beginning to clothe and which were faced internally by hangings of Syrian and Oriental work. Here in the summer he passed the greater part of the day, painting or idling, and living an outdoor existence. The floor, which had once been grass, which had withered completely under the roof, was covered with Persian rugs; a writing-table, and a dining-table were there, a bookcase full of familiar friends and a half-dozen of basket chairs. One corner, too, was frankly given up to the affairs of the garden, and a mowing machine, a hose for watering, shears, and spade stood there. For like many excitable persons, Dick found that in gardening, that incessant process of plannings and designings to suit the likings of plants, and make them gorgeous in colour and high of growth, there was a wonderful calm haven of refuge for the brain that had been tossing on emotional seas. Plants, too, were receptive, so responsive to kindness; thought given to them was never thought wasted, and to come back now after a month’s absence in London was to be assured of fresh surprise and pleasure in each foot of garden-bed. And here, with how regal a generosity was the purple clematis to repay him for the care lavished on it. Every flower would show its practical gratitude by standing model for the background of his picture.

The evening was very warm, warm not with any sultry premonition of thunder, but with the clear, clean heat of summer, and he dined alone in his shelter, with the after-flames of the sunset for his lamp. These slowly faded into a sky of velvet blue, but he lingered long over his coffee looking northwards across the garden towards the row of trees that screened him from the house beyond. These were acacias, most graceful and feminine of all green things that grow, summer-plumaged now, yet still fresh of leaf. Below them ran a little raised terrace of turf and nearer the beds of the beloved garden; clumps of sweet peas made an inimitable fragrance, and the rose-beds were pink with Baroness Rothschild and La France, and copper-coloured with Beauté Inconstante, and the Richardson rose. Then, nearer at hand, was the green trellis foaming with purple.

He was sitting there, hardly looking, but unconsciously drinking in this great festival of colour, when his eye was arrested by a dark slinking form that appeared among the roses, and suddenly turned two shining luminous orbs on him. At this he started up, but his movement caused no perturbation in the animal, which continued with back arched for stroking, and poker-like tail, to advance towards him, purring. As it came closer Dick felt that shuddering faintness, which often affected him in the presence of cats, come over him, and he stamped and clapped his hands. At this it turned tail quickly: a sort of dark shadow streaked the garden-wall for a moment, and it vanished. But its appearance had spoiled for him the sweet spell of the evening, and he went indoors.

The next morning was pellucid summer: a faint north wind blew, and a sun worthy to illumine the isles of Greece flooded the sky. Dick’s dreamless and (for him) long sleep had banished from his mind that rather disquieting incident of the cat, and he set up his canvas facing

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