after, on her dying bed, declared the secret of her crime to a minister of an independent congregation, who was induced, by the report of her despair, to visit her. She confessed that, being instigated by avarice, and still more by the desire of regaining her lost consequence in the family, and knowing the wealth and dignity her son would acquire, and in which she must participate, by his marriage with Margaret, she had, after using all the means of persuasion and entreaty, been driven, in despair at her disappointment, to fabricate a tale as false as it was horrible, which she related to her deluded son on the evening before his intended nuptials with Elinor. She had assured him he was not her son, but the offspring of the illicit commerce of her husband the preacher with the Puritan mother of Elinor, who had formerly been one of his congregation, and whose well-known and strongly-expressed admiration of his preaching had been once supposed extended to his person⁠—had caused her much jealous anxiety in the early years of their marriage, and was now made the basis of this horrible fiction. She added, that Margaret’s obvious attachment to her cousin had, in some degree, palliated her guilt to herself; but that, when she saw him quit her house in despair on the morning of his intended marriage, and rush he knew not whither, she was half tempted to recall him, and confess the truth. Her mind again became hardened, and she reflected that her secret was safe, as she had bound him by an oath, from respect to his father’s memory, and compassion to the guilty mother of Elinor, never to disclose the truth to her daughter.

The event had succeeded to her guilty wishes.⁠—Sandal beheld Elinor with the eyes of a brother, and the image of Margaret easily found a place in his unoccupied affections. But, as often befalls to the dealers in falsehood and obliquity, the apparent accomplishment of her hopes proved her ruin. In the event of the marriage of John and Margaret proving issueless, the estates and title went to the distant relative named in the will; and her son, deprived of reason by the calamities in which her arts had involved him, was by them also deprived of the wealth and rank to which they were meant to raise him, and reduced to the small pension obtained by his former services⁠—the poverty of the King, then himself a pensioner of Louis XIV, forbidding the possibility of added remuneration. When the minister heard to the last the terrible confession of the dying penitent, in the awful language ascribed to Bishop Burnet when consulted by another criminal⁠—he bid her “almost despair,” and departed.


Elinor has retired, with the helpless object of her unfading love and unceasing care, to her cottage in Yorkshire. There, in the language of that divine and blind old man, the fame of whose poetry has not yet reached this country, it is

“Her delight to see him sitting in the house,”

and watch, like the father of the Jewish champion, the growth of that “God-given strength,” that intellectual power, which, unlike Samson’s, will never return.

After an interval of two years, during which she had expended a large part of the capital of her fortune in obtaining the first medical advice for the patient, and “suffered many things of many physicians,” she gave up all hope⁠—and, reflecting that the interest of her fortune thus diminished would be but sufficient to procure the comforts of life for herself and him whom she has resolved never to forsake, she sat down in patient misery with her melancholy companion, and added one more to the many proofs of woman’s heart, “unwearied in well-doing,” without the intoxication of passion, the excitement of applause, or even the gratitude of the unconscious object.

Were this a life of calm privation, and pulseless apathy, her efforts would scarce have merit, and her sufferings hardly demand compassion; but it is one of pain incessant and immitigable. The firstborn of her heart lies dead within it; but that heart is still alive with all its keenest sensibilities, its most vivid hopes, and its most exquisite sense of grief.


She sits beside him all day⁠—she watches that eye whose light was life, and sees it fixed on her in glassy and unmeaning complacency⁠—she dreams of that smile which burst on her soul like the morning sun over a landscape in spring, and sees that smile of vacancy which tries to convey satisfaction, but cannot give it the language of expression. Averting her head, she thinks of other days. A vision passes before her.⁠—Lovely and glorious things, the hues of whose colouring are not of this world, and whose web is too fine to be woven in the loom of life⁠—rise to her eye like the illusions of enchantment. A strain of rich remembered music floats in her hearing⁠—she dreams of the hero, the lover, the beloved⁠—him in whom were united all that could dazzle the eye, inebriate the imagination, and melt the heart. She sees him as he first appeared to her⁠—and the mirage of the desert present not a vision more delicious and deceptive⁠—she bends to drink of that false fountain, and the stream disappears⁠—she starts from her reverie, and hears the weak laugh of the sufferer, as he moves a little water in a shell, and imagines he sees the ocean in a storm!


She has one consolation. When a short interval of recollection returns⁠—when his speech becomes articulate⁠—he utters her name, not that of Margaret, and a beam of early hope dances on her heart as she hears it, but fades away as fast as the rare and wandering ray of intellect from the lost mind of the sufferer!


Unceasingly attentive to his health and his comforts, she walked out with him every evening, but led him through the most sequestered paths, to avoid those whose mockful persecution, or whose vacant pity, might be equally torturing to

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