See a comedy of Wycherly’s, entitled, Love in a Wood, or St. James’s Park, where the company are represented going there at night in masks, and with torches. ↩
Taylor’s Book of Martyrs. ↩
Anachronism—n’importe. ↩
In Cowley’s Cutter of Coleman Street, Mrs. Tabitha, a rigid Puritan, tells her husband she had danced the Canaries in her youth. And in Rushworth’s Collections, if I remember right, Prynne vindicates himself from the charge of a general denunciation against dancing, and even speaks of the “Measures,” a stately, solemn dance, with some approbation. ↩
As this whole scene is taken from fact, I subjoin the notes whose modulation is so simple, and whose effect was so profound.
Ireland—forsan. ↩
Vide Dillon’s Travels Through Spain. ↩
The celebrated manufactory for glass in Spain. ↩
He called unto me out of Seir, Watchman, what of the night?—Watchman, what of the night? —Isaiah ↩
Vide the beautiful tale of Auheta the Princess of Egypt, and Maugraby the Sorcerer, in the Arabian Tales. ↩
From this it should seem that they were unacquainted with the story of Elinor Mortimer. ↩
Vide the original play, of which there is a curious and very obsolete translation. ↩
Colophon
Melmoth the Wanderer
was published in 1820 by
Charles Robert Maturin.
This ebook was produced for
Standard Ebooks
by
Christopher Hapka,
and is based on transcriptions produced in 2016 by
David Edwards, Jana Srna, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans from the
Internet Archive.
The cover page is adapted from
Shipwreck Off a Rocky Coast,
a painting completed c. 1810 by
Thomas Buttersworth.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
March 15, 2024, 6:17 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/charles-robert-maturin/melmoth-the-wanderer.
The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.
Uncopyright
May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.
Copyright pages exist to tell you that you can’t do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.
Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.
Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright. That means that nobody can claim a new copyright on an item that is in the public domain for, among other things, work like digitization, markup, or typography. Regardless, the contributors to this ebook release their contributions under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the source text or artwork. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.
